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Originalno

Symphony No. 2. Genesis. David Gillingham. B-Flat Trumpet sheet music. English Horn sheet music. Grade 5.

Prevod

Simfonija št 2. Genesis. David Gillingham. Trobenta notno B-Flat. Angleški rog note. Stopnje 5.

Originalno

Symphony No. 2. Genesis composed by David Gillingham. For concert band. Piccolo, Flute 1, Flute 2, Oboe 1. 2, English Horn, Bassoon 1. 2, Eb Soprano Clarinet, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Contrabassoon, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in B. Band Music. Grade 5. Score only. Duration 20. 00. Published by C. Alan Publications. CN.14761. Another major contribution to advanced band repertoire. Epic in proportion, this symphony displays the creative scoring and brilliant compositional technique we have associated with this esteemed composer. Upper-level musicians and conductors will enjoy the challenges presented in preparing and performing this outstanding work. Like Symphony No.1. Apocalyptic Dreams. , Symphony No. 2. "Genesis". is programmatic and based on Biblical scripture. Symphony No. 2 is inspired by the first nine chapters of Genesis and is divided into five movements. I. In the beginning. II. Eden and the forbidden fruit. III. Noah and the Ark. IV. The floodgates of heaven. and V. The sign of the covenant. Movement I. In the beginning, opens mysteriously with the whirring of flexible plastic hoses in the percussion and a pedal G in the vibraphone which signify chapter 1, verse 2, "Now the earth was formless and empty, darkness was over the surface of the deep, and the Spirit of God was hovering over the waters. " God's presence and voice are represented by repeated notes leading to a note a half step above and then back down,. the "God motive". first heard by the horns in the thirteenth measure. Following are ascending passages in the Eb clarinet over harp-like passages in the piano indicative of chapter 1, verse 3, "And God said 'Let there be light', and God saw that the light was good, and he separated the light from the darkness. " An accumulation of texture follows building into an expansive tone cluster which breaks into G major with a soaring melodic line in the horns. The section represents chapter 1, verse 6, "And God said, 'Let there be an expanse between the waters to separate water from water. '" Ensuing is the essence of chapter 1, verse 11, "Then God said, - Let the land produce vegetation. seed-bearing plants and trees on the land that bear fruit with seed in it, according to their various kinds. '", and chapter 1, verse 14-15, "And God said, 'Let there be lights in the expanse of the sky to separate the day from the night, and let them serve as signs to mark seasons and days and years, and let there be lights in the expanse of the sky to give light on the earth. '" Strident articulations of chords along with the brake drum begin this section, likened to lightening, followed by rustling in the clarinets over clusters in the brass followed again by a soaring horn melody emulating the voice of God. Trills and ascending passages in the woodwinds and piano over low brass chords characterize the next section which expresses the creation of living creatures expressed by chapter 1, verse 20 and 24, "And God said, 'Let the water teem with living creatures, and let birds fly above the earth across the expanse of the sky'". "And God said, 'Let the land produce living creatures according to their kinds. livestock, creatures that move along the ground, and wild animals, each according to its kind. '" A quiet and most reverent section ensues which expresses the voice of God. the "God motive". as He creates his most prized possession, Man, as written in chapter 1, verse 26, "Then God said, 'Let us make man in our image, in our likeness and let them rule over the fish of the sea and the birds of the air, over the livestock, over all the earth, and over all the creatures that move along the ground'". The movement ends with a sort of benediction which utilizes the "God motive" and ends quite peacefully in G major, all inspired by chapter 2, verse 2, "By the seventh day God had finished the work he had been doing. so on the seventh day He rested from all His work. '" Movement II. Eden and the Forbidden Fruit, seeks to exploit both the beauty and the wrath of God. The first part of the movement is devoted to the Garden of Eden, the creation of the woman. Eve. and The Tree of Knowledge of Good and Evil. Verses 8-9, 16-17, and 21-22, from the 2nd chapter of Genesis provide the inspiration for this part of the movement. "Now the Lord God had planted a garden in the east, in Eden. and there He put the man He had formed. And the Lord God made all kinds of trees grow out of the ground--trees that were pleasing to the eye and good for food. In the middle of the garden were the tree of life and the tree of the knowledge of good and evil. " 'And the Lord God commanded the man, 'You are free to eat from any tree in the garden. but you must not eat from the tree of the knowledge of good and evil, for when you eat of it you will surely die. '" "So the Lord God caused the man to fall into a deep sleep. and while he was sleeping, He took one of the man's ribs and closed up