Partiture $110.00

Originalno

Abiquiu. B-Flat Trumpet sheet music. Grade 5.

Prevod

Abiquiu. Trobenta notno B-Flat. Stopnje 5.

Originalno

Abiquiu composed by David R. Gillingham. For concert band. Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Bassoon 1. 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Eb Contralto Clarinet, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2,. Grade 5. Score and parts. Duration 9. 00. Published by C. Alan Publications. CN.16830. A glorious programatic work that challenges performer and listener alike. With the support of a full percussion section, you will travel from the driving rhythms of the city, to the swell of the desert canyon, to the open skies. Hold on for the ride. Abiquiu was inspired by a provocative poem by the same name written by Mesa State College Professor and Colorado poet, L. Luis Lopez. Take this city-filled soul, pour it out, place it in soil beneath your high desert vista. Fill it with canyon, sky, mesa, mountain, smell of rain and song of bird. Tint each with time of day. let each settle into a painting of sand. so that when I-m away I can close my eyes and gaze upon and breathe your sacred strands. The ideas set forth by each short stanza of the poem are set somewhat programmatically to music. At the onset of the piece the music suggests the 'city-filled soul' with disjunct themes, driving rhythms and harmonic confusion. Envisioning one's self amidst the rush hour of a big city and the ensuing mental frustration. The section features 'calls for help' in the horns and trumpets using large intervals, mostly of 7ths and octaves. One last 'call' culminates the section as the 'city-filled soul' is finally poured out in the soil beneath the 'desert vista. ' The pulse of the city can still be heard with the constant heartbeat of the timpani and remnants of the 'call' motive in the horns. The music dramatically swells and segues with the next section beginning with a backdrop of keyboard percussion, piano and a fluttering of flutes. Arising from the texture is a theme in Db major, beginning in the horns, evoking the spaciousness of the canyon and the vastness of the open air and sky as so eloquently written in the second stanza of the poem. The theme grows in volume and texture and eventually the entire ensemble is singing the beauty of this picturesque scene and the music modulates to F major and finally to D major and then subsides. A mysterious ostinato in the piano, bells and vibraphone provides backdrop for short phrases of a chorale melody played by the clarinets as if in the distance signifying how each element settles 'into a painting of sand. ' Soon, however, the busyness and frustration of the 'city-filled soul' begin to infiltrate the section until it all returns with all of the fury heard in the beginning of the piece. -so that when I-m away-. But soon, as if closing one's eyes to the madness, the beauty of the canyon, sky, mesa, mountain, smell of rain and song of bird burst forth out of the texture and the majesty of the spacious 'canyon' theme returns. -I can close my eyes and gaze upon and breathe your sacred strands. The music 'climbs' to the top of the mountain and ends joyously in Eb major. The texture then thins leaving only the piano, bells and vibraphone and decays into a single Bb on the vibraphone, much like the pure voice of a child. Under this sustained voice, the clarinets quote the opening notes of the 'canyon' theme, followed by the distant, 'sacred strands' of the chorale in the piano and bells. The sequence repeats and the piece ends quietly with the warm sound of the marimba, bells and vibraphone. With the generous support of Stephen Boelter and Karen Combs, Abiquiu was commissioned by the Mesa State College Wind Symphony, for the 2009 Best of the West Music Festival. During the compositional process, Calvin Hofer, conductor, was informed that Stephen developed a recurrence of melanoma, which was terminal. This was devastating news to the Best of the West family. Through my correspondence with Calvin, I discovered how important Best of the West was to Stephen. His vision was simple. to help provide a rich musical experience for all involved - performer, audience, or music educator. Stephen's wife, Karen, continues their visionary work with her financial support of Best of the West. To honor Stephen Boelter, Calvin requested that, if possible, I include a small quote in the piece from Stephen's Alma Mater, the University of Wisconsin-Whitewater. Two phrases from the University of Wisconsin-Whitewater Alma Mater. adapted from Beethoven, Op. 81b. can be found in the clarinets in measures 93-101 and in measures 153-159 in the piano and orchestra bells. Stephen played clarinet in the Mesa State Wind Symphony.

Prevod

Abiquiu sestavljajo David R. Gillingham. Za koncert pasu. Pikolo, flavta 1, 2 flavta, oboa 1, 2 oboa, fagot 1. 2, Bb klarinet 1, Bb klarinet 2, Bb klarinet 3, Bb bas klarinet, Eb Contralto klarinet, altovski saksofon Eb 1, Eb altovski saksofon 2, Bb tenor saksofon, bariton saksofon Eb, Bb Trobenta 1, Bb trobenta 2,. Stopnje 5. Rezultat in deli. Trajanje 9. 00. Izdala C. Alan publikacije. CN.16830. Slavno programirljivega delo, ki izpodbija performer in poslušalec podobni. S podporo polni oddelek tolkala, boste potovali od gonilnih ritmih mesta, na nabreknejo v puščavi kanjona, na odprtem nebu. Drži se za vožnjo. Abiquiu je navdihnila provokativno pesem z istim imenom, ki ga Mesa State College profesor in Colorado pesnika, L. Luis Lopez pisnega. Vzemite to-mestni napolni dušo, da izlijem, ga položite na tla pod vašimi visoki puščavi razgled. Ga napolnite z kanjon, sky, Mesa, gora, vonj dežja in pesem ptice. Tint vsaka s časom dneva. naj vsak usede v slikarstvu peska. tako da, ko Im stran lahko zaprem oči in pogled na in dihajo svoje svete pramene. Ideje določeni vsak kratkem kitica pesmi so nekako nastaviti programsko glasbo. Ob nastopu kos glasbe predlaga "dušo-mestni napolnjena" z disjunct teme, vozniška ritmov in harmonsko zmede. Viziranje samega sebe sredi hitenja uro velikem mestu in posledične duševne frustracije. Značilnosti oddelku "poziva k pomoči" v rogove in trobente, ki uporabljajo velike intervale, večinoma 7ths in oktav. Še zadnji "klic" vrhunec poglavje kot "dušo-mesta napolnjena" je končno prelili v tleh pod "puščavski razgled. "Lahko utrip mesta še vedno prisoten s stalnim srčni utrip na pavke in ostanki" