Partiture $40.00

Originalno

Cuico. Gregory Danner. B-Flat Trumpet sheet music. Horn sheet music. Grade 4.

Prevod

Cuico. Gregory Danner. Trobenta notno B-Flat. Horn note. 4. stopnje.

Originalno

Cuico. Percussion Trio Feature. Composed by Gregory Danner. For Soloist. with Concert Band. Piccolo, Flute 1, Flute 2, Oboe 1, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1. 2, F Horn 3. Band Music. Grade 4. Score only. Duration 14. 50. Published by C. Alan Publications. CN.15791. Depicting an Aztec myth, the music at the opening is fairly abstract and fragmented, with a mixture of tonal and atonal ideas exchanged between soloists and ensemble. Next is a furious dance, featuring each individual percussionist. timpani, congas, toms. in an extended solo. They are joined in a hard-driving rhythmic ostinato, while the winds present two powerful themes in counterpoint. The final section is a joyous conclusion, beginning with a simple melody in the solo xylophone and developing to full ensemble statements in an exciting and jubilant ending. Cuico - Concerto for Three Percussion & Wind Ensemble was written for the Caixa Trio. Julie Davila, Julie Hill, and Amy Smith. and the Tullahoma. TN. High School band, Stephen and Marion Coleman, directors. The composition dramatically portrays an Aztec creation myth on the origin of music. As a practical concern, it should be noted that the standard concert band percussion instruments have been divided between the percussion soloists and ensemble, so no additional equipment will normally be required. In the Aztec Nahuatl language the word 'Cuico' means 'to sing. ' A 16th century Nahua poem describes the myth in great detail. Below is a summary of that poem, taken from Irene Nicholson's book 'Mexican and Central American Mythology. ' Tezcatlipoca--god of heaven and of the four quarters of the heavens came to earth and was sad. He cried from the uttermost depths of the four quarters. 'Come, O wind. ' The wind rose higher than all things made, whipping the waters of the oceans and the manes of the trees, and arrived at the feet of the god of heaven. Then spoke Tezcatlipoca. 'Wind, the earth is sick from silence. Though we possess light and color and fruit, yet we have no music. We must bestow music on all creation. Go then through the boundless sadness to the high House of the Sun. There the father Sun is surrounded by makers of music. Go, bring back to earth a cluster--the most flowering--of those musicians. ' Wind traveled the silent earth until he reached the sun, where all melodies lived in a nest of light. When the Sun saw the wind approaching he told his musicians. 'Here comes that bothersome wind of earth. Stay your music. Cease your singing. Answer him not. ' Wind with his dark voice shouted. 'Come, O musicians. ' None replied. The clawing wind raised his voice and cried. 'Musicians, singers. The supreme Lord of the World is calling you. ' Now the musicians were silent colors. they were a circling dance held fast in the blinding flame of the Sun. Then the wind waxed his wrath. Flocks of cloud, stabbed and torn by lightning assembled to besiege the House of the Sun. His bottomless throat let loose the thunder's roar. A great battle ensued. Spurred on by fear, the musicians ran for shelter to the wind's lap. Bearing them gently, the wind set out on his downward journey. Below, Earth raised its wide dark eyes to heaven and its great face shone, and it smiled. When all that flutter of happiness landed on earth, the Suns musicians spread to the four quarters. Thus did all things learn to sing. the awakening dawn, the dreaming man, the waiting mother, the passing water and the flying bird. Life was all music from that time on. The music interprets this story in five sections. Part 1. - and Tezcatlipoca saw the earth was void of song. The music for this section is fairly abstract and fragmented, with a mixture of tonal and atonal ideas exchanged between soloists and ensemble. Part 2. Wind traveled the silent earth in search of music until he reached the Sun. Here the solo percussion. marimbas and vibraphone. present a layered ostinato, increasing in complexity in counterpoint to a simple melodic theme developing in the ensemble. Part 3. The Suns' musicians were a circling dance, held fast in his blinding flame. This section is a furious dance, featuring each individual percussionist. timpani, congas, toms. in an extended solo. Part 4. The Sun refuses the Wind-a great battle ensues. Here the solo percussion and the ensemble percussion join in a hard-driving rhythmic ostinato, while the winds present two powerful themes in counterpoint. Part 5. Wind prevails and music spreads to the four quarters of the earth. Thus did all things learn to sing. the awakening dawn, the dreaming man, the waiting mother, the passing water and the flying bird. This final section is a joyous conclusion, beginning with a simple melody in the solo xylophone and developing throughout with solo percussion and full ensemble statements to an exciting and jubilant ending.

