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Originalno

Concerto for Timpani & Band. Gordon Jacob. Percussion sheet music. Timpani sheet music. Grade 4.

Prevod

Koncert za pavke. Gordon Jacob. Tolkala note. Timpani note. 4. stopnje.

Originalno

Concerto for Timpani & Band. Timpani Feature. Composed by Gordon Jacob. 1895-1986. For Soloist. with Concert Band. Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe, Eb Clarinet. , 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet. , Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon. , 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, 1st F Hor. Band Music. Grade 4.5. Score only. Duration 12. 30. Published by C. Alan Publications. CN.S11005. The nature of the timpani means that musical development is rhythmic rather than tonal. In the first movement, a broad theme is announced by the timpani themselves, and immediately echoed and modified by the full wind band. Material is embroidered by woodwinds and developed by the soloist. The second movement. Adagio. is virtually an aria in which we are left with an expressive mood conjured from the timpani themselves. The last movement is a romp - characteristic use of quasi-folk material is well suited to the band and the rhythmic characteristics of the timpani are highlighted. Gordan Jacob wrote his Concerto for Timpani in 1984 and it was to be the last major work that he wrote before he died. It was written for a professional wind group in Konstanz. West Germany. and the first performance was given there in June 1984 with the soloist Klaus Huber. to whom it is dedicated. conducted by Douglas Bostock. In the first movement, a broad theme is announced by the timpani themselves based on a rising succession of thirds, and immediately echoed and modified by the full wind band. After a bridge, when the material is embroidered by woodwinds, the theme is presented in an inverted and varied form by the soloist before being developed. Unlike a Classical development in which tonality provides the tension, the nature of the timpani means that the development is rhythmic rather than tonal. To modulate extensively would obviously present problems even with pedal timpani. A recapitulation follows and a quasi cadenza leads to a strong close. The second movement. Adagio. is virtually an aria. The timpani carry the melody throughout, embellished and them embroidered by small groups of instruments presented in choirs. Jacob, the masterful orchestrator, allows only four bars of full band. By the end of only 47 bars, we are left with an expressive mood conjured from the timpani themselves. The last movement is a romp - displaying Jacob's English roots. his characteristic use of quasi-folk material is well suited to the band and the rhythmic characteristics of the timpani are highlighted.

Prevod

Koncert za pavke. Timpani Feature. Sestavljajo ga Gordon Jakoba. 1895-1986. Za Solist. s Concert Band. Piccolo, 1. flavta, 2. flavta, oboa 1., 2. oboa, klarinet Eb. , 1. Bb klarinet, 2. Bb klarinet, 3. Bb klarinet, Eb Alto klarinet. , Bb bas klarinet, fagot 1., 2. fagot. , 1. Eb altovski saksofon, 2. Eb altovski saksofon, Bb tenor saksofon, 1. F Hor. Band Glasba. Razred 4.5. Rezultat le. Trajanje 12. 30. Izdala C. Alan publikacije. CN.S11005. Narava timpane pomeni, da je glasbeni razvoj ritmično namesto tonske. V prvem gibanja, ki je široka tema napovedala timpane sami, in takoj ponovil in dopolnil polne vetra pasu. Material je vezen z pihal in s solistom razvil. Drugi pretok. Pregovor. je skoraj arija, v kateri smo zapustili z ekspresivno razpoloženje priklical iz timpane sami. Zadnja gibanje je nered - ki so značilni uporaba kvazi-ljudskega gradiva je zelo primerna za band in ritmične značilnosti pavke so poudarjene. Gordan Jacob napisal Koncert za pavke leta 1984 in je bilo, da je zadnja velika dela, ki je napisal, preden je umrl. To je bila napisana za strokovno skupino vetra v Konstanz. Zahodna Nemčija. in prva predstava je bila dana v juniju 1984, solista Klaus Huber. , ki jim je namenjena. Douglas Bostock izvedla. V prvem gibanja, ki je široka tema napovedala timpane same temeljijo na naraščajoče nasledstva tretjini, in takoj pojavljata in spremenjenih s polnim vetra pasu. Po mostu, ko je gradivo vezene z pihal, je tema predstavljena v obrnjeni in raznolike oblike s solistom, preden se razvili. Za razliko od klasičnega razvoja, v katerem Tonalitet zagotavlja napetost, narava timpane pomeni, da je razvoj ritmično namesto tonske. Da se spremeni v veliki meri bi očitno sedanje težave tudi s pedali timpane. Rekapitulacija sledi in kvazi kadenco pripelje do močnega koncu. Drugi pretok. Pregovor. je skoraj aria. V timpani nosijo melodijo skozi, okrašen in jim vezene z majhnim skupinam instrumentov, predstavljenih v zborov. Jacob, mojstrsko orkestrator, dovoljuje le štiri palice iz polnega razpona. Do konca leta samo 47 barov, smo zapustili z ekspresivno razpoloženje priklical iz timpane samih. Zadnja gibanje je nered - prikazovanje Jakoba English korenine. njegova značilna uporaba kvazi ljudskega materiala je zelo primerna za band in ritmične značilnosti pavke so poudarjene.