the place with flesh. Then the Lord God made a woman from the rib He had taken out of the man, and He brought her to the man. " The mood begins to change when the euphonium plays the first two phrases of the hymn O God Our Help in Ages Past. Tune by William Croft 1708. "St. Anne". Tempted by a most crafty serpent, Adam and Eve eat the forbidden fruit from the tree of knowledge of good and evil. "When the woman saw that the fruit of the tree was good for food and pleasing to the eye, and also desirable for gaining wisdom, she took some and ate it. She also gave some to her husband, who was with her, and he ate it". chapter 3, vs. The hymn abruptly ends articulated by stopped horns. Following, is a section filled with angry and evil motives and dissonant textures which allude to the consequences of eating the forbidden fruit. "To the woman he said, 'I will greatly increase your pains in childbearing. with pain you will give birth to children. Your desire will be for your husband, and he will rule over you'". chapter 3, vs. 16. And to Adam he said, "Cursed is the ground because of you. through painful toil you will eat of it all the days of your life. It will produce thorns and thistles for you, and you will eat the plants of the field. By the sweat of your brow you will eat your food until you return to the ground, since from it you were taken. for dust you are and to dust you will return". chapter 3, vs. 17-19. The movement ends in woeful reflection of the curse that God bestowed upon mankind. Movement III. Noah and the Ark, is in a scherzo-trio structure. The scherzo section is set in compound duple meter and reflects Noah's overwhelming job to build a most expansive ark as described in chapter 6 of Genesis. The trio is almost child-like in mood and quotes the hymn All Things Bright and Beautiful. Words by Cecil F. Alexander, 1848, 17th century English melody. All things bright and beautiful, All creatures great and small, All things wise and wonderful, The Lord God made them all. The hymn serves to create the image of boarding all the "creatures" on the ark. "You are to bring into the ark two of all living creatures, male and female, to keep them alive with you. Two of every kind of bird, or every kind of animal and of every kind of creature that moves along the ground will come to you to be kept alive. Chapter 6, vs. 16-20. The recapitulation of the trio is interrupted by a dissonant textural crescendo leading to movement IV. Movement IV. The Floodgates of Heaven, begins with falling rain. closed hi-hats. over a pedal Eb. After several strikes of lightning, tutti chords, the heavens open up and it begins to pour. cascading woodwind passages. As described in Chapter 7, vs. 11-12. "In the six hundredth year of Noah's life, on the seventeenth day of the second month--on that day all the springs of the great deep burst forth, and the floodgates of the heavens were opened. And rain fell on the earth forty days and forty nights. " Under the cascading woodwinds the horns and trumpets sing a theme of destruction. The intensity grows and reaches its height in C major and becomes quiet with a repeated eighth note pedal on C in the trumpets. Then, motives from the death chant, Dies Irae, appear in the woodwinds and piano representative of Chapter 7, vs. 23. "Every living thing on the face of the earth was wiped out. men and animals and the creatures that move along the ground and the birds of the air were wiped from the earth. Only Noah was left, and those with him in the ark. " The section builds to a partial statement of the chant by the full ensemble ending with a pedal on G by the timpani. Movement V. The Sign of the Covenant is the fifth and final movement of the symphony. The first part of the movement reflects the dove sent by Noah to find land. The piccolo solo aptly alludes to the bird as it flies toward land and brings back the olive branch. "He waited seven more days and again sent out the dove from the ark. When the dove returned to him in the evening, there in its beak was a freshly plucked olive leaf. Then Noah knew that the water had receded from the earth". chapter 8, vs. 10-12. Below the continuing song of the piccolo. the dove. , the horns sing a theme of celebration as Noah and the animals step off the ark onto dry land. A prayer follows with a series of overlapping cadences alluding to Noah building an altar and God vowing not to ever again destroy the living things on earth. chapter 8, vs. 20. "Then Noah built an altar to the Lord. Chapter 8, vs. 21-22. "Never again will I curse the ground because of man, even though every inclination of his heart is evil from childhood. And never again will I destroy all living creatures, as I have done. The symphony ends in fanfare modulating dramatically to E major and then fading away to a single E major chord in the marimba which then fades to silence. Chapter 9, vs. 12-13. "This is the sign of the covenant I am making between men and you and every living creature with you, a covenant for all generations to come. I have set My rainbow in the clouds, and it will be the sign of the covenant between Me and the earth. Dedicated to Dr. Mallory B. Thompson in celebration of her first decade as Director of Bands at Northwestern University.

