Partiture $33.00

Originalno

Vespertine Formations. Marimba sheet music.

Prevod

Vespertine Formacije. Marimba note.

Originalno

Vespertine Formations composed by Christopher Deane. Marimba quartet. For marimba quartet. Four 4 1. 3 octave marimbas. two 5 octave optional. Score and set of parts. Published by Innovative Percussion. IP.E-CD-VES. Composer's notes. The concept for the piece was to explore ways of creating a sense of sustain on four marimbas through extensive use of stretto and imitation. Rather than approaching an ensemble such as this in a traditional choral configuration of soprano, alto, tenor and bass, this piece focuses on keeping most of the musical activity within the same register. All four voices serve as equal members of one collective image. Vespertine Formations is dedicated to Harold Jones who was the professor of percussion at East Carolina University for many years. The motivation for this work comes from a phenomenon in nature. It is a common sight to see huge flocks of birds performing amazing aerial maneuvers in the evening sky over North Texas especially in the Autumn. The ornitholigical sky forms witnessed during one particular sunset in Fall of 2001 served as an undeniable point of inspiration during the compositional process for this piece. The wing motions of so many birds suggested the texture of constant sixteenth notes. As the brilliant orange sunset diminished to dusk, the birds settled into trees around the campus. The fantastic choreography created by this flock of birds and the natural chronology of events guided the structure and form of this piece.

Prevod

Vespertine formacije, sestavljene Christopher Deane. Marimba kvartet. Za marimbo kvartet. Four 4 1. 3 oktave marimbas. dva 5 oktave neobvezno. Rezultat in nastavite delov. Izdala inovativna tolkala. IP.E-CD-VES. Pojasnila skladateljevega. Koncept za kos je bil raziskati načine za ustvarjanje občutka ohranjale na štirih marimbas prek obsežne uporabe Stretto in posnemanje. Namesto da se približuje ansambel, kot je ta v tradicionalnem zborovskem konfiguracijo sopran, alt, tenor in bas, ta del se osredotoča na čim večji del glasbenega delovanja v istem registru. Vsi štirje glasovi služijo kot enakopravni člani ene kolektivne podobe. Vespertine formacije je namenjen Harold Jones, ki je bil profesor tolkal na East Carolina University za več let. Motivacija za to delo izhaja iz fenomena v naravi. To je skupni pogled videti velike jate ptic, ki opravljajo neverjetno dvižne manevre v večernem nebu nad severnem Teksasu še posebej v jeseni. V ornitholigical oblike sky priča v enem določenem sončnem zahodu v jeseni leta 2001 služil kot nesporno točke navdiha v procesu sestave za ta kos. Predlogi krilo toliko ptic predlagal teksturo stalnih šestnajstem bankovcev. Kot briljantno oranžna sunset zmanjšala do mraka, ptice naselili v drevesih okoli kampusa. Fantastično koreografija s tem jato ptic in naravnega kronologijo dogodkov ustvaril voden strukturo in obliko tega kosa.