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Originalno

Trio. Guitar sheet music. Vibraphone sheet music. Piano Accompaniment sheet music.

Prevod

Trio. Kitara note. Vibrafon note. Klavirsko spremljavo note.

Originalno

Trio. For Vibraphone, Guitar and Piano. Composed by David Saperstein. For vibraphone, guitar and piano. Engraved by Peter Jarvis. Vibraphone Part. Published by Calabrese Brothers Music, LLC. CE.CBM-11-00440. Trio. 2011. for Electric Guitar, Vibraphone and Piano is dedicated, with great and deep gratitude and respect, to my friends Peter Jarvis and Gene Pritsker. Composed in August of 2011, this one-movement work, with a duration of approximately 6 minutes, is in four sections, and makes ample use of improvisatory elements. The first of the four sections is slow. quarter note equal to 60. , and is strictly notated. The second section is "senza misura". without meter. and requires each instrument, in turn, to improvise a solo based upon a different group of specified pitches, which may be played in any register. The third section returns to the tempo of the opening and is, again, exactly notated. In the fourth and final section, the tempo doubles. to quarter equal to 120. , and the rhythms are strictly notated, but the pitches are improvised. -David Saperstein.

Prevod

Trio. Za vibrafon, kitara in klavir. Ki ga sestavljajo David Saperstein. Za vibrafon, kitara in klavir. Gravirano Peter Jarvis. Vibrafon del. Izdala Calabrese Brothers Music, LLC. CE.CBM-11-00440. Trio. 2011. za katero je električna kitara, Vibrafon in klavir namenjen, z veliko in globoko hvaležnost in spoštovanje, da moji prijatelji Peter Jarvis in Gene Pritsker. Sestavljen v avgustu leta 2011, je to delo eno gibanje, s trajanjem približno 6 minut, je v štirih oddelkih, in naredi veliko uporabo improvizacijsko elementov. Prvi od štirih delov počasen. četrtinka enaka 60. In je strogo notated. Drugi del je "senza NALOGA". brez meter. in zahteva, da vsak instrument, v zameno, da improvizirati solo, ki temelji na drugo skupino določenih parcel, ki se lahko igral v nobenem registru. Tretji del se vrne na tempo odpiranja in je, še enkrat, točno notated. V četrtem in zadnjem delu, tempo podvoji. za četrtletje, ki je enaka 120. In se ritmi strogo notated, ampak parcele so improvizirane. -David Saperstein.