Partiture $120.00

Originalno

Sunrise, Sunset. Jere Hutcheson. B-Flat Trumpet sheet music. Horn sheet music. Grade 4.

Prevod

Sunrise, Sunset. Jere Hutcheson. Trobenta notno B-Flat. Horn note. 4. stopnje.

Originalno

Sunrise, Sunset composed by Jere Hutcheson. For concert band. Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Soprano Clarinet in Eb, Clarinet in Bb 1, Clarinet in Bb 2, Bassoon 1, Bassoon 2, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Horn in F 1, Horn in F. Band Music. Grade 4. Score and parts. Duration 8. 00. Published by C. Alan Publications. CN.11930. Sunrise, Sunset features a vaguely ritualistic quality in which 'drumming' provides the constant thread. The Samul-Nori is a performance practice based on ancient Korean folk music. The Samul-Nori is enjoying something of a rebirth in Korea as a popular entertainment performed on stage rather than in the fields. In the summer of 2005, one of my former doctoral students in composition, Soonmee Park, now a distinguished Professor of Composition in one of Seoul's finest universities, was visiting the United States. Dr. Park spent two weeks in East Lansing, and during our reunion she gave me DVD and CD performances of several forms of traditional Korean music. When I viewed the lavish Samul-Nori performance, I was immediately struck by the power unleashed by the four percussionists and the manner in which the music unfolds in a spiritual communal fashion not unlike that of the Indonesian gamelan orchestra performances. Dancers, running and leaping, long tassels flowing from their headpieces, join in from time to time. The moods of the Samul-Nori seem to range from the gentle to the most ferocious and convulsive, often passing through everything in between. I was inspired to write not an imitation of what I heard and saw, but a piece with somewhat of a ritualistic quality in which 'drumming' would provide the constant thread. Over this filament, melodies in the winds, one, two, and three at a time would dance to the beat. I would not, and should not, attempt to emulate true Korean folk practices. The similarity would lie simply in the fact that my ideas were spawned deep from within my imagination and that these ideas seemed to express the activities associated with some communal practices deigned to express both sadness and joy.

Prevod

Sunrise, Sunset sestavljajo Jere Hutcheson. Za koncert pasu. Pikolo, flavta 1, 2 flavta, oboa 1, 2 oboa, klarinet Soprano v Eb, klarinet v Bb, 1, klarinet v Bb 2, fagot 1, fagot 2, 1 alt saksofon, alt saksofon 2, tenor saksofon, bariton saksofon, trobento v Bb, 1, Trobenta v Bb 2, rog v F 1 rog v F. Band Glasba. 4. stopnje. Rezultat in deli. Trajanje 8. 00. Izdala C. Alan publikacije. CN.11930. Sunrise, Sunset features a vaguely ritualistic quality in which 'drumming' provides the constant thread. Samul-Nori je praksa, predstava, ki temelji na starodavni korejski ljudski glasbi. Samul-Nori uživa nekaj preroditvi v Koreji kot priljubljeno zabavo opravljeno na odru, ne pa na področjih. V poletnih mesecih leta 2005, je eden od mojih nekdanjih študentov doktorskega študija v sestavi, Soonmee Park, zdaj razlikovati profesor kompozicije na enem od najboljših univerz Seulu je bil na obisku v Združene države Amerike. Dr. Park preživel dva tedna v East Lansing, in v času našega snidenja mi je dala DVD in CD nastopih številnih oblik tradicionalne korejske glasbe. Ko sem gledati razkošne Samul-NORI uspešnost, sem bil takoj udaril z močjo sprožil s štirimi tolkalcev in način, na katerega glasba odvija v duhovnem komunalno mode ne razliko, da je od indonezijskih gamelan orkester. Dancers, teče in skače, dolge rese, ki izhajajo iz njihovih headpieces, pridružite se od časa do časa. Razpoloženj v Samul-Norija se zdi, da se gibljejo od nežne do najbolj divji in krčevito, pogosto skozi vse vmes. Navdihnil me je, da ne pisati posnemanje tega, kar sem slišal in videl, ampak kos z neke vrste obredno kakovosti, v katerem "bobnanje" bi konstantno nit. Preko te nitke, melodije v vetru, ena, dva in tri v času, bi plesali v ritmu. Jaz ne bi, ne bi bilo, poskušajo posnemati resnične Korean folk prakse. Podobnost bi preprosto v tem, da so bile moje ideje ustvarila globoko znotraj moje domišljije in da teh idej je zdelo, da izrazijo dejavnosti, povezane z nekaterimi skupnostnih praks deigned izraziti tako žalost in veselje.