Prevod

Simfonija št 2. Genesis sestavljajo David Gillingham. Za koncert pasu. Pikolo, flavta 1, 2 flavta, oboa 1. 2, angleški rog, fagot 1. 2, Eb klarinet sopran, klarinet v Bb 1, klarinet v Bb, 2, klarinet v Bb 3, bas klarinet, kontraforte, alt saksofon 1. 2, tenor saksofon, bariton saksofon, trobento v Bb 1, trobenta v B. Band Glasba. Stopnje 5. Rezultat le. Trajanje 20. 00. Izdala C. Alan publikacije. CN.14761. Še en pomemben prispevek k naprednim pasu repertoarja. Epic v razmerju, to simfonija prikazuje ustvarjalno točkovanje in tehniko briljantno kompozicijsko smo, povezan s tem cenjenega skladatelja. Glasbeniki in dirigenti zgornji ravni bodo uživali izzive, predstavljene v pripravo in izvedbo tega izjemno delo. Tako kot Symphony No.1. Apokaliptični Dreams. , Simfonija št 2. "Genesis". je programska in temelji na biblijskih svetih spisov. Simfonija št 2 se zgleduje po prvih devetih poglavij Geneze in je razdeljen na pet stavkov. I. V začetku. II. Eden in prepovedan sadež. III. Noe in Ark. IV. Zapornice nebes. in V. znak zaveze. Gibanje I. Na začetku se odpre skrivnostno z whirring fleksibilnih cevi iz plastičnih mas v tolkala in pedala G v vibrafon, ki potrjujete, poglavje 1, 2, verz "Zdaj je bila zemlja brezoblična in prazna, je bila tema po površini globoko, in Duh Božji je lebdi nad vodami. "Božja navzočnost in glas predstavljajo ponavljajočih not, ki vodijo k pojasnilu pol koraka zgoraj, in nato nazaj dol,. "Bog motiv". za roge v trinajstem ukrep prvič slišal. Sledijo naraščajoče odlomke iz Eb klarinet nad-sedlastih kot odlomke iz klavirja okvirno poglavja 1, verz 3 "In Bog je rekel:" Naj bo luč ", in Bog je videl, da je svetloba dobra, in je ločil svetlobo od tema. "Kopičenje teksture sledi stavbo v ekspanzivno tonsko grozda ki izbruhne v G-duru s ogromnega melodične linije v rogove. Odsek predstavlja poglavje 1, verz 6, "In Bog je rekel:" Naj bo prostranstva med vodah za ločevanje vode od voda. "" Sledila, je bistvo poglavja 1, verz 11: »Bog je rekel: - Naj zemljišča proizvajajo vegetacijo. rastlin cvetove in drevesa na zemljišču, ki nosijo sadje s semenom v njej, v skladu z njihovimi različnimi vrstami. '"In poglavje 1, verz 14-15," In Bog je rekel: "Naj bo luči v prostranstvo neba, da ločijo dan od noči, in jim služijo kot znaki za označevanje letne čase in dneve in leta, in pustite, da se luči v prostranstvo neba, da bi svetlobo na Zemlji. "" Rezko artikulacije akordov skupaj z zavornim bobnom začeti to poglavje, podoben strele, nato pa šumenje v klarineta več skupin v medenine sledila, spet z naraščajočih rogov melodijo posnemanju glas Boga. Trills in naraščajoče prehodi v pihal in klavir preko nizkih medenine akordi označujejo naslednje poglavje, ki izraža ustvarjanje živih bitij iz poglavja 1, verz 20 in 24 je izrazila "In Bog je rekel:" Naj teem vode z živimi bitji, in pustite, da ptice letijo nad zemljo po vsej prostranstvo neba "". "In Bog je rekel:" Naj zemljišče proizvajajo živa bitja po njihovih vrstah. živino, bitja, ki se gibljejo po zemlji, ter divje živali, od katerih vsak po svoje vrste. "" Tiho in