Partiture $16.95

Originalno

Johann Sebastian Bach. Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, soprano saxophone part. Johann Sebastian Bach. Soprano Saxophone sheet music. Advanced.

Prevod

Johann Sebastian Bach. Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, soprano saxophone part. Johann Sebastian Bach. Sopran saksofon note. Napredno.

Originalno

Johann Sebastian Bach. Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, soprano saxophone part composed by Johann Sebastian Bach. 1685-1750. Arranged by Paul Wehage. For Saxophone,Woodwind Quartet. Baroque Period,Repertoire. Advanced Intermediate. Individual Part. Published by Musik Fabrik. S0.31915. The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title. « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

Prevod

Johann Sebastian Bach. Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, soprano saxophone part composed by Johann Sebastian Bach. 1685-1750. Uredil Paul Wehage. Za saksofon, Pihalni kvartet. Baroku, Repertoar. Napredno Intermediate. Posamezni del. Izdala Musik Fabrik. S0.31915. Aria s 30 sprememb, ki tvorijo del, ki je znan kot Goldberg» variacij je eden največjih dela Bacha. To je njegova edina delo, ki uporablja obliko sprememb in prek treh serijah po deset različic vsakega, raziskuje nešteto glasbenih žanrov in stilov. Začetni Aria, za katero se zdi, da je precej Banalan in banalna na začetku dela, ki se poveča po teh transformacijah in da capo na koncu pripelje nazaj na začetku, ki je bila spremenjena tako glasbeno pot sama. Kot neke vrste glasbeni iniciacije, je postalo delo, ki iskre domišljije in ki ustvarja vzdušje vse to je lastna. Zgodba o tem, kako je prišel na delo, je napisal, da je prišel k nam skozi prvi biograf Bachovega, Johann Nikolaus Forkel leta 1805, petinsedemdeset let po smrti Bach. Zdi se, da so imeli nekateri Štetje Keyserlingk, ruski veleposlanik na sodišču v Dresdnu, težave s spanjem in vprašal, Bacha, da bo sestavil delo, ki bi njegov varovanec, čembalo virtuoz z imenom Goldberg, imajo v salonu blizu svoji spalnici . Za te komisije, je bil Bach prejeti največji pristojbino svojega življenja, sto Louis d'Or v zlato čašo. Zdi se, da je ta zgodba morda bolj legende kot karkoli drugega, saj ni bilo Kelih našli v Bachove zapuščine ob koncu svojega življenja in je bilo ugotovljeno, ni dokumentiran dokaz o tej zgodbi. Goldberg je dejansko študent CP E Bacha, bi Bachov sin in sin prosil očeta, da napišete teh del za njegovo briljantno študenta. Ne rokopis za variacijah Goldberg obstaja, le prva izdaja popravljen v rokah Bacha, ki vsebuje nekatere navedbe tempo in druge oznake. Prva izdaja izvajajo tudi naslednje naslov. «Clavierübung, sestavljen iz Aria z različnih variacij za čembalo z dvema priročnikov, sestavljenih za ljubitelje glasbe, da osvežijo svoje duhove JS Bach. V tej različici za kvarteta saksofonov, je pomembno, da se spomnimo, da je Bach je pisanje za čembalo in ne za Piano-forte. Bach je dejansko vedel Piano-forte in igral eno izmed prvih naprav, ki, vendar se zdi, da mu ni mar za ta novi instrument. Če želite najti nekaj podobnega, da natančno, jasno opredeljenih napadih na čembalu, natančno artikulacijo in jasnost zvoka mora biti prva prednostna naloga. Na splošno velja, celo v najpočasnejših gibov, morajo napadi sprejeti precedens pred vsemi drugimi elementi uspešnosti. Če se upošteva potreba po jasnosti in natančnosti linijo napada, je treba neločljivo muzikalnost, vsebovane v delu je razvidno tudi v tej novi obliki. Kot Bach sam prepisal veliko svojih del in tistih drugih, bi rad, da upam, da se bo našel to vprašanje, da bo zanimiva in da bi bili rezultati presenetljivo. Digitalni tisk je mogoče natisniti glasba voljo stanja kadarkoli in kjerkoli. Samo nakup, tiskanje in predvajanje. Oglejte si vašo spletno note doma, v šoli, na delu ali kjerkoli imate računalnik, povezan z internetom. Uporabite naš iPad aplikacijo za ogled digitalnega note na poti. Z digitalnim tiskom lahko natisnete svoje digitalne not takoj po nakupu, ali počakati, dokler njegova priročno. In naša namestitev programske opreme je enostavno - vam bomo vodil skozi preproste korake, da poskrbite, da imate Adobe Flash Player, Adobe AIR in ponjave aplikacij Music Plus AIR.