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Sacred Marimbist, The, Volume 2. Nathan Daughtrey. Marimba sheet music. Percussion sheet music. Advanced.

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Sacred Marimbist,, zvezek 2. Nathan Daughtrey. Marimba note. Tolkala note. Napredno.

Originalno

Sacred Marimbist, The, Volume 2 composed by Nathan Daughtrey. For Marimba. 4-mallet. 4.3-octave Marimba. low A. Medium to medium difficult. Duration 25. 00-30. 00. Published by C. Alan Publications. CN.18000. Daughtrey's lovely arrangements in this collection help to fill the void of hymns available for solo marimba. All are playable on a low A marimba, but optional lower notes are provided throughout if you have an extended range instrument. This is the second volume in the Sacred Marimbist collection - the first arranged by David Gillingham and this collection arranged by Nathan Daughtrey. All arrangements in this book are playable on a 4.3-octave. low A. marimba. Optional lower notes are indicated in parentheses throughout. Tenuto marks. appear in every hymn, which indicate notes that should be brought out of the texture, such as melodic lines or points of harmonic interest. Additionally, nearly every arrangement features a flexible duration, giving the performer the option to shorten or lengthen the piece as the performance venue may require. Enjoy. PERFORMANCE NOTES Prelude on 'All Creatures of Our God & King'. Lasst Uns Erfreuen. Ralph Vaughan Williams wrote perhaps the most famous setting of this hymn. I, personally, grew up with this hymn as our doxology in church. Great care has been taken with the beaming to indicate which hands. mallets should be playing which notes. Pay close attention to the tenuto. marks above and below the pitches, indicating the melody and harmony lines to receive more emphasis. Appropriate during any part of the liturgical calendar. Reflection on 'Let All Mortal Flesh Keep Silence'. Traditional French. This hymn, also known as 'Picardy,' is most appropriate during Advent. Be mindful of the fading echo effect throughout the first two pages of the arrangement. Note that only the left-hand accompaniment fades, while the right-hand melody remains constant. Offertory on 'Amazing Grace'. Traditional. Probably the most recognizable hymn in the collection, 'Amazing Grace' appears here in a more popular style with a great deal of syncopation and less traditional harmonies. This arrangement is perfect at any time of the year and during any part of the service. Meditation on 'What Wondrous Love Is This'. William Walker. This lovely hymn from 'Southern Harmony' has a feeling of Americana to it. This lush & solemn setting should be performed with a lot of give & take in tempo and dynamics. The melody throughout the chorale section should be played by the two inside mallets while the outer harmonies are played by the outside mallets. The 12. 8 section should be performed smoothly and connected so that it retains the sound of rolling. Postlude on 'Joyful, Joyful, We Adore Thee'. L.V. Beethoven. Also known as 'Ode to Joy' from Beethoven's 9th Symphony, this tune is appropriate during any point in the liturgical year. I recommend that you play this arrangement as the postlude, as the dance-like 7. 8 might not lend itself to quiet meditation during other parts of the service. An ossia has been provided on the last page of the book for one particularly tricky section. Prelude on 'For the Beauty of the Earth'. Conrad Kocher. This hymn tune known as 'Dix' should be performed rather quietly and with a bit of a lilt in both of the contrasting sections. I would recommend soft and heavier mallets in the left hand so the bass notes may be emphasized throughout the first section and from m. 25 to 46. Theme & Variations on 'Fillmore'. Jeremiah Ingalls. Used as the melody for several different hymns, it is presented here in a straightforward four-part chorale setting for the theme. The variations don't stray too far from the original theme, but great care should be taken to always bring out the theme. You should also choose mallets wisely, as you are required to perform both quick rhythmic figures in several ranges of the instrument as well as perform a soft, rolled chorale. Fantasy on 'This Is My Father's World'. Traditional English. This setting of the melody 'Terra Beata' presents some technical challenges involving mallet placement on the bars. Don't be afraid to use a more rubato tempo to help some of the awkward arm position shifts, but do not sacrifice the musical integrity of the arrangement. The sticking figuration in the second presentation of the hymn. 44. remains constant until the end of the piece. You might do well to incorporate this figuration. 4-3-1-2-3-4-1-2. into your daily warm-up so that you may manipulate every musical nuance available to you.

