Partiture $50.00

Originalno

Concerto for Percussion Solo & Orchestra. B-Flat Trumpet sheet music. English Horn sheet music. Percussion sheet music. Timpani sheet music. Trombone sheet music. Tuba sheet music.

Prevod

Koncert za tolkala Solo. Trobenta notno B-Flat. Angleški rog note. Tolkala note. Timpani note. Pozavna note. Tuba note.

Originalno

Concerto for Percussion Solo & Orchestra composed by Ziek. Arranged by Nathan Daughtrey. For Soloist. with Full Orchestra. Piccolo, Flute 1. 2, Oboe 1. 2, English Horn, E-flat Clarinet, Clarinet 1. 2, Bassoon 1. 2, Trumpet 1 in C, Trumpet 2. 3 in C, Horn 1. 3, Horn 2. 4, Trombone 1, Trombone 2. 3, Tuba, Solo Percussion, Timpani, Percussion 1. tam tam, wind chimes, temple blocks, wind. Grade 5. Score only. Duration 14. 20. Published by C. Alan Publications. CN.05385. This concerto is in three connected movements and features the soloist on a variety of instruments, including marimba, vibraphone, bells, and crotales and a large percussion battery with two snare drums, multiple toms, brake drums, and bass drum. Concerto for Percussion Solo was composed in January of 2001 as a showcase for the talents of percussionist Scott Herring. The concerto is in three connected movements and features the soloist on a variety of instruments, including marimba, vibraphone, bells, and crotales. A large percussion battery with two snare drums, multiple toms, brake drums, and bass drum is also used. The first movement, March, utilizes a quasi five-part rondo form. The movement starts with a solo snare drum, with the ensemble providing melodic interjections. The introduction builds to the first solo marimba entrance. A left hand ostinato leads to a melodic figure which alternates between six-eight and common time. A short snare drum solo sets up the middle section, in which the soloist and ensemble trade musical ideas. The multi-meter passage returns, with the soloist embellishing ensemble melodic figures. An abrupt modulation leads to the final section, which echoes the opening ideas of the movement. March ends with the soloist back on the snare drum, as it comes quietly to its conclusion. The concerto immediately segues into the second movement, Meditation, which begins with the ethereal sound of multiple sets of wind chimes. As the movement progresses, the soloist plays long, reflective lines over a simple accompaniment, on various combinations of keyboard percussion instruments. The movement builds to a moment of triumph, before returning to its initial contemplative state. Fantasia. a free flight of fantasy. immediately shatters the previous mood. A loud, cacophonous accompaniment provides a charged atmosphere for the soloist to utilize the percussion battery. A short melodic section, noble in character, leads to the initial climax of the final movement. The atmosphere abruptly changes again, as the ensemble and soloist embark upon a fast, violent new section. Musical lines are furiously exchanged, leading up to a thunderous percussive display. The mood is suddenly tinged with blues and jazz influences, letting the soloist function in a manner reminiscent of a drum set player. The final section of Fantasia begins with a unaccompanied marimba solo, played at breakneck speed. The ensemble begins to gradually join the soloist, as the movement builds to a final, fortissimo climax.

Prevod

Koncert za tolkala Solo. Uredil Nathan Daughtrey. Za Solist. z orkestrom. Pikolo, flavta 1. 2, oboa 1. 2, angleški rog, E-flat klarinet, klarinet 1. 2, fagot 1. 2, Trobenta 1 v C, trobenta 2. 3 v C, rog 1. 3, Horn 2. 4, pozavna 1, pozavna 2. 3, Tuba, Solo tolkala, Timpani, tolkala 1. Tam Tam, veter zvončki, temple bloki, veter. Stopnje 5. Rezultat le. Trajanje 14. 20. Izdala C. Alan publikacije. CN.05385. Koncert je sestavljen iz treh povezanih gibanj in značilnosti solista na različnih instrumentov, vključno marimba, vibrafon, zvonci in crotales in veliko tolkal baterijo z dvema snare bobni, številnimi toms, zavorni bobni in bas boben. Koncert za tolkala Solo je bil sestavljen v januarju leta 2001 kot razstavni prostor za talente tolkalec Scott Herring. Koncert je sestavljen iz treh povezanih gibanj in značilnosti solista na različnih instrumentov, vključno ksilofon, vibrafon, zvončki in crotales. Uporablja se tudi veliko tolkala baterija z dvema snare bobni, številnimi toms, zavorni bobni in bas boben. Prvi stavek, marec, uporablja kvazi petdelnega Rondo obrazec. Gibanje se začne s solo snare boben, z ansamblom zagotavlja melodične interjections. Uvedba gradi na prvem vhodu v solo marimbo. Levica Ostinato vodi do melodičnega sliki, ki niha med 6-8 in skupnega časa. Skratka snare drum solo vzpostavlja srednji del, v katerem solist in ansambel trgovina glasbenih idej. Prehod multi-meter vrne, s solistom embellishing ansambla melodične številke. Nenadna modulacija vodi v zadnjem delu, ki odmeva odpirajo ideje o o gibanju. Pohod se zaključi s solistom nazaj na snare boben, saj prihaja tiho njegove sklenitve. Koncert takoj segues v drugem gibanja, meditacije, ki se začne z eteričnem zvok več sklopov veter zvončki. Kot napreduje gibanje, solist ima dolge, odsevne črte preko preprostega spremljavo, na različnih kombinacij glasbil s tipkami tolkala. Gibanje temelji na trenutek zmagoslavja, preden se vrne na svojo začetno kontemplativno stanje. Fantasy. brez Let domišljije. takoj razbije prejšnji razpoloženje. Glasen, cacophonous spremljava zagotavlja razgretem ozračju za solista izkoristiti tolkala baterijo. Skratka melodičnejše odsek, plemenita značaja, vodi do začetnega vrhunec sklepni. Ozračje nenadoma spet spremeni, kot ansambel in solist stopijo na hitro, nasilno nov oddelek. Glasbeni linije so besno izmenjujejo, kar vodi do bučnim udarnega zaslonu. Razpoloženje je nenadoma obarvana z bluesa in jazza, dajanje v najem funkcijo solist na način, ki spominja na bobne predvajalnik. Zadnji del Fantasia začne z mladoletnika brez marimbo solo, igral z vratolomno hitrostjo. Ansambel se začne postopoma pridružila solista, saj gradi gibanje do končnega, fortissimo vrhunca.