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Originalno

Festival Te Deum. Benjamin Britten. Choir sheet music. Organ sheet music.

Prevod

Festival Te Deum. Benjamin Britten. Zbor note. Organski note.

Originalno

Festival Te Deum. Treble Solo, SATB Chorus and Organ. Composed by Benjamin Britten. 1913-1976. For Choral. SATB, Organ. BH Large Choral. 24 pages. Boosey & Hawkes #M051481699. Published by Boosey & Hawkes. HL.48021233. ISBN 1458423530. 6.75x10.5 inches. Text. Book of Common Prayer. liturgy of Morning Prayer. Publisher. Boosey & Hawkes. Difficulty level. 2-3. Britten's second setting of the Te Deum is completely different from the C major one he wrote eleven years earlier. It was composed for the centenary Festival of St. Mark's Church in Swindon - an Anglo-Catholic church with a strong choral tradition which continues to this day. The structure of the piece is also different from the earlier work. A lengthy first section in unison which, while carefully notated in a variety of time signatures so that it feels as if it has the freedom of Gregorian chant, is accompanied by static organ chords in a regular 3. 4 metre. It is a really imaginative approach, and is actually very simple to perform. While the organ chords continue, the choir breaks up into simple imitative phrases at 'The glorious company of the Apostles praise Thee' but soon returns to the unison lines of the opening. The central section. 'Thou art the King of Glory, O Chris't. has fanfare-like phrases from the choir interspersed by short dramatic outbursts from the organ which then subside into a rhythmic piano section with an important ostinato pedal part for the organ. These two ideas are then mixed together before the opening organ chords return and a treble. soprano soloist sings a lovely line. The choir joins and takes the canticle to its gentle conclusion with the soloist having the last word. This setting is more straightforward than the earlier one. It does, however, have rhythmic issues which have to be mastered fully to do it justice. The choir, for instance, must not be pulled off course by the different time signature for the organ part in the opening and closing sections. It is all very straightforward in reality, it just looks complicated. Britten has thoughtfully annotated the vocal rhythm throughout the organ part for safety. The organist needs to be a confident musician. Where Britten may write eminently practically for the abilities of a parish church choir, he does not make similar allowances for the organist and the accompaniment is key to the success of a performance of this and many other such works. Duration. 7 minutes. Paul Spicer, Lichfield, 2011.

Prevod

Festival Te Deum. Treble Solo, SATB zbor in orgle. Ki ga sestavljajo Brittna. 1913-1976. Za zborovsko. SATB, orgle. BH Veliko zborovsko. 24 strani. Буси. Izdala Boosey. HL.48021233. ISBN 1458423530. 6.75x10.5 cm. Besedilo. Knjiga skupne molitve. Bogoslužje za Morning Prayer. Založba. Boosey. Težavnost. 2-3. Druga nastavitev Britten je v Te Deum je popolnoma drugačen od večjih izmed C je napisal enajst let prej. Napisan pa je za stoletnici festivala cerkve svetega Marka v Swindonu - Anglo-katoliške cerkve z močno zborovsko tradicijo, ki se nadaljuje tudi danes. Struktura kosa tudi razlikuje od prejšnjega dela. Dolgotrajni Prvo poglavje v sozvočju, ki kljub skrbno notated v različnih časovnih podpisov tako, da se počuti, kot da ima svobodo gregorijanskega korala, ki je skupaj s statičnimi akordi organov v rednem 3. 4 meter. To je zelo domiseln pristop, in je dejansko zelo preprost za opravljanje. Medtem ko so akordi organov še naprej, zbor razide v preprostih oponaša stavkov na "slavno podjetje apostolov pohvale Thee", ampak kmalu se vrne v sozvočju vzoru odprtino. Osrednji del. "Ti si kralj slave, O Chris't. Ima-fanfare kot fraze iz zbora prekinja s kratkimi dramatične izbruhe od organa, ki nato izginejo v ritmičnem odseku klavir s pomembnim Ostinato pedala del za orgle. Ti dve ideji nato zmešamo skupaj pred odprtjem akordi orgel vrnitvi in ​​Treble. sopran solist poje lepo linijo. Zbor se pridruži in prevzame Slavopoj svoji nežni sklenitve s solistko ima zadnjo besedo. Ta nastavitev je bolj enostavna kot prejšnje enega. Pa vendarle, imajo ritmične vprašanja, ki jih je treba v celoti obvladati, da to storite pravičnost. Zbor, na primer, ne sme potegnil dol seveda v različnem času podpisa za del organov v odpiranja in zapiranja oddelki. To je vse zelo enostavno, v resnici pa samo izgleda zapleteno. Britten je premišljeno označi vokalno ritem vsem delu organov za varnost. Organist mora biti prepričana, glasbenik. Kje lahko Britten pisati nadvse praktično za sposobnosti župnijska cerkev zbora, da ne bo podobnih dodatkov za organista in spremljava je ključ do uspeha izvedbe tega in mnogih drugih tovrstnih del. Trajanje. 7 minut. Paul Spicer, Lichfield 2011.