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Originalno

asidled. 1993. Alto Saxophone sheet music. Double Bass sheet music. Trombone sheet music. Tuba sheet music. Viola sheet music. Violin sheet music.

Prevod

asidled. 1993. Altovski saksofon note. Dvojni bas note. Pozavna note. Tuba note. Viola note. Violina note.

Originalno

asidled. 1993. composed by Andrew Digby. For alto saxophone, 2 trombones, tuba, violin, viola, 2 contrabass. This edition. Paperbound. German title. asidled. Full score. Language. all languages. Composed 1993. 18 pages. Duration 7 minutes. Published by Carus Verlag. CA.1630800. ISBN M-007-09976-3. With Language. all languages. the same material is repeated in constantly varying configurations. no two bars have simultaneously the same number of instruments, direction of and number of discontinuities in the glissandi, number of crossings through the octave or unison between instruments. this last is the most important characteristic of the piece. many such crossing points are also punctuated by other instruments but with only, at best, approximate precision. simultaneity, pitch, dynamic, timbre and articulation are alle deviant to varying degrees. asidled. the context itself is fluctuating, only indirectly objective, everything relative. Andrew Digby.

Prevod

asidled. 1993. ki ga sestavljajo Andrew Digby. Za alt saksofon, 2 pozavne, tuba, violina, viola, 2 kontrabasa. Ta izdaja. Paperbound. Nemški naslov. asidled. Polna ocena. Jezik. vsi jeziki. Sestavlja 1993. 18 strani. Trajanje 7 minut. Izdala Carus Verlag. CA.1630800. ISBN M-007-09976-3. Z jezikom. vsi jeziki. isti material se ponovi v stalno različnih konfiguracijah. no dve palice imajo hkrati enako število instrumentov, smer in število prekinitev v glissandi, število prehodov skozi oktave ali sozvočju med instrumenti. To zadnje je najbolj pomembna značilnost kosa. veliko takšnih prehodih so zaznamovali tudi drugi instrumenti, vendar le v najboljšem primeru približna natančnost. istočasnosti, smola, dinamični Barva glasu in artikulacija so vse deviantno v različnem obsegu. asidled. kontekst sam niha, le posredno cilj, je vse relativno. Andrew Digby.