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Originalno

Adagio and Fugue D minor Falck 65. Wilhelm Friedemann Bach. Double Bass sheet music. Flute sheet music.

Prevod

Adagio in fuga d-molu Falck 65. Wilhelm Friedemann Bach. Dvojni bas note. Flavta note.

Originalno

Adagio and Fugue D minor Falck 65 composed by Wilhelm Friedemann Bach. 1710-1784. Edited by Walter Lebermann. For 2 Flutes and String Orchestra. 2 violin I, 2 violin II, viola, 2 cellos. double basses. This edition. CON 14-60. Orchestra Music. Concertino. Chamber Orchestra. Grade 4. Set of string parts. supplementary. 30 pages. Duration 8 minutes. Published by Schott Music. SD.49001772. ISBN 9790001021210. Though A.E. Brachvogel's portrayal of the "failed genius" in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive for the understanding of his music. However, legends often or mostly contain a core of truth. There is no doubt that the highly gifted musician failed because of the overwhelming example of his father. as composer. particularly since he was on the threshold from one epoch to another. In the adagio, both flute parts rising above the string orchestra are assigned a quality of expression that can already be related to the "sentimental" age whereas the second movement, a more or less strict string fugue, is rooted in the tradition-conscious baroque period.

Prevod

Adagio in fuga D minor Falck 65 sestavljajo Wilhelm Friedemann Bach. 1710-1784. Uredil Walter Lebermann. Za 2 flavte in godalni orkester. 2. violina I, violina II, 2, viola, 2 violončela. dvojni basi. Ta izdaja. Z 14-60. Orkester Glasba. Concertino. Komorni orkester. 4. stopnje. Garnitura godalnih delov. dopolnilni. 30 strani. Trajanje 8 minut. Izdala Schott Music. SD.49001772. ISBN 9790001021210. Portret, čeprav AE Brachvogel je od "napaka genija" v biografiji o WF Bach narisal impresivno sliko notranje krize od najstarejšega sina Bach osebnosti, je precej neproduktivno za razumevanje njegove glasbe. Vendar legende pogosto ali večinoma lahko vsebuje jedro resnici. Nobenega dvoma ni, da je zelo nadarjen glasbenik ni uspelo zaradi velikega primer očeta. kot skladatelj. še posebej, ker je bil na pragu iz ene dobe v drugo. V Adagio sta obe deli flavta dviga nad godalni orkester dodeljena kakovosti izražanja, ki je že mogoče v zvezi z "sentimentalno" starosti, medtem ko v drugem stavku, bolj ali manj strog niz fuga, ki je zakoreninjen v tradiciji osveščeni baroka Obdobje.