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Originalno

Elegie, Op. 30. Henri Vieuxtemps. Euphonium sheet music. Piano Accompaniment sheet music.

Prevod

Elegie, op. 30. Henri Vieuxtemps. Evfonij note. Klavirsko spremljavo note.

Originalno

Elegie, Op. 30 composed by Henri Vieuxtemps. 1820-1881. Arranged by Patrick Geren. For Euphonium and Piano. Chamber music, 20th century. Published by Potenza Music. P2.80032. Elegie, or elegy, refers to a song expressing sorrow or lamentation for someone deceased. More simply, a sad song. Vieuxtemp's Elegie, Op. 30 was composed in 1854 originally for viola and piano. Transcriptions by the composer for violin and cello followed. This arrangement is set for euphonium and piano. It allows the soloist to show off their beautiful tone and fluidity in expressive phrases throughout. While the piece as a whole is not technically challenging, there are moments of virtuosity that require skilled technique and delicacy for the soloist and accompanist. The cadenza and "a piacere" sections are purposefully left without directional phrasing for the soloist to develop their own interpretation. There is one brief opportunity of extending technique for the soloist to utilize multiphonics.

Prevod

Elegie, op. 30, ki ga sestavljajo Henri Vieuxtemps. 1820-1881. Urejen Patrick Geren. Za evfonij in klavir. Komorna glasba, 20. stoletje. Izdala Potenza Glasba. P2.80032. Elegie, ali elegija, se nanaša na pesem, ki izraža žalost ali žalovanje za nekoga preminulega. Bolj enostavno, žalostno pesem. Vieuxtemp je Elegie, op. 30 je bila sestavljena leta 1854 prvotno za violo in klavir. Prepisi skladatelja za violino in violončelo sledi. Ta ureditev je določena za evfonij in klavir. Omogoča solist, da pokažejo svoje lep ton in pretočnost v ekspresivnih fraz v celotnem. Medtem ko del kot celota ni tehnično zahtevna, obstajajo trenutki virtuoznosti, ki zahtevajo usposobljene tehnike in poslastica za solist in korepetitor. Kadenco in "Piacere" deli so namenoma ostala brez usmerjenim fraziranje za solista, da razvijejo svojo interpretacijo. There is one brief opportunity of extending technique for the soloist to utilize multiphonics.