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Originalno

Symphony AD 78. Gordon Jacob. Cornet sheet music. Grade 5.

Prevod

Simfonični AD 78. Gordon Jacob. Cornet note. Stopnje 5.

Originalno

Symphony AD 78 composed by Gordon Jacob. 1895-1986. For concert band. Piccolo, 1st Flute, 2nd Flute, Oboe 1. 2, Bassoon 1. 2, Eb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Eb Alto Saxophone 1. 2, Bb Tenor Saxophone, Eb Baritone Saxophone, 1st Bb Cornet, 2nd. 3rd Bb Cornet, 1. Band Music. Grade 5. Score only. Duration 15. 30. Published by C. Alan Publications. CN.S11158. A powerful work. An opening fanfare leads directly to an Allegro risoluto, which exudes determination and forthrightness. The second movement follows without a break and is a continuous plaint in which the melody seems forever seeking resolution like a troubled soul searching for respite. Only in the closing bars does peace seem to take over. The final movement, marked Allegro non troppo, starts with a cheering fanfare that leads to a bright and breezy romp, with a rustic feel about it. When the fanfare reappears we are suddenly immersed in exaltations of joy that really give a feeling of optimism as we proceed to the end of the piece via a short Coda. With this Symphony, Gordon Jacob proclaims his absolute mastery of idiom and instrumentation with a triumphant rejoicing. Written in 1978 as a commission from Arthur Doyle. hence the "AD" in the title, a typical piece of Jacob wit. , it lay virtually unplayed save for the efforts of his Estate, Troy Peterson and Geoffrey Brand and CBDNA. College Band Directors Association, USA. , who between them ensured that it was professionally recorded in 1994 and published in 1995. There is little point in indulging in semantics as to whether the piece is a Symphony. It is Jacob's approach to his tuneful, folk-based material which is symphonic. weighty in exposition and development, sonorous and expressive in the slow movement, with a scherzo-like last movement and a giocoso coda. After a brilliant opening fanfare, the quick triple-meter first theme. Allegro Risoluto. is introduced on clarinets, punctuated with brass. It is soon followed by a contrasting melody for saxophone. In all this material the interval of a 4th is prominent, and throughout the work the 4th and 7th are important. Perhaps it is the frequent use of the 7th which gives a feeling of restlessness without resolution which pervades this movement as the themes are dissected and developed. The second movement follows directly after a horn bridge. Still the melody outlines the 7th and the ear is not satisfied until the full band. with organ. , comes to rest in Bb major. This point of repose and the magic pianissimo which follows shortly after when the slow theme is re-stated, are the apex of the Symphony's construction. Soon, however, we are transported, via a fanfare, into a helter-skelter 9. 8 romp. rustic, English, and almost vulgar, this theme is thrown around the group before exploding into a boisterous 2. 4 coda.

Prevod

Simfonični AD 78, ki ga sestavljajo Gordon Jakoba. 1895-1986. Za koncert pasu. Piccolo, 1. flavta, 2. flavta, oboa 1. 2, fagot 1. 2, Eb klarinet, 1. Bb klarinet, 2. Bb klarinet, 3. Bb klarinet, Eb Alto klarinet, Bb bas klarinet, Eb altovski saksofon 1. 2, Bb tenor saksofon, Eb bariton saksofon, 1. Bb kornet, 2.. 3. Bb Cornet, 1. Band Glasba. Stopnje 5. Rezultat le. Trajanje 15. 30. Izdala C. Alan publikacije. CN.S11158. Močan delo. Odpiranje fanfare vodi neposredno do Allegro risoluto, ki izžareva odločnost in forthrightness. Drugi stavek sledi brez odmora in je stalna Jadikovanje v katerem melodija zdi vedno iščejo rešitev, kot vznemirjen duša išče predaha. Samo v zaključnih barih pa mir zdi, da prevzame. Končni gibanje, označena Allegro non troppo, se začne z navijanjem fanfare, ki vodi v svetlo in Vetrovi nered, s kmečko občutek o tem. Ko fanfare ponovno pojavi smo nenadoma potopi v exaltations veselja, ki res dajejo občutek optimizma, kot smo nadaljevali do konca kosa po kratki Coda. S tem simfonije, Gordon Jacob razglaša svojo absolutno mojstrstvo idioma in instrumentacije z zmagoslavnim radostno. Napisal leta 1978 kot provizijo od Arthur Doyle. zato "AD" v naslovu, tipično kos Jacob duhovitosti. , Je ležala skoraj unplayed prihranite za prizadevanja njegove zapuščine, Troy Peterson in Geoffrey Brand in CBDNA. College Band Directors Association, USA. , Ki je med njimi zagotoviti, da je strokovno zabeležili leta 1994 in objavljena v letu 1995. Tam je malo, uživate v semantiki, ali je kos simfonija. To je pristop, Jakobov svoji Melodičan, ki temelji na ljudski materiala, ki je simfonična. tehtnimi v priročniku in razvoj, zvočno in izrazno v počasnem gibanju, s-Scherzo kot lani gibanja in giocoso CODA. Po sijajni otvoritveni fanfare, hitro triple-meter prva tema. Veselo Resolute. se je predstavil na klarineti, prekinjali s medenine. To je kmalu sledila kontrastni melodijo za saksofon. V vsem tem materialom, je interval za 4. vidno in celotnem delu so 4. in 7. pomembna. Morda je pogosta uporaba 7. ki daje občutek nemira brez resolucije, ki prežema to gibanje, kot teme se razsekajo in razvili. Drugi stavek izhaja neposredno po rogov mostu. Še vedno melodija opisuje 7. in uho ni zadovoljen, dokler celotno skupino. z orgle. , Ko se ustavi v B-duru. Ta točka počitku in čarobno pianissimo, ki sledi kmalu po tem, ko se počasi tema ponovno navedel, so konica gradnje simfonije je. Kmalu pa smo se prevaža, s pomočjo fanfare, v Metež 9. 8 nered. rustikalna, angleški, in skoraj vulgarno, je ta tema vrže okoli skupine, preden eksplodira v Bučan 2. 4 rep.