Partiture $15.00

Originalno

Tune in a Popular London Style. Percy Aldridge Grainger. English Horn sheet music. Grade 4.

Prevod

Tune v priljubljeni londonski Style. Percy Aldridge Grainger. Angleški rog note. 4. stopnje.

Originalno

Tune in a Popular London Style composed by Percy Aldridge Grainger. 1882-1961. Arranged by B. Kopetz. For concert band. Piccolo, 1st & 2nd Flute, 1st & 2nd Oboe, English Horn, 1st & 2nd Bassoon, 1st Clarinet in Bb, 2nd Clarinet in Bb, 3rd Clarinet in Bb, Bass Clarinet in Bb, Soprano Saxophone, 1st & 2nd Alto Saxophone in Eb, Tenor Saxophone in Bb, Baritone Saxophone in Eb,. Band Music. Grade 4. Score only. Duration 3. 15. Published by C. Alan Publications. CN.10891. An air with a 'Music Hall' flavor embodying the London blend of gaiety with wistfulness so familiar in the performances of George Grossmith, Jr., and other vaudeville artists. Tune in a Popular London Style was 'An attempt to write an air with a 'Music Hall' flavor embodying the London blend of gaiety with wistfulness so familiar in the performances of George Grossmith, Jr., and other vaudeville artists. It consists of two strains, like the solo and chorus of music-hall ditties. The musical material, composed in London, dates from about 1912, and was worked out and scored during the winter of 1915. 16 in New York City and in railway trains. Notes derived form 'A Source Guide to the Music of Percy Grainger,' ed. by Thomas P. Lewis. While residing in London in 1915, Grainger and his mother made a quick decision to leave London. The Great War had just begun, and Rose Grainger worried about her son's career prospects if they remained in London. They boarded the Cunrad ship Laconia in Liverpool and reached Boston on September 8, 1915. Grainger merged into the musical life of New York City and began performing at the piano, earning him a wide reputation. Sixteen concerts were booked for New York with the leading orchestras, as well as numerous solo recitals. Other performances were scheduled in Philadelphia, Minneapolis, Boston and the Chicago orchestras. In the first season in America, Grainger's works received approximately one hundred performances, though Grainger was only invited to conduct but once. Although the success he was receiving as a pianist was unlike anything he received in Europe, he saw that his success as a performer was in danger of denying him any critical acclaim as a serious composer. As his career began to flourish, the need for increased travel became a necessity. Whenever Grainger traveled, he took the train. He loved railways, as they gave him the space to spread his manuscripts out and compose. He always traveled second class, and rarely took a sleeper, preferring to sleep sitting up. He would occasionally depart the train one station early and give the difference in fare to a local charity. It was partly during these trips on the train that Grainger scored In a Nutshell. In June of 1916, Grainger was invited to take part in the Norfolk, Connecticut Festival of Music. It was for this performance that he scored and put together an orchestral suite which he entitled In a Nutshell. Some of the sketches for the piece went back to 1905, and the suite was eventually published in four movements, the final movement being the well-known 'Gum-Suckers March'. originally entitled 'Cornstalks March-. Despite the mood of jollity of the suite, it is serious in intent and contains some of Grainger's most characteristic scoring. The first performance was conducted by Dr. Arthur Mees and Grainger was paid 500 for producing it. Notes derived from 'Percy Grainger' by John Bird.

Prevod

Tune in a Popular London Style composed by Percy Aldridge Grainger. 1882-1961. Uredil B. Kopetz. Za koncert pasu. Majhen, 1.. Band Glasba. 4. stopnje. Rezultat le. Trajanje 3. 15. Izdala C. Alan publikacije. CN.10891. Zrak z "Music Hall" okus vseboval London mešanico veselja z wistfulness tako znano v predstavah Georgea Grossmith, Jr, in drugih Variete umetnikov. Tune v priljubljenem londonskem Style je "poskus, da napišete zraka z" Music Hall "okus vseboval London mešanico veselja z wistfulness tako znano v predstavah Georgea Grossmith, Jr, in drugih Variete umetnikov. Sestavljen je iz dveh sort, kot so individualni in refren glasbeno-dvorana ditties. Glasbeno gradivo, sestavljeno v Londonu, datira iz okoli 1912 in je delal, in dosegel pozimi leta 1915. 16 v New Yorku in v železniških vlakih. Pojasnila izpeljani obliko "Vir Vodnik za glasbo Percy Grainger," ed. by Thomas P. Lewis. Medtem ko prebivajo v Londonu leta 1915, Grainger, in njegova mati je hitro odločitev, da zapusti London. Velika vojna se je pravkar začelo, in Rose Grainger skrbelo kariere svojega sina, če bi ostali v Londonu. So se vkrcali na ladje Cunrad LACONIA v Liverpoolu in dosegel Boston na 8. september 1915. Grainger združili v glasbenem življenju New York City in začel nastopati na klavirju, mu zaslužek širok ugled. Šestnajst koncerti so rezervirana za New York z vodilnimi orkestri, kot tudi številne solo recitalih. Ostale predstave so bile načrtovane v Filadelfiji, Minneapolisu, Bostonu in orkestrov Chicago. V prvi sezoni v Ameriki, Grainger Dela prejel približno sto nastopov, čeprav je bil Grainger povabljen le za vodenje ampak enkrat. Čeprav je bil uspeh jo je prejemal kot pianist razliko od nič je prejel v Evropi, je videl, da je bil njegov uspeh kot izvajalec v nevarnosti, da mu je zanikala kakršno koli kritično odobravanje kot resen skladatelj. Kot je svojo kariero začel razcvet, potreba po večji potovanja postalo nuja. Kadarkoli Grainger potoval, je vzel vlak. Ljubil železnice, saj mu je dal prostor za širjenje svoje rokopise, in sestavite. Je vedno potoval v drugem razredu, in le redko vzel spalnik, raje spat sedela. On bi občasno zgodnji odhod vlaka eno postajo in dati razliko v ceno vozovnice za lokalno dobrodelno organizacijo. Deloma je bil v času teh potovanjih na vlaku, ki Grainger dosegel Najpomembnejše na kratko:. V juniju leta 1916, je bil Grainger povabljeni k sodelovanju v Norfolku, Connecticut Festival of Music. To je bil za to predstavo, ki je dosegel in skupaj orkestralni suite, ki je z naslovom Na kratko. Nekatere skic za kos šel nazaj v leto 1905, in suite je bil na koncu objavljen v štirih premikov, pri čemer je končni gibanje znana "Gum-Bedaki marca". prvotno z naslovom "Cornstalks marec. Kljub razpoloženje jollity tega paketa, je resen v nameri in vsebuje nekatere od Grainger najbolj značilne točkovanje. Prvi nastop je opravil dr Arthur Mees in Grainger je bila namenjena 500 za njeno proizvodnjo. Pojasnila, ki izhajajo iz "Percy Grainger" John Bird.