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Originalno

Chamber Symphony No. 2 for Bassoon. Daniel McCarthy. Bassoon Solo sheet music. Double Bass sheet music. Horn sheet music. Marimba sheet music. Oboe sheet music. Percussion sheet music. Soprano Saxophone sheet music. Advanced.

Prevod

Zbornica Simfonija št 2 za fagot. Daniel McCarthy. Fagot Solo note. Dvojni bas note. Horn note. Marimba note. Oboa note. Tolkala note. Sopran saksofon note. Napredno.

Originalno

Chamber Symphony No. 2 for Bassoon. Bassoon Feature. Composed by Daniel McCarthy. Arranged by A. Dancy. Chamber Ensemble. For Solo Bassoon, Chamber Winds & Percussion. solo bassoon, flute, oboe, soprano saxophone, clarinet in Bb, bass clarinet, bassoon, horn in F, percussion. maracas, temple blocks, suspended cymbal, tam tam, bongos, castanets, triangle. , marimba. 4.5-octave. , double bass. Medium difficult. Score only. Duration 16. 00. Published by C. Alan Publications. CN.05861. The title "Chamber Symphony" indicates that "the wind ensemble is more intimately involved. musically speaking. with the soloist than a accompaniment as in a concerto. In this regard, the single winds and bassoon are treated integrally although the bassoon is the featured instrument. Chamber Symphony No. 2 for Bassoon and Winds was commissioned for Barrick Stees by the Michigan State University Bands, John Whitwell, Conductor. This piece follows the format of McCarthy's Chamber Symphony. No. 1. for Marimba and Winds, a virtuosic composition for solo instrument and chamber ensemble that has more musically involved accompaniment than implied by the term 'concerto. ' Daniel McCarthy met Barrick Stees as a colleague at the Interlochen Summer Arts Festival. Interlochen Arts Camp, Interlochen, Michigan. in the summer of 1995. Since that time, McCarthy and Stees have worked together on numerous recording and performance projects - most recently, the recording of another commissioned work of McCarthy's by Stees, All the West Was Moving. Centaur Records. Barrick Stees and The Arianna String Quartet. For Chamber Symphony No. 2, McCarthy prefers the multi-movement format, six movements of varying lengths. Similar to some of Beethoven's late string quartets, McCarthy uses two shorter movements as introductions to others, namely the two 'Interludes. ' The outer two movements are programmatic, whereas the interior movements are much more classically conceived. Movement 1. 'Stomp and Buc Dance' Having grown up in Northern Michigan, McCarthy has a special affinity for the autumn season. Several of his teachers from the Interlochen Academy. where McCarthy graduated in 1974. are avid hunters. The deer-hunting season for many in northern Michigan is sacred. One hears of the so-called 'deer camps' where hunters have wild parties. far enough from their hunting sites as to not 'spook' the animals. McCarthy imagines Deer, Buck, and Elk parties at the end of hunting season, when the animals, after another season of successfully avoiding the hunters' bullets and arrows, dance wildly around their own camp fires, drinking deer-beer and mocking the hunters in the dim fire light. Movement 2. 'Interlude' 'Interlude' introduces a softer, darker, less humorous music than the first movement. It offers a transition to a much less programmatic third movement in comparison to the first. Movement 3. 'Mechanique' 'Mechanique' is a study in angular intervals for the solo bassoon. The rhythmic animation in the solo with the motoric doublebass and marimba accompaniments give the music a mechanical sound that is. perhaps. associated with an etude. Movement 4. 'Interlude. Creep' The second 'Interlude,' this time with the subtitle. 'Creep' is inspired by the second movement of J. S. Bach's Suite No. 3 in D Major. Air on the G String. The inspiration for this interlude is textural. a long, sustained melody in the treble above a punctuated, quasi-jazz pizzicato bass and marimba bass line that 'creeps' and crawls its way beneath the ensemble. It is the only movement without the bassoon solo. Movement 5. 'Static' A somewhat improvisational, rhapsodic sounding piece, 'Static' is a study in repeated notes and fast tonguing for the wind instruments. The 'static' repetition of pitches creates a percussive effect that is juxtaposed with a mosaic of wide-interval motives. Movement 6. 'Fire, Dance, and Wahbekanetta' This movement, like the first, is about wild-eyed, nocturnal parties in Michigan's northern wood. In 1969, the composer attended the National Music Camp as a trumpet player and later, the Interlochen Arts Academy from 1970-1974. He later joined the faculty of Interlochen Arts Camp in 1995. McCarthy was born very near Interlochen, in a small village of Onekoma on Portage Lake. The summer is the time for the composer to return to the land of his youth, a chance to escape the rigors of academe, to be with friends. Memories.

