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Originalno

Monologues. Joseph Turrin. B-Flat Trumpet sheet music. Euphonium sheet music. Harp sheet music. Horn sheet music. Percussion sheet music. Piano sheet music. Timpani sheet music. Trombone sheet music. Tuba sheet music. Grade 5.

Prevod

Monologi. Joseph Turrin. Trobenta notno B-Flat. Evfonij note. Harp note. Horn note. Tolkala note. Klavir note. Timpani note. Pozavna note. Tuba note. Stopnje 5.

Originalno

Monologues. Euphonium Feature. Composed by Joseph Turrin. 1947-. For Soloist. with Concert Band. Solo Euphonium, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Eb Clarinet, Bb Clarinet 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1-5, F Horn 1-4, Trombone 1-3, Euphonium, Tuba, Piano. Harp, Timpani, Percussion 1-. Grade 5. Score only. Duration 22. 00. Published by C. Alan Publications. CN.17051. This 4-movement concerto for euphonium and wind ensemble showcases what Turrin does best. He makes a band sound like a full orchestra with his inventive textures and masterful scoring. Monologues was commissioned by the following consortium of universities. John N. Culvahouse, UGA Wind Ensemble. University of Georgia David Waybright, UF Wind Symphony. University of Florida Jim Copenhaver, USC Symphonic Band. University of South Carolina Cody Birdwell. George Boulden, UK Wind Ensemble. University of Kentucky Gary Sousa, UT Wind Ensemble. University of Tennessee Johnnie Vinson, AU Symphonic Band. Auburn University David Willson, UM Symphonic Band. University of Mississippi Dwayne Sagen. Tom Verrier, VU Wind Ensemble. Vanderbilt University Elva Kaye Lance, MSU Symphonic Band. Mississippi State University Frank Wickes, LSU Wind Ensemble. Louisiana State University W. Dale Warren, UA Wind Symphony. University of Arkansas Ken Ozello, UA Wind Ensemble. University of Alabama PERFORMANCE NOTES Chaconne. Although written in 4. 4 the metronome marking is in two. I would like this movement to have a two feel throughout. It will probably work best conducted in a moderate two instead of a fast four. Make sure that bar 60 keeps pace and does not slow down too much. This section needs to have some breath while maintaining a forward motion. The piece that comes to mind with this movement is Ravel's Bolero. Arioso. Make sure the triplets are played musically in the ensemble. Crescendos and decrescendos should be dramatic and powerful. Intonation is important especially in the close harmonies and clusters. Bar 57 through 72 is a chamber group section with only a few instruments playing. Make sure that the solo euphonium, since he or she is out front, is balanced in the texture. Intermezzo. This movement should be light and steady. Staccatos need to be short and animated and the sixteenth note passages need to have personality and flair. Make sure that the movement keeps its tempo and does not bog down. Capriccio. Not much to know about this movement except to be careful not to cover the soloist. Pay attention to the balance. The key word here is energetic. Keep the drive and excitement throughout.

Prevod

Monologi. Evfonij Feature. Ki ga sestavljajo Joseph Turrin. 1947 -. Za Solist. s Concert Band. Evfonij Solo, mala, 1-2 flavta, oboa 1-2, 1-2 fagot, Eb klarinet, Bb klarinet 1-3, bas klarinet, altovski saksofon 1-2, tenor saksofon, bariton saksofon, trobenta Bb 1-5, F Horn 1-4, 1-3 pozavna, evfonij, tuba, klavir. Harp, Timpani, Percussion 1-. Stopnje 5. Rezultat le. Trajanje 22. 00. Izdala C. Alan publikacije. CN.17051. Ta koncert 4-gibanje za evfonij in vetrne ansambel vitrine, kar počne najbolje Turrin. On naredi band zvok všeč celoten orkester s svojimi domiselnimi tekstur in mojstrsko podstavil nogo. Monologi bila naročena z naslednjim konzorcija univerz. John N. Culvahouse, UGA Ensemble Wind. University of Georgia David Waybright, UF Wind simfoniki. University of Florida Jim Copenhaver, USC simfoničnega orkestra. University of South Carolina Cody Birdwell. George Boulden, Ensemble UK vetra. University of Kentucky Gary Sousa, UT Ensemble Wind. University of Tennessee Johnnie Vinson, AU simfoničnega orkestra. Auburn University David Willson, UM Symphonic Band. University of Mississippi Dwayne Sagen. Tom Verrier, VU Ensemble Wind. Vanderbilt University Elva Kaye Lance, MSU Symphonic Band. Mississippi State University Frank Wickes, LSU Ensemble Wind. Louisiana State University W. Dale Warren, UA vetra Symphony. University of Arkansas Ken Ozello, UA Ensemble Wind. University of Alabama USPEŠNOSTI NOTES Chaconne. Čeprav je napisan v 4. 4. metronom označevanje je v dveh. Rad bi, da se ta premik, da imajo dva počutim v celotnem. Delovala bo verjetno najbolje poteka v zmernem dveh namesto hitre štirih. Prepričajte se, da je bar 60 v koraku in ne upočasni preveč. Ta oddelek mora imeti nekaj dih, hkrati pa ohranja gibanje naprej. Kos, ki pride na misel s tega gibanja je Ravelov Bolero je. Arioso. Prepričajte se, da so trojčki glasbeno igral v ansamblu. Crescendov in decrescendos mora biti dramatična in močna. Intonacija je pomembno zlasti v tesnih harmonij in grozdi. Bar 57 do 72, je oddelek komorna skupina z le nekaj instrumentov, ki igrajo. Prepričajte se, da je, ker je on ali ona je spredaj, je solo evfonij uravnotežena v teksturi. Intermezzo. To gibanje mora biti lahka in stabilna. Staccatos morajo biti kratki in animirani in šestnajstega opozorilo prehodi morajo imeti osebnost in voh. Prepričajte se, da gibanje ohranja svoj tempo in ne bog navzdol. Caprice. Ni veliko vedeti o tem gibanju, razen, da je treba paziti, da ne zajema solista. Bodite pozorni na stanje. Ključna beseda tukaj je energična. Keep the drive and excitement throughout.