najbolj spoštljiv oddelek poznamo, ki izraža glas Boga. "Bog motiv". kot je ustvari svoj najbolj cenjen posest, človek, kot je napisano v poglavju 1, verz 26: »Bog je rekel:» Naredimo človeka po svoji podobi, v naši podobi in jim dovoliti, da odloči po ribam morja in pticam zrak, nad živino, nad vso zemljo in nad vsemi bitji, ki se gibljejo po zemlji '". Gibanje se konča z neke vrste blagoslov, ki črpa "od Boga motiv" in konča precej mirno, v G-duru, vse zgleduje po poglavju 2, verz 2 "Z sedmi dan je Bog dokončal delo, ki ga je bilo početje. tako na sedmi dan je počival od vsega svojega dela,. "" Gibanje II. Eden in Forbidden Fruit, skuša izkoristiti tako lepoto in božje jeze. Prvi del gibanja je namenjen rajskem vrtu, oblikovanju ženske. Eve. in drevesa spoznanja dobrega in zla. Verzi 8-9, 16-17, 21-22 in od 2. poglavju Geneze dajejo navdih za ta del gibanja. "Zdaj je Gospod Bog zasadil vrt na vzhodu, v Edenu. in tam je dal človek je bil oblikovan. In Gospod Bog je naredil vse vrste dreves raste iz tal - drevesa, ki so prijetne za oko in dobro za hrano. V sredini vrta je bilo drevo življenja in drevo spoznanja dobrega in zla. "" In Gospod Bog zapovedal človeka, "You are free, da bi jedli iz katerega koli drevesa v vrtu. vendar pa ne sme jesti od drevesa spoznanja dobrega in zla, za takrat, ko si jedel od njega, boste zagotovo umrli. "" "Torej, Gospod Bog je povzročil človek pade v globok spanec. in medtem ko je spal, je vzel eno izmed reber človekom in zaprta do kraja z mesom. Tedaj je GOSPOD Bog je ustvaril žensko iz rebra je najel človeka, in mu jo pripeljal k človeku. "Razpoloženje začne spreminjati, ko evfonij predvaja prvih dveh stavkov himna O Bog, Pomoč pri veku preteklost. Tune William Croft 1708. "St Anne". Mika najbolj zvita kača, Adam in Eva jesti prepovedan sad z drevesa spoznanja dobrega in zla. "Ko ženska videl, da je sadež drevesa dobra za hrano in prijeten na oko, in tudi zaželena za pridobivanje modrosti, je vzela nekaj in ga pojedel. Dala je tudi nekaj svojega moža, ki je bil z njo, in je jedel ". poglavje 3, vs. Hvalnica nenadoma konča artikuliral prenehali rogovi. Po, je oddelek napolnjena z jeznimi in zlih motivov in disonančnih teksture, ki spominjajo na posledice uživanja prepovedanega sadu. "Za žensko je dejal:" Jaz se bo močno povečala svoje bolečine v rodni. z bolečino boš rojevala otroke. Vaša želja bo za svojega moža, on pa bo nad vami '". poglavje 3, vs. 16. In Adam je rekel: "Preklet je zemlja zaradi tebe. skozi bolečo trudom boš jedel od nje vse dni svojega življenja. To bo prineslo trnje in osat za vas, in boste jedli rastline polja. V potu svojega čelo boste jedli hrano, dokler se ne povrneš v zemljo, kajti iz nje si delo. za prah si in v prah se boste vrnili ". poglavje 3, vs. 17-19. Gibanje konča v woeful odsev prekletstva, da je Bog podaril po človeštva. Gibanje III. Noe in Ark, je v strukturi scherzo-trio. Oddelek scherzo je postavljena v mešanicah duple meter in odraža Noetovo ogromno delo za izgradnjo najbolj zgovorni skrinjo, kot je opisano v poglavju 6 Genesis. Trio je skoraj otrokom kot v