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Originalno

Ad hoc. Violin Solo sheet music.

Prevod

Ad hoc. Violina Solo note.

Originalno

Ad hoc composed by Carles M. Eroles. For Violin & piano. Score & Parts. 29 pages. Duration 9'. Published by Periferia Music. PF.M-69216-307-7. The material introduced by the piano of the beginning "a solo" is the one that serves of vertebral axis of the work, that has nearly the form of a rondo. This introduction is based on isolated, naked notes, with a constant rythm of the eighths that create a big intervalic space between them. Later on, that will be used as a support to an espressive melody of the violin, that will take this material and will expose it in pizzicato. In this way will be used as accompaniment to a very suggestive and lyric fragment of the piano that covers nearly all the registers of the instrument. This will lead to a second section of the work, of a very rythmic and intense character of both instruments. The third section, the most expressive of the work, it's iniciated with some chords of the piano that little by litlle dissapear and remembers the introduction. Here, the violin develops a melody of big lirism, supported by the piano witht he material of the introduction, but this time there are non isolated notes but full chords that disintegrate again at the end, taking up again the idea of a fragment of the first section of the piece by means of the piano. Far from free instrumental effects, the work looks mainly for a direct communication with the listener.

Prevod

Ad hoc sestavljena iz Carles M. Eroles. Za violino. Ocena. 29 strani. Trajanje 9 '. Izdala Periferia Glasba. PF.M-69216-307-7. Material, ki ga je klavir na začetku solo uveden je tista, ki služi vretenc os dela, ki ima skoraj obliko rondo. Ta vnos temelji na osamljenih, golih not, s konstantno ritmu na osmine, ki ustvarjajo velik intervalic prostor med njimi. Kasneje, ki bo uporabljen kot podpora k espressive melodijo violine, bo to trajalo to gradivo in ga bo razkrila v pizzicato. Na ta način se bo uporabljal kot spremljavo na zelo sugestivno in lirskega fragmenta klavirja, ki zajema skoraj vse registre instrumenta. To bo vodilo k drugem delu dela, zelo rythmic in intenzivnega značaja obeh instrumentov. Tretji del, najbolj izrazit dela, je to iniciated z nekaj akordi klavirja, ki malo jih litlle izginejo in se spominja uvedbo. Tukaj, violina razvija melodijo velikem lirism, ki ga je klavir witht on materiala uvedbo podpira, vendar je ta čas obstajajo Neizolirani zapiske, ampak polne akorde da spet razpadla na koncu, pri čemer spet idejo fragmenta . Daleč od prostih instrumentalnih učinkov, delo izgleda predvsem za neposredno komunikacijo z poslušalca.