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Originalno

Concerto for Percussion Ensemble. David Gillingham. Percussion sheet music. Vibraphone sheet music. Xylophone sheet music. Advanced.

Prevod

Koncert za tolkala ansambla. David Gillingham. Tolkala note. Vibrafon note. Ksilofon note. Napredno.

Originalno

Concerto for Percussion Ensemble composed by David Gillingham. Arranged by Nathan Daughtrey. Percussion Ensemble. For Percussion Ensemble. Percussion 1. 2-octave crotales, large suspended cymbal, tambourine. , Percussion 2. bells, chimes, snare drum. , Percussion 3. xylophone, 4 bongos, bells. , Percussion 4. 3-octave vibraphone, temple blocks. , Percussion 5. 3-octave vibraphone, 4 woodblocks. Medium difficult. Score only. Duration 17. 00. Published by C. Alan Publications. CN.02281. Cast in four major sections, Gillingham's "Concerto for Percussion" takes the listener on a journey through families of the percussion section - membranes, woods & metals. He takes a simple 5-note motive and transforms it into a masterful staple in the percussion ensemble repertoire. The "Concerto for Percussion Ensemble" was commissioned by the Lancaster High School Percussion Ensemble of Lancaster, Ohio, under the direction of Bruce Gerken. It is a work of virtuosic proportions featuring three distinct categories of percussion instruments. membranes, woods, and metals. The concerto is cast in four major sections, preceded with an introduction. A five-note motive organizes the entire work. This motive, comprised of ascending perfect fourths and a descending minor third, goes through a number of metamorphic changes throughout the work, culminating with the material presented in the finale. The first movement, 'Membranes,' is primarily rhythmic and has two distinct features. a quintuplet rhythmic pattern. based on the five note motivic design. and 2. the timpani utilizing the five note motive in various guises. The ensuing second movement, 'Woods,' seeks to exploit the grandeur of the mellow timbre of the marimba quartet and expands the five note motive into a beautiful theme with four variations. Other 'wooden' instruments are used to enhance the flavor of this movement. The glorious sound of 'Metals' are featured in the third movement with bells, chimes, and crotales taking the lead in presenting a joyful 'pealing' of the five note motive in various forms. The finale features the ensemble in tour de force with a spirited theme transformed from the five-note motive, still characterized by ascending fourths but with the addition of a falling fifth pattern. The theme of the second movement returns as a secondary idea followed by a grand fugue based on the theme of the finale. There is a partial recapitulation and an extended coda that drives the work to a stunning conclusion.

Prevod

Koncert za tolkala Ensemble sestavljajo David Gillingham. Uredil Nathan Daughtrey. Percussion Ensemble. Za tolkalni ansambel. Tolkala 1. 2-octave crotales, velika prekinjena činele, tamburin. , Tolkala 2. zvonci, zvončki, snare boben. , Tolkala 3. ksilofon, 4 Bongi, zvonci. , Tolkala 4. 3 oktave vibrafon, temple bloki. , Tolkala 5. 3 oktave vibrafon, 4 woodblocks. Srednje težko. Rezultat le. Trajanje 17. 00. Izdala C. Alan publikacije. CN.02281. Oddanih v štiri glavne sklope, Gillingham v "Koncert za tolkala" prevzame poslušalca na potovanje skozi družin odseku tolkala - membrane, woods. Vzame preprosta 5-note motiva in ga spremeni v mojstrski rezanih v tolkalni ansambel repertoarja. "Koncert za tolkala Ensemble" je bil po naročilu Lancaster High School Percussion Ensemble Lancaster, Ohio, pod vodstvom Bruce Gerken. To je delo virtuoznega razmerjih ki vsebuje tri različne vrste tolkal. membrane, gozdovi in ​​kovine. Koncert se meče v štiri glavne sklope, pred tem z uvedbo. Pet-note motiv organizira celotno delo. Ta motiv, sestavljen iz naraščajoče odlično četrtine in padajoče manjši tretjino, gre skozi več metamorfnih sprememb v celotnem delu, ki se zaključi z materialom, predstavljene v finalu. Prvi pretok, "Membrane, predvsem ritmično in ima dve značilnosti. quintuplet ritmični vzorec. temelji na petih note motivno oblikovanja. in 2. so timpani, ki uporabljajo motiv pet opombo v različnih preoblekah. Sledil drugi stavek, "Woods," skuša izkoristiti veličino mehak zvenom za marimbo kvarteta in širi pet opombo motiv v lepo temo s štirimi variacij. Druge "leseni" instrumenti se uporabljajo za povečanje okus tega gibanja. Veličastni zvok "kovin" so prikazane v tretjem stavku z zvonovi, zvončki in crotales prevzela vodilno vlogo pri predstavljanju radostno "pealing" za pet bankovcev motiva v različnih oblikah. Finale ima ansambel na tour de force z živahen temo preoblikovala iz petih note motiv, še vedno značilni naraščajoče četrtine, vendar z dodatkom, ki spada peti vzorec. Tema drugega gibanja vrne kot sekundarni idejo, ki ji sledi grand fuge, ki temelji na temo finale. Je delno povzemanje in razširiti coda, ki poganja delo z osupljivo zaključka.