Prevod

Zbornica Simfonija št 2 za fagot. Fagot Feature. Ki ga sestavljajo Daniel McCarthy. Uredil A. Dancy. Komorni ansambel. Za Solo fagot, zbornica Winds. solo fagot, flavta, oboa, sopranski saksofon, klarinet v Bb, bas klarinet, fagot, rog v F, tolkala. maracas, temple bloki, začasno činele, TAM TAM, Bongi, kastanjete, trikotnik. , Marimba. 4.5 oktave. , Kontrabas. Srednje težko. Rezultat le. Trajanje 16. 00. Izdala C. Alan publikacije. CN.05861. Naslov "Zbornica Symphony" označuje, da je "ansambel veter bolj intimno vpleten. Glasbeno gledano. s solistom kot za spremljavo, kot na koncertu. V zvezi s tem so posamezni vetrovi in ​​fagot obravnavati celostno, čeprav fagot je izrazit instrument. Zbornica Simfonija št 2 za fagot in vetrovi je bila naročena za Barrick Stees ki jih Michigan State University bendov, John Whitwell, dirigent. Ta del sledi format McCarthy senat simfonije. No 1. za Marimba in vetrovi, virtuozno sestavek za solistični instrument in komorni ansambel, ki je bolj glasbeno spremljavo sodeluje kot z izrazom "koncerta implicitno. "Daniel McCarthy izpolnjeni Barrick Stees kot kolega na Interlochen Summer Arts Festival. Interlochen Arts Camp, Interlochen, Michigan. Poleti 1995. Od takrat so se McCarthy in Stees sodelovala na številnih snemanja in izvedbe projektov - nedavno snemanje drugega naročena dela McCarthy je s Stees Vse West Was Moving. Centaur Records. Barrick Stees in Arianna Godalni kvartet. Za senat Simfonijo št 2, McCarthy raje obliko multi-gibanja, šest gibanje različnih dolžin. Podobno kot nekateri Beethovnovih poznih godalnih kvartetov, McCarthy uporablja dva krajše premike, kot uvod v drugi, in sicer na dveh "interludes. "Zunanje dva stavka sta programski, medtem ko so notranje gibanje veliko bolj klasično zasnovano. Gibanje 1. "Stomp in Buc Dance" Ob odraščala v Severnem Michiganu, McCarthy ima posebno afiniteto do jeseni. Več njegovih učiteljev iz Interlochen akademije. McCarthy, kjer je diplomiral leta 1974. so navdušeni lovci. Sezona za mnoge v severni Michigan-jelen lov je sveto. Sliši o tako imenovanih "jeleni taborišča", kjer imajo lovci na divjih zabavah,. Dovolj daleč od svojih lovskih območij, kot da niso "strašilo" živali. McCarthy zamišlja Deer, Buck, in Elk stranke na koncu lovne dobe, ko so živali, po drugi sezoni uspešno izognili krogle in puščice lovcev, ples divje okoli svojih taboriščnih požarov, pitje Jelenjad-pivo in zasmehovanju lovci v dim požara luč. Gibanje 2. "Interlude" "Interlude" uvaja mehkejše temnejša, manj humorno glasbo od prvega stavka. Ponuja prehod na veliko manj programski tretjem stavku v primerjavi s prvim. Gibanje 3. "Mechanique '" Mechanique "je študija v kotnih intervalih za fagot solo. Ritmično animacija v solo s motoričnih kontrabas in marimba spremljav dajejo glasbi mehanski zvok, ki je. morda. povezano z etude. Gibanje 4. "Interlude. Creep "druga" Interlude, tokrat s podnaslovom. "Creep" se zgleduje po drugi gibanja JS Bach, Suita št 3 v D-duru. Air na G String. Navdih za to premorom je teksturne. dolgo, trajno melodija v potrojili nad prekinjala, kvazi-jazz pizzicato bas in marimba bas linijo, da "straši" in išče svojo pot pod ansambla. To je le gibanje brez fagot solo. Gibanje 5. "Statični" nekoliko Improvizacijski, Rapsodičnem zveneče kos, "Static" je študija ponavljajočih bankovcev in hitro lizati za pihala. "Statični" ponavljanja parcel ustvarja udarnim posledico, da se za spojitev z mozaikom široko intervalnih motivov. Gibanje 6. "Ogenj, ples in Wahbekanetta" To gibanje, tako kot prvič, gre za divje-eyed, nočne strank v Michiganu severnega lesa. Leta 1969 je skladatelj udeležil državni glasbeni tabor kot trobentač in kasneje, Interlochen Akademiji za likovno umetnost 1970-1974. Kasneje se je pridružil profesor Interlochen Arts Camp leta 1995. McCarthy se je rodil zelo blizu Interlochen, v majhni vasici Onekoma o Portage jezeru. Poletje je čas, skladatelj vrne v deželo svoje mladosti, priložnost za pobeg mrzlica Akademska, da se s prijatelji. Spomini.