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Originalno

Ouverture fur Harmoniemusik. score & parts. Felix Bartholdy Mendelssohn. B-Flat Trumpet sheet music. Horn sheet music. Oboe sheet music.

Prevod

Otvoritev kot Harmoniemusik. ocena. Felix Mendelssohn Bartholdy. Trobenta notno B-Flat. Horn note. Oboa note.

Originalno

Ouverture fur Harmoniemusik. score & parts. Op. 24. Composed by Felix Bartholdy Mendelssohn. 1809-1847. Arranged by M. Asbill & K. Geraldi. Wind Ensemble. For Wind Ensemble. One on a part. Piccolo Flute Oboe 1 Oboe 2 E-flat Clarinet 1 E-flat Clarinet 2 B-flat Clarinet 1 B-flat Clarinet 2 B-flat Clarinet 3 B-flat Clarinet 4 Bassoon 1 Bassoon 2 Contrabassoon F Horn 1 F Horn 2 F Horn 3 F Horn 4 B-flat Trumpet 1 B-flat Trumpet 2. Grade 5. Score & parts. Duration 9. 00. Published by C. Alan Publications. CN.18880. Written at the ripe age of 15, Mendelssohn's Ouverture, op. 24 demonstrates his musical maturity from a very young age. Set in sonata form, the work begins with a slow, highly melodic introduction that leads into a quick allegro filled with counterpoint and polyphonic imitation. Asbill and Geraldi have done a masterful job of adapting the original work for the modern wind ensemble. Felix Mendelssohn was a prolific composer from a very young age, and was also one of the finest keyboardists of his time. Born into one of Germany's most cultured 19th century families, Mendelssohn's parents home schooled their children on a very strict routine. Their studies included music, history, Greek, Latin, science, literature, and drawing. Felix formed a particularly strong bond with his older sister, Fanny, who became a successful composer in her own right. The Mendelssohn home was a gathering point for conservative German intellectuals and philosophers organized by Moses Mendelssohn, Felix's grandfather,. His father, Abraham, was a wealthy banker intent on providing his family with the best possible opportunities for education and culture. Karl Friedrich Zelter was the young composer's primary music teacher. Mendelssohn's comprehensive musical education emphasized correctness, propriety, and formal clarity. His models included not only the Romantics of the early 19th century, but also 18th century figures, such as Bach and Mozart. Mendelssohn made his debut as a pianist at age nine in 1818 and in 1819 the Berlin Singakadamie presented the first public performance of one of his compositions. The Mendelssohn family enjoyed summer holidays in various locations around Europe, where Felix formed professional connections with eminent historical figures, including Goethe and Spohr. During the summer of 1824, Mendelssohn vacationed with his father at the northern German community of Bad Doberan. This resort was known for its spas, many of which employed small Harmonie ensembles to perform daily concert. While in Bad Doberan, Mendelssohn composed his Notturno for eleven instruments - pairs of oboes, clarinets, horns, and bassoons, plus additional parts for flute, trumpet, and English basshorn - and the work received its premiere on July 24, 1824. In 1838, the composer rescored the work for large German wind band and re-titled it Overture, Op. 24. At this time, Mendelssohn sought to have the work published in three versions. the original for 11 instruments, the expanded version, and a setting for piano four-hands. Simrock accepted the works, but did not publish them until 1852, five years after the composer's death. The work is in sonata form with a slow, highly melodic introduction. Its balanced phrase structures and restrained expressive sensibility are characteristic of Mendelssohn's style. The Allegro presents a succession of short motives, with the second theme serving as the only melody of any length. The development explores the young composer's sense of classical counterpoint through the use of polyphonic imitation. Originally composed when Mendelssohn was only 15 years old, the Overture, Op. 24, illustrates his maturing compositional voice. EDITORIAL COMMENTS In the years since Mendelssohn's work was composed in the 1830s, numerous scores, adaptations, and editions have been published to make the piece accessible for performance. This new edition was created in order to make the original version easily performable by a modern wind ensemble. The editors' intention was to remain as faithful as possible to Mendelssohn's original concept, while adapting the instrumentation for modern performers. In this process, discrepancies, inconsistencies, and inaccuracies between individual parts and previously existing editions were reconciled. The source material used included an 1876 reprint by Breitkopf & Hartel of the original 1852 score, the critical edition score published by Barenreiter, and the 4-hand piano score published by Simrock. To achieve these goals, the editors needed to make decisions regarding instrumentation and notation. Mendelssohn's original ensemble included a pair of F soprano clarinets and a pair of Basset horns. The editors have transposed and edited these parts for two E-flat clarinets and two additional B-flat clarinets, with little to no effect upon register or timbre. The obsolete English bass horn that Mendelssohn requires in his score has been included as a part for Euphonium. For convenience, the editors transcribed the trombone parts, originally notated in alto or tenor clef, all to bass clef. The snare drum notation was clarified and simplified to reflect the more regimental drumming technique of the period, while remaining easily readable to modern players. Lastly, details of dynamics and articulations were coordinated between parts and adjusted to match the reprinted score from 1852.

