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Originalno

Liebestraume in A flat major, No. III. Franz Liszt. Marimba sheet music. Vibraphone sheet music.

Prevod

Liebestraume v A-duru, št III. Franz Liszt. Marimba note. Vibrafon note.

Originalno

Liebestraume in A flat major, No. III composed by Franz Liszt. 1811-1886. Arranged by Tomer Yariv. Marimba & Vibraphone Duet. For marimba and vibraphone duet. marimba low c & vibraphone. Level 5. Score and set of parts. Published by Innovative Percussion. IP.D-FL-LIB. Composer's Notes. Liszt once declared, "My sole ambition as a composer is to hurl my javelin into the infinite space of the future. " Indeed, his works had many influences over composers and musicians of the 19th and the 20th centuries. Apparently, it had also an influence on the percussion scene and on PercaDu, leading for the arrangement of Liebestraume No. 3 in Ab Major by Tomer Yariv. Liebestraume No. 3 was originally a part of three Liebestraume written as songs. In the Liebestraume piano version, which Liszt also called nocturnes, Liszt moves in and out of the original musical text as he feels need to. It can be considered as split into three sections, each divided by a fast mini-cadenza. The same melody is used throughout the entire piece, each time varied, especially near the middle of the work, where the climax is reached. At the end, the piece dies down into a final chorded section. "Originally composed for solo piano, this arrangement is scored for vibraphone and 5.0-octave marimba duet. Written for the PercaDu percussion group, this work presents challenges to be met by advanced students and professional performers. Both parts require the performers to be comfortable with chordal and independent four-mallet techniques, with the marimba part requiring the greater amount of dexterity. Aside from technical complexities, the most significant challenge lies in addressing the rubato and flexibility with which the piano version is performed. Tomer Yariv scores much of the "right hand" material in the vibraphone, with the arpeggiated accompaniment in the marimba. While interpretation of this music by a single performer at the piano is difficult in its own right, extra special care must be taken here, as the hands are "split" between two performers. Both players must be in total agreement as to any use of rubato, without which the piece risks losing much of its character. This work is appropriate for an advanced college or a professional percussion ensemble. " - Jason Baker, Percussive Notes July 2010.

Prevod

Liebestraume v A-duru, št III sestavljajo Franza Liszta. 1811-1886. Urejen Tomer Yariv. Marimba. Za marimbo in vibrafon duet. marimba nizka c. Stopnja 5. Rezultat in nastavite delov. Izdala inovativna tolkala. IP.D-FL-LIB. Opombe skladateljevega. Liszt nekoč izjavil, Moj edini ambicije, saj je skladatelj zagnani moje kopje v neskončnem prostoru v prihodnosti. Dejansko je imela njegova dela veliko vpliva več skladateljev in glasbenikov 19. in 20. stoletja. Očitno je imela tudi vpliv na tolkala sceni in o PercaDu, vodilni za ureditev Liebestraume št 3 v Ab-duru, ki ga Tomer Yariv. Liebestraume No. 3 je bil prvotno del treh Liebestraume zapišemo kot pesmi. V klavirski različici Liebestraume, ki Liszt imenovane tudi nokturni, Liszt premika v in iz izvirnega glasbenega besedila, kot čuti, da je potrebno. To se lahko obravnava kot razdeljen na tri dele, vsak deljeno s hitrim mini kadenco. Enako melodijo uporablja v celotnem kosu, vsakič spreminja, zlasti v bližini sredine dela, kjer je dosežen vrhunec. Na koncu, kos umre navzdol v končnem strunami odseku. Prvotno napisano za klavir solo, je ta dogovor dosegel za vibrafon in 5,0 oktave marimbo duetu. Pisno za tolkala skupino PercaDu, to delo predstavlja izzive, ki jih morajo izpolnjevati naprednih študentov in strokovnih izvajalcev. Obe deli zahteva izvajalce, da se udobno s chordal in neodvisnih štiri-melodična tehnik, s marimbo delu, ki zahteva večjo količino spretnost. Poleg tehnične zapletenosti, najpomembnejši izziv pri reševanju Rubato in prilagodljivost, s katero se izvaja različica klavir. Tomer Yariv rezultati veliko v desnem materiala v vibrafon, s arpeggiated spremljavo v marimbo. Čeprav je razlaga te glasbe z enim samim izvajalca na klavirju težko v svoji pravici, je treba dodatno posebno paziti, da se tukaj, kot so roke razdeliti med dva izvajalcev. Oba igralca morata biti v skupnem dogovoru, da kakršno koli uporabo Rubato, brez katere del tveganja izgubili veliko svojega značaja. To delo je primerno za napredno šoli ali poklicni tolkalni ansambel. - Jason Baker, udarnega ugotavlja julij 2010.