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Originalno

Genesis 1.3-8. Harp sheet music. Piano sheet music. Vibraphone sheet music.

Prevod

Genesis 1,3-8. Harp note. Klavir note. Vibrafon note.

Originalno

Genesis 1.3-8 composed by Cristiano Melli. For Harp, piano, celesta & vibraphone. Score & Parts. 32 pages. Duration 10'. Published by Periferia Music. PF.M-69216-323-7. GENESIS 1.3-8 was originaly conceived as a work for string quartet, in 2003. During the composition, however, I gradually left the strings to a more 'keyboard' formation. The sensation of lights and colours which came from the development of the work seemed perfect, to me, in a formation including instruments as the harp, the celesta, the piano and the vibraphone. It's from these general outlines that the work got its final shape. The structure of the work, which resembles the traditional four movements of western concert music, is built upon a twelve tone line, presented at the very begining. and developed in the first part. from it, I derived 12 chords. These chords were permutated, and they appear in these resulting sequences, until the second half of the last part of the work - from this point, until the end of the piece, the chords were used with freedom, which alowed then to form, from their interaction, new possibilities, new sounds, new colors - after the genesis, the Creation started to live independent from the Creator. The work is dedicated to the great pianist Carlos Yansen, a good friend and a musician of rare sensibility. and I was honored by Almeida Prado, the most important composer in Brazil, who wrote, when saw the score. 'It's a scandal of Lights and Waters.

Prevod

Genesis 1,3-8 sestavljajo Cristiano Melli. Za harfo, klavir, celesta. Ocena. 32 strani. Trajanje 10 '. Izdala Periferia Glasba. PF.M-69216-323-7. GENESIS 1,3-8 bil Prvotno zasnovan kot dela za godalni kvartet, v letu 2003. Med sestavo, vendar pa sem počasi zapustil strune za bolj "tipkovnica" tvorbe. Občutek luči in barv, ki je prišel iz razvoja dela je zdelo, kot nalašč, da se mi, v sestavi, vključno z instrumenti, kot so harfo, je celesta, klavir in vibrafon. To je iz teh splošnih obrisih, da je delo dobil svojo končno obliko. Struktura dela, ki spominja na štirih tradicionalnih gibanje zahodne koncertne glasbe, je zgrajena v obliki dvanajstih tonov linije, predstavljene na samem začetku. in razvili v prvem delu. od njega sem zasledoval 12 akordov. Te akordov so permutiran, in se v njih izhajajo sekvenc, do druge polovice zadnjega dela dela - od te točke, do konca kosa, so akordov uporabljati svobodo, ki alowed nato se tvori iz njihova interakcija, nove možnosti, nove zvoke, nove barve - po genezi, Creation začel živeti neodvisno od Stvarnika. Delo je posvečena veliki pianist Carlos Yansen, dober prijatelj in glasbenik redke senzibilnosti. In tako sem bil počaščen s Almeida Prado, ki je najpomembnejši skladatelj v Braziliji, ki je napisal, ko je videl rezultat. "To je škandal Luči in voda.