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Originalno

Le Tombeau De Couperin. I-IV. Maurice Ravel. Saxophone sheet music.

Prevod

Tombeau De Couperina. I-IV. Maurice Ravel. Saksofon note.

Originalno

Le Tombeau De Couperin. I-IV. I. Prelude -- II. Forlane -- III. Menuet -- IV. Rigaudon. Composed by Maurice Ravel. 1875-1937. Arranged by Christoph Enzel. Saxophone Quartet. For saxophone quartet. SATB. Full score and parts. Published by Advance Music. AV.7427. For Ravel, the year 1917 was marked by his dearly beloved Basque mother's death and the decease of many of his friends who had lost their lives on the battlegrounds of World War I. Hence, the suite he finished in that same year can altogether be considered as a work in reverence for the deceased. Each movement is dedicated to one of his friends killed in action. Its title Tombeau. tomb. had already been used by the Baroque composer F. Couperin for his funeral music. True to the spirit of that ancient music honoring the dead, the composer furthermore adheres consciously to the musical forms and practices of the clavecinist era. Due to its classical, rather sonatina-like character, the Tombeau does not radiate an atmosphere of mourning - despite it being committed to the memory of the deceased - but a light if cool serenity. In its order and choice of movements, this arrangement for saxophone quartet observes the orchestral version written by Ravel himself. The original version for piano includes two additional parts. Fugue and Toccata. Yet, they have been left out in this arrangement. as was also done in the orchestral version. since they do not really conform to the tonal quality of the saxophone quartet.

Prevod

Tombeau De Couperina. I-IV. I. Prelude - II. Forlane - III. Menuet - IV. Rigaudon. Ki ga sestavljajo Mauricea Ravela. 1875-1937. Urejen Christoph Enzel. Saxophone Quartet. Za kvartet saksofonov. SATB. Polna rezultat in deli. Izdala Advance Glasba. AV.7427. Za Ravela, je bilo leto 1917 v znamenju njegovega Predragi baskovski materini smrti in smrti številnih njegovih prijateljev, ki so izgubili svoja življenja na bojiščih prve svetovne vojne Zato lahko v celoti šteje suite je končal v istem letu kot delo v spoštovanju do umrlega. Vsako gibanje je posvečena enemu izmed njegovih prijateljev, ubitih v akciji. Njen naslov Tombeau. grobnica. že z baročnega skladatelja F. Couperina uporablja za njegov pogreb glasbe. Res je, da ta duh stare glasbe v čast mrtvih, skladatelj poleg tega spoštuje zavestno glasbenih oblik in praksami clavecinist dobe. Zaradi svoje klasične in ne-Sonatina kot lik, Tombeau ne izžarevajo vzdušje žalovanja - kljub temu, da se zavezuje, da bo spomin na umrlega - ampak luč, če kul vedrino. V svojem sklepu in izbiro gibanj, se ta ureditev za kvartet saksofonov opazuje orkestralno različico, ki jo Ravela sam pisno. Prvotna različica za klavir vključuje dve dodatni deli. Fuga in Toccata. Kljub temu, da so bile izpuščene v tem dogovoru. kot je bilo storjeno tudi v orkestrski različici. ker ne res skladna z tonalne kakovosti kvartet saksofonov.