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Originalno

Sonata Piano e Forte. Giovanni Gabrieli. B-Flat Trumpet sheet music. Cornet sheet music. Piano sheet music.

Prevod

Sonata za klavir e Forte. Giovanni Gabrieli. Trobenta notno B-Flat. Cornet note. Klavir note.

Originalno

Sonata Piano e Forte composed by Giovanni Gabrieli. 1553-1612. Arranged by Eric Swisher. For 8 Trumpets. Brass - Large Cornet. Trumpet. Ensemble. Masterworks. Part. Score. Eighth Note Publications. Baroque. Masterwork Arrangement. Renaissance. 36 pages. Published by Eighth Note Publications. AP.81-TE29187. ISBN 1554734703. Baroque. Masterwork Arrangement. Renaissance. This well-known sonata by Gabrieli has been performed and recorded by many brass ensembles. This arrangement utilizes the idea of Renaissance consorts. While modern brass instruments are not generally used in true consorts, one can group instruments according to bore shape, thus approximating a consort. To that end, the first choir uses cylindrical instruments. 4 trumpets. while the second uses conical instruments. 4 flugelhorns. This will yield a well-balanced and blended sound within each choir while allowing the listener to follow the performers through the contrasting timbres of the two choirs.

Prevod

Sonata in Piano Forte sestavljena Giovanni Gabrieli. 1553-1612. Urejen Eric SWISHER. 8 Trobente. Brass - Large Cornet. Trobenta. Skupaj. Mojstrovine. Del. Ocena. Osmega Opomba publikacije. Baročna. Mojstrovina Dogovor. Renaissance. 36 strani. Izdala osmem Note publikacije. AP.81-TE29187. ISBN 1554734703. Baročna. Mojstrovina Dogovor. Renaissance. Ta znana sonata s Gabrieli je nastopal in snemal s številnimi medenine ansambli. Ta dogovor izkorišča idejo renesančnih consorts. Medtem ko so sodobni trobila običajno ne uporablja v prave consorts, instrumentov ena skupina lahko po vrtine obliko, zato približevanje a Consort. V ta namen prvi zbor uporablja cilindrične instrumente. 4 trobente. medtem ko se drugi uporablja stožčastih instrumente. 4 flugelhorns. Ta bo prinesla dobro uravnoteženo in mešano zvok v vsakem zboru hkrati pa poslušalca slediti nastopajoče skozi kontrastu timbres obeh zborov.