Prevod

Otvoritev kot Harmoniemusik. ocena. Op. 24. Sestavljajo Felix Bartholdyja Mendelssohna. 1809-1847. Razvrščeni po M. Asbill. Ansambel veter. Za Ensemble Wind. Ena na delu. Piccolo flavta oboa 1 oboa 2 E-flat klarinet 1 E-flat klarinet 2 B-flat klarinet 1 B-flat klarinet 2 B-flat klarinet 3 B-flat klarinet 4 fagot 1 fagot 2 kontraforte F Horn 1 F 2 F Horn Horn 3 F Horn 4 B-flat Trumpet 1 B-flat Trumpet 2. Stopnje 5. Ocena. Trajanje 9. 00. Izdala C. Alan publikacije. CN.18880. Pisno na zrele starosti 15, Mendelssohnov uvertura, op. 24 pokaže svojo glasbeno zrelost od zelo mladih letih. Set v sonata obliki, delo se začne s počasnim, zelo melodične uvodu, ki vodi v hiter Allegro napolnjena z kontrapunkta in večglasnim posnemanje. Asbill in Geraldi naredil mojstrsko delo prilagajanja izvirno delo za sodobne vetrne ansambla. Felix Mendelssohn je bil plodovit skladatelj, od zelo mladih letih, in je bil tudi eden od najboljših keyboardists svojega časa. Rodil se je v enem od nemških najbolj kultiviranih družin iz 19. stoletja, Mendelssohnov starši doma šolane svoje otroke na zelo strogi rutini. Njihove študije vključeni glasba, zgodovina, grščino, latinščino, znanosti, literature in risanje. Felix oblikovali posebno močno vez s svojo starejšo sestro, Fanny, ki je postal uspešen skladatelj v svojem lastnem imenu. Mendelssohn dom je bil zbirališče za konzervativne nemških intelektualcev in mislecev Moses Mendelssohn Felix je dedek organizira,. Njegov oče, Abraham, je bil bogat bankir nameri o zagotavljanju njegovo družino z najboljšimi možnimi možnosti za izobraževanje in kulturo. Karl Friedrich Zelter je mladega skladatelja primarni glasbeni učitelj. Mendelssohnov celovita glasbena vzgoja je poudaril pravilnost, korektnost, in formalno jasnost. Njegovi modeli vključijo ne le romantike z začetka 19. stoletja, ampak tudi številke 18. stoletja, kot so Bach in Mozart. Mendelssohn je debitiral kot pianist v starosti devetih leta 1818 in leta 1819 v Berlinu Singakadamie predstavil prvi javni nastop enega od njegovih skladb. Družina Mendelssohn uživajo poletne počitnice na različnih lokacijah po Evropi, kjer je Felix oblikuje strokovne povezave z eminentnimi zgodovinske osebnosti, Goetheja in Spohr. Poleti leta 1824, Mendelssohn vacationed z očetom na severnem nemškem skupnost Bad Doberan. To območje je znano po svojih toplicah, od katerih jih je veliko, ki delajo majhne Harmonie ansamblov opravljati dnevno koncert. Medtem ko je v Bad Doberan, Mendelssohn sestavljajo njegovo notturno enajst instrumentov - pari oboi, klarineta, rogovi in ​​fagota, skupaj z dodatnimi deli za flavto, trobento, in angleško basshorn - in delo je prejel svojo premiero doživel na 24. julij 1824. Leta 1838 je skladatelj rescored delo za velike vetrne pasu in nemškem jo ponovno naslovom uvertura, op. 24. V tem času, Mendelssohn zahteva, da so delo objavljeno v treh različicah. original 11 instrumentov, razširjena različica, in nastavitev za klavir štiri roke. Simrocku sprejeti dela, ki pa jih ni objavila, dokler 1852, pet let po skladateljevi smrti. Delo je v sonata obliki s počasnim, zelo melodična uvedbo. Njeni uravnoteženih phrase strukture in zadržana izrazno senzibilnost so značilni slog Mendelssohnov. Allegro predstavlja zaporedje kratkih motivov, z drugo tema služi kot edini melodijo poljubne dolžine. Razvoj raziskuje občutek mladega skladatelja klasične kontrapunktu z uporabo polifonega posnemanja. Prvotno sestavljena ko je Mendelssohn star le 15 let, uvertura, op. 24, ponazarja njegov glas zorenja kompozicijski. UVODNIK pripombe v letih, odkar je bila delo Mendelssohnov sestavljene iz leta 1830, so bili objavljeni številni note, prilagoditve in izdaje, da bo dostopna za opravljanje del. Ta nova izdaja je bila ustvarjena, da bi prvotni različici enostavno performable s sodobno vetra ansambel. Namen urednikov je bil, da ostane čim bliže k prvotni koncept Mendelssohn, medtem ko prilagoditvi merilnih instrumentov za sodobne izvajalcev. V tem procesu, razlike so se uskladili nedoslednosti in nepravilnosti med posameznimi deli in že obstoječih izdaj. Vir material vključevala 1876 ponatis s Breitkopfa. Da bi dosegli te cilje, uredniki, potrebne za sprejemanje odločitev v zvezi z merilnimi instrumenti in zapis. Izvirna zasedba Mendelssohnov vključen par F sopran klarineta in par Basset rogovi. Uredniki so se prenesle ter uredili te dele za dve E-flat klarineti in dodatna dva klarineta B-flat, z malo ob register ali zvočno barvo brez učinka. Zastarel angleški bas horn da Mendelssohn zahteva v svoji rezultat je bil vključen kot del za evfonij. Za udobje, uredniki prepisane dele pozavna, prvotno notated v alt ali tenor clef, vse do bass clef. Snare boben Zapis je bil razjasniti in poenostaviti, da bi izražale polkovno bobnanje tehniko obdobju, medtem ko je preostalih čitljiv do sodobnih igralcev. Nazadnje so bili podatki o dinamiki in artikulacij, usklajene med deli in prilagoditi, da se ujemajo ponatis rezultat od 1852.