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Jambangle. Gil Evans. B-Flat Trumpet sheet music. Bass Trombone sheet music. Bassoon sheet music. Drums sheet music. Horn sheet music. Percussion sheet music. Piano sheet music. Advanced.

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Jambangle. Gil Evans. Trobenta notno B-Flat. Bass pozavna note. Fagot note. Bobni note. Horn note. Tolkala note. Klavir note. Napredno.

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Jambangle by Gil Evans. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For little big band. 8 horns with rhythm section. Soprano Saxophone, Alto Saxophone, Bassoon. or Baritone Saxophone. , Horn in F. or Tenor Saxophone. , 2 Trumpets, 1 Trombone, 1 Bass Trombone, Piano, Bass, Drums,. Swing. Difficult. Full score and set of parts. Published by Jazz Lines Publications. JL.JLP-8096. Jambangle was one of the earliest compositions by Evans after several years of arranging the music of others. He originally wrote the piece for the previously mentioned Jazz Workshop, led by Hal McKusick, and this version was recorded on April 6, 1956. Evans new version was recorded by Rudy Van Gelder on October 11, 1957. This Jazz Lines edition of Jambangle has been extensively re-edited using a photocopy of the original score in Evans hand. Please note that for this publication, the French horn part has a key signature on the score and part. Evans did not use one. Also please note that the piano part has been transcribed. it does not appear on the score. Bars 59-64 were missing chord names. Jambangle is an excellent example of Evans reworking a piece hed written some time before. This version uses many of the same ideas as the arrangement for McKusick, but is improved in every way here. As was usual with Evans, he took the opportunity to experiment, create problems for himself and then solve them as creatively as possible. According to Howard Johnson and Anita Evans, tubist Bill Barber was not available for this album, so Evans chose a bass trombone. He also used a bassoon instead of a baritone saxophone as a bass instrument. although here again, he also exploits the high range of the instrument. shades of Stravinskys Rite of Spring. At this point in his life, he was no longer using a five-person saxophone section anyway. the only saxophone on Miles Ahead, and Porgy and Bess was an alto sax. the rest of the reed section were three players who doubled on clarinets and flutes of various sizes. In a way, the instrumentation on Gil Evans & 10 is an elaboration of the one used for the Miles Davis Nonet. He used a similar instrumentation on his two World Pacific albums, and also the band he led at the Jazz Gallery in 1960. A concern is the blend of the group. The conductor must resist the temptation of making the bassoon play louder to fill up the bottom of the ensemble. It is clear that Evans wanted the bottom to be felt more than heard. Even though the alto sax is barely audible on the original tape, this part needs to be equal to the other two reeds. Please do not replace the soprano sax part with a clarinet. The five brass should balance well with a bit of practice. The out-chorus at Letter P is particularly challenging, as no one instrument should stick out over the trumpets who are quite low at some points. This piece can be opened up for more solos, and backgrounds reused at the conductors discretion. Also, we have included a tenor saxophone part as an alternate for the horn and a baritone saxophone part as an alternate for the bassoon. Jeffrey Sultanof -February 2010 Note. The sound sample is courtesy of the Manhattan School of Music's Concert Jazz Band, conducted by Justin DiCioccio.

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Jambangle Gil Evans. Uredil Jeffrey Sultanof. Uredil Gil Evans. Za malo big band. 8 rogovi z ritem sekcijo. Sopran saksofon, altovski saksofon, fagot. ali bariton saksofon. , Horn v F. ali tenor saksofon. , 2 trobente, 1 pozavna, 1 bas pozavna, klavir, bas, bobni,. Swing. Težko. Polna rezultat in sklop delov. Izdala Jazz Lines publikacije. JL.JLP-8096. Jambangle je bil eden od prvih skladb Evans je po več letih urejanja glasbo drugih. On je prvotno napisal kos za prej omenjene Jazz Workshop, ki jih Hal McKusick vodstvom, in ta verzija je bila posneta na 6 april 1956. Evans nova različica je bila zabeležena Rudy Van Gelder na 11 oktober 1957. To Jazz Lines izdaja Jambangle je bil v veliki meri ponovno uredili rabijo fotokopijo originalnega točk v Evans strani. Prosimo, upoštevajte, da se rog del ima ključno podpis za to objavo na rezultat in del. Evans ni uporabil eno. Prav tako upoštevajte, da je bil klavirski del prepisal. ne zdi glede na seštevek. Palice 59-64 manjkajo imena tetiva. Jambangle je odličen primer Evans popravkom kos Hed pisni nekaj časa, preden. Ta različica uporablja veliko enakih idej, kot ureditvi McKusick, vendar pa se je izboljšala v vseh pogledih tukaj. Kot je običajno pri Evans, je izkoristila priložnost za eksperimentiranje, povzročajo težave pri sebi in potem njihovo reševanje kot ustvarjalno, kot je mogoče. Glede na Howard Johnson in Anita Evans, tubist Bill Barber ni bil na voljo za ta album, tako Evans izbral bas pozavno. Bil je tudi fagot namesto s bariton saksofon kot instrument bas. čeprav tu je tudi izkorišča visoko obseg instrumenta. odtenki Stravinskys Posvetitev pomladi. Na tej točki v svojem življenju, je bil ne uporabljate več odsek saksofon pet-člansko vseeno. Samo saksofon na Miles Ahead, in Porgy in Bess je alt saksofon. Preostali del odseka pisani so bili trije igralci, ki podvojil na klarineti in flavte različnih velikosti. Na nek način, instrumentacija na Gil Evans. Uporabil je podoben instrumentacijo na njegovih dveh Svetovna pacifiških albumov in tudi bend je vodil v Jazz Gallery v letu 1960. Skrb je mešanica skupine. Dirigent mora upreti skušnjavi, da bi fagot igram glasneje, da izpolnite spodnji del ansambla. Jasno je, da Evans želel dno se počutil več kot slišano. Čeprav alt sax komajda slišen na prvotni traku, ta del mora biti enaka drugi dve piščalmi. Prosim, ne nadomeščajo soprano sax del s klarinet. Pet medenina bi bilo tudi uravnotežiti z malo vaje. Out-chorus na črko P je poseben izziv, saj nihče ne bi instrument držijo čez trobente, ki so precej nizko na nekaterih točkah. Ta del se lahko odpre za več solističnih in ozadja ponovno uporabi po presoji vodniki. Prav tako smo vključili tenor saksofon sodeloval kot namestnik za rog in bariton saksofon dela kot namestnik za fagot. Jeffrey Sultanof-februar 2010 Note. Zvok vzorec je courtesy of Manhattan School of Music koncert Jazz Band, ki ga Justin DiCioccio izvedla.