Prevod

Sacred Marimbist,, zvezek 2 sestavljajo Nathan Daughtrey. Za Marimba. 4-Mallet. 4.3 oktave Marimba. nizka. Srednje do srednje težko. Trajanje 25. 00-30. 00. Izdala C. Alan publikacije. CN.18000. Lepe ureditve Daughtrey je v tej zbirki pomoč, da zapolni praznino hvalnic na voljo za solo marimbo. Vse je mogoče predvajati na nizko marimba, ampak neobvezno nižje pojasnila so na voljo v celotnem če imate razširjen instrument območje. To je drugi zvezek v zbirki Sacred Marimbist - najprej načrtovala David Gillingham in te kolekcije, ki ga organizira Nathan Daughtrey. Vse ureditve v tej knjigi je mogoče predvajati na 4,3 oktave. nizka. marimba. Neobvezno nižje opombe so navedeni v oklepajih v celotnem. Tenuto znamke. pojavljajo v vseh himno, ki kažejo, zapiske, ki naj bi prinesla iz teksture, kot so melodičnih linij ali točk harmonsko interesa. Poleg tega skoraj vsak dogovor ima prilagodljivo trajanje, ki daje izvajalcu možnost, da skrajša ali podaljšala na kos, kot je lahko prizorišče uspešnosti zahtevajo. Uživajte. PERFORMANCE NOTES Prelude o "vseh živih bitij našega Boga. Naj nas Uživajte. Ralph Vaughan Williams je napisal morda najbolj znan nastavitev tega himno. Jaz osebno, je odraščal s to himno, kot je naš doxology v cerkvi. Velika pozornost je bila z Beaming da navedejo, katere roke. mallets treba igrati, ki ugotavlja,. Pozorni na tenuto. Ocene nad in pod parcel, ki označujejo melodijo in harmonijo linij za prejemanje večji poudarek. Primerno, v katerem koli delu liturgični koledar. Razmišljanje o "Naj All Mortal Flesh molči". Traditional French. Ta himna, znan tudi kot "Pikardije," je najbolj primerno v adventu. Bodite pozorni na pojemajoči echo izvajala v prvih dveh straneh dogovora. Upoštevajte, da je samo na levi strani spremljava zbledi, medtem ko desna melodija ostaja nespremenjena. Žrtvovanje na "Amazing Grace". Tradicionalni. Verjetno najbolj prepoznaven himno v zbirki, se pojavi "Amazing Grace" tukaj v bolj priljubljeni slogu z veliko syncopation in manj tradicionalne harmonije. Ta ureditev je odlična kadarkoli v letu in v kateri koli del storitve. Meditacija na "Kaj Wondrous Love Is Ta". William Walker. To čudovito himno iz "Southern Harmony" ima občutek, da ga Americana. Ta bujne. Melodija celotnem odseku korala naj bi igral z obema znotraj mallets, medtem ko so zunanji harmonije igral z zunanjimi mallets. 12. 8 del je treba opraviti gladko in povezani tako, da se ohranja zvok valjanja. Postlude na "Joyful, Joyful, častimo Thee". L.V. Beethoven. Znan tudi kot "Oda radosti" iz Beethovnove 9. simfonije, ta pesem je primerno, med katero koli točko v liturgično leto. Priporočamo vam, da igrajo to ureditev kot postlude, kot plesno-kot 7. 8 se je med drugimi deli storitve morda ne bodo primerni za mirno meditacijo. Ossia je bila zagotovljena na zadnji strani knjige za eno posebno problematična oddelka. Prelude o "Za lepoto Zemlje". Conrad Kocher. Ta hvalnica melodija znana kot "Dix" je treba opraviti precej tiho in z malo naglasa je v obeh kontrastnih odsekov. Jaz bi priporočal, mehke in težjih mallets v levi roki, tako da se lahko basovski pojasnila poudarili v celotnem prvem delu in iz m. 25-46. Tema. Jeremiah Ingalls. Uporabiti kot melodijo za več različnih hvalnic, je tu predstavljen na enostaven štirih del korala nastavitev za teme. Nihanja ne preveč zašli iz prvotne teme, ampak veliko je treba paziti, da vedno bi iz teme. Bi morali izbrati tudi mallets pametno, saj boste morali opraviti tako hitro ritmične zneske v več območij instrumenta, kot tudi izvesti mehko, rolled korala. Fantazije o 'To je moj oče na svetu ". Traditional English. Ta nastavitev melodije "Terra Beata" predstavlja nekatere tehnične izzive, ki vključujejo Mallet umestitev na palice. Ne bojte se uporabiti več Rubato tempo, da bi nekaj nerodnih položaj roke izmenah, vendar ne žrtvovati glasbeno integriteto dogovora. Vztrajanjem figuralika v drugi predstavitvi himne. 44. ostaja konstanten do konca kosa. Morda vam tudi, da vključitev te figuraliko. 4-3-1-2-3-4-1-2. v vašo dnevno toplo-up, tako da boste lahko manipulira vsak glasbeni odtenek vam na voljo.