razpoloženju in citira pesem All Things Bright in Beautiful. Besede, ki jih Cecil F. Alexander, 1848, 17. stoletje angleški melodijo. Vse stvari, svetle in lepe, vsa bitja, velika in majhna, vse stvari, bistre in čudovite, Gospod Bog jim vse, ki. Himna služi za ustvarjanje podobe vkrcanju vse "bitja" na barki. "Vi ste, da bi v ladjo dva od vseh živih bitij, moški in ženske, ki jih ohranja pri življenju z vami. Dva izmed vseh vrst ptic, ali vse vrste živali in vse vrste bitja, ki se premika po tleh bo prišel k vam, da bi obdržali pri življenju. Poglavje 6, vs. 16-20. Rekapitulacija tria se prekine z neubrano tkivskim crescendo, ki vodi do gibanja IV. Gibanje IV. Zapornice nebes, se začne z pada dež. Zaprte hi-klobuki. preko pedala Eb. Po nekaj udarih strele, Tutti akordov, nebesa odprla in se začne pour. kaskadno pihal odlomke. Kot je opisano v poglavju 7, vs. 11-12. "V stoletnici leta Noetove življenja šestih, sedemnajstega drugega meseca - na ta dan so bile odprte vse izviri velikega globokega porušitve naprej, in Zapornice nebes. In dežja je padlo na zemljo štirideset dni in štirideset noči. "V skladu s kaskadno pihal rogovi in ​​trobente pojejo temo uničenja. Intenzivnost raste in doseže vrhunec v C-duru in postane tiha z ponovljenem osme note pedala na C v trobenti. Potem, motivi iz smrtne korala, Dies irae, so v pihal in klavir predstavnik poglavja 7, vs. 23. "Vsako živo bitje na obličju Zemlje je izničil. moški in živali in bitja, ki se gibljejo po zemlji in ptice v zraku je bilo obrisati iz zemlje. Samo Noah je ostalo, in tistih, ki z njim v skrinjo. "Odsek gradi do delne izjave petje s celotno zasedbo, ki se konča s pedalom na G, ki ga timpane. Gibanje V. Znak pakta je peta in zadnja gibanje simfonije. Prvi del gibanja odraža golob, ki ga je poslal Noeta, da bi našli zemljišča. Piccolo solo aptly aludira na ptice, kot pluje proti kopnem in pripelje nazaj oljčno vejico. "Počakal je še sedem dni in spet poslala golobico iz skrinje. Ko je golobica vrnila k njemu, zvečer pa v kljunu je sveže oskubljene olive leaf. Potem Noah vedel, da je voda odtekla iz zemlje «. poglavje 8, vs. 10-12. Pod stalno skladbo pikolo. golobica. , Rogovi pojejo temo praznovanja kot Noe in živali sestopajo z barko na kopno. Molitev sledi z vrsto prekrivajočih kadenci namiguje na Noah gradnjo oltar in Bog zaobljubo, da ne bo nikoli več uničiti živa bitja na Zemlji. poglavje 8, vs. 20. "Potem Noah žrtvenik Gospodu. Poglavje 8, vs. 21-22. "Nikoli več ne bom preklel zemljo zaradi človeka, čeprav vsak naklon njegovega srca je zlo iz otroštva. In nikoli več ne bom uničila vsa živa bitja, kot sem storil. Simfonija konča v fanfare dramatično modulira v E večjih in nato ugaša z enim samim E velikega tetive v marimbo, ki potem zbledi do molka. Poglavje 9, vs. 12-13. "To je znamenje zaveze, delam med moškimi in vami in vsako živo bitje z vami, zavezo za vse generacije. Imam določen Moj mavrica v oblakih, in to bo znamenje zaveze med menoj in zemljo. Posvečen dr Mallory B. Thompson na praznovanju njenega prvega desetletja kot direktor Godbe na Northwestern University.