Prevod

Cuico. Tolkala Trio Feature. Sestavljajo ga Gregory Danner. Za Solist. s Concert Band. Pikolo, flavta 1, flavta 2, Oboa 1, Bb klarinet 1, Bb klarinet 2, Bb klarinet 3, Bb bas klarinet, fagot, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb tenor saksofon, bariton saksofon Eb, Bb Trobenta 1 , Bb Trobenta 2, Bb Trobenta 3, F Horn 1. 2, F Horn 3. Band Glasba. 4. stopnje. Rezultat le. Trajanje 14. 50. Izdala C. Alan publikacije. CN.15791. Prikazuje kot Aztec mita, glasba na otvoritvi je precej abstraktna in razdrobljen, z mešanico tonske in atonalni ideje izmenjujejo med solisti in ansambel. Naslednja je besen ples, featuring vsako posamezno tolkalec. pavke, konge, toms. v razširjenem solo. Ti so se pridružili v hard vožnje-ritmične ostinato, medtem ko so vetrovi predstavljajo dva močna teme v kontrapunktu. V zadnjem delu je vesel zaključek, ki se začne s preprosto melodijo v solo ksilofon in razvoj do polne ensemble izkazov v razburljivo in Trijumfirajući konec. Cuico - Koncert za tri tolkala. Julie Davila, Julie Hill, in Amy Smith. in Tullahoma. TN. High School band, Stephen in Marion Coleman, direktorji. Sestava dramatično prikazuje Azteki ustvarjanje mita o izvoru glasbe. Kot praktično skrb, je treba opozoriti, da so bili standardni instrumenti koncertni bend tolkala razdeljena med strelnimi solisti in ansambel, zato se običajno potrebna nobena dodatna oprema. V Aztec nahuatl jeziku beseda "Cuico" pomeni "da pojejo. "16. stoletje Nahuanci pesem opisuje mit v zelo podrobno. Spodaj je povzetek te pesmi, vzeta iz Irene Nicholson knjige "mehiške in srednjeameriške Mythology. "Tezcatlipoca - bog neba in štirih četrtletjih nebes prišel na zemljo in je bil žalosten. Jokal je od skrajnih mej globine štiri četrtletja. "Pridi, O veter. "Veter je povečal višja od vseh stvari, ki, stepanje vode v oceanih in grivo z dreves, in prišel na noge boga neba. Potem je govoril Tezcatlipoca. "Veter, zemlja je bolan od tišine. Čeprav imamo svetlobo in barvo in sadje, še nimamo glasbe. Moramo nagni glasbo na vse stvarstvo. Gredo nato skozi neizmerne žalosti na visoko Hiša Sonca Tam je oče Sun obdan z ustvarjalci glasbe. Pojdi, pripelje nazaj na zemljo grozd - največ cvetenja - od teh glasbenikov. "Veter potoval tiho zemljo, dokler ni dosegel sonce, kjer so vsi napevi živel v gnezdo svetlobe. Ko Sun videl veter približuje je povedal svoje glasbenike. "Prihaja ta moteč veter zemlje. Ostanite svojo glasbo. Prenehaj petje. Odgovori mu ne. "Veter s svojo temno glas slišalo. "Pridi, O glasbenike. "Noben odvrnil. Parkelj veter povzdignil glas in zavpil. "Glasbeniki, pevci. Vrhovni Lord of the World je vas kliče. "Zdaj glasbeniki so tihe barve. so bili krožni ples potekal hitro v oslepitev plamen Sonca Potem veter voskom svojo jezo. Jate oblak, zabodel in besni zaradi udara strele je sestavljen iz bi oblegali Hišo Sonca Njegov dna grla spustim bučanje groma je. Velika bitka sledila. Spodbudila s strahom, glasbeniki tekel za zatočišče v naročju vetra. Jih nežno nosi, veter je določeno na svoji poti navzdol. Spodaj Earth izrazila široke temne oči proti nebu in njegovo veliko obraza izbija svetlobo, in to se je nasmehnil. Ko vse to plapolanje sreče pristal na Zemlji, glasbeniki sonca razširila v štirih četrtletjih. Tako se je vse stvari naučiti, da poje. prebujanje zore, sanja človek, čakanja mati, odvajanju vode in pluje ptica. Življenje je bilo vse glasbe od takrat naprej. Music interpretira zgodbo v petih oddelkih. 1. del. - In Tezcatlipoca videl zemlja je nična pesmi. Glasba za ta oddelek je precej abstraktna in razdrobljen, z mešanico tonske in atonalni ideje izmenjujejo med solisti in ansambel. 2. del. Veter potoval tiho zemljo v iskanju glasbe, dokler ne doseže Sonce Tu solo tolkala. marimbas in vibrafon. predloži večstopenjski ostinatni, povečuje zapletenost v kontrapunktu s preprostim melodične teme razvoju v ansamblu. 3. del. Glasbeniki Suns "so krožni ples, ki je potekala hitro, v svojem prikrivanja plamenom. Ta oddelek je besen ples, featuring vsako posamezno tolkalec. pavke, konge, toms. v razširjenem solo. 4. del. Sun noče Wind-velika bitka poznamo. Tu solo tolkala in ansambel tolkal pridružite v trdo vožnjo ritmično ostinato, medtem ko so vetrovi predstavljajo dva močna teme v kontrapunktu. 5. del. Veter prevladuje in glasba širi v štirih četrtletjih zemlje. Tako se je vse stvari naučiti, da poje. prebujanje zore, sanja človek, čakanja mati, odvajanju vode in pluje ptica. Zadnji del je vesel zaključek, ki se začne s preprosto melodijo v solo ksilofon in razvoj v celotni solo tolkala in polnih ensemble izkazov za razburljive in Trijumfirajući konec.