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Originalno

Suite Sobre Cantos Populares Gallegos.

Prevod

Suite Sobre Cantos Populares Gallegos.

Originalno

Suite Sobre Cantos Populares Gallegos composed by E. Granados. M. Mestre. For symphony orchestra. Published by Editorial de Musica Boileau. BO.B.3624. The Suite on Galician songs was written in 1899 and debuted on 31 October that same year, as part of a series of concerts organised by the Philharmonic Society of Barcelona at the Teatro Lirico, under the direction of Joan Lamote de Grignon. The work is made up of four movements. I. Canto de la manana. ‘Morning song'. , also known as En la montana. ‘In the mountains'. , II. Danza Scherzo. Galician folk dance. , III. Morrina. ‘Homesickness'. and IV. La Fiesta. finale. The entire composition is laced with Galician folk melodies, which serve as the pretext for developing a piece that is entirely descriptive and scenic in nature, by means of a meticulous and precise orchestration of great technical and folkloric interest. The work reveals not only Granados' great technical expertise as orchestrator, but also his imagination and intelligence when recreating the most distinctive sounds of traditional Galician folk music. He achieves this effect through a masterful use of instrumentation and experimentation throughout the 23 minute duration of this magnificent suite.

Prevod

Suite Sobre Cantos Populares Gallegos composed by E. Granados. M. Mestre. Za simfonični orkester. Izdala Uredništvo de Musica Boileau. BO.B.3624. The Suite on Galician songs was written in 1899 and debuted on 31 October that same year, as part of a series of concerts organised by the Philharmonic Society of Barcelona at the Teatro Lirico, under the direction of Joan Lamote de Grignon. The work is made up of four movements. I. Canto de la manana. ‘Morning song'. , also known as En la montana. ‘In the mountains'. , II. Danza Scherzo. Galician folk dance. , III. Morrina. ‘Homesickness'. and IV. La Fiesta. končno. The entire composition is laced with Galician folk melodies, which serve as the pretext for developing a piece that is entirely descriptive and scenic in nature, by means of a meticulous and precise orchestration of great technical and folkloric interest. The work reveals not only Granados' great technical expertise as orchestrator, but also his imagination and intelligence when recreating the most distinctive sounds of traditional Galician folk music. He achieves this effect through a masterful use of instrumentation and experimentation throughout the 23 minute duration of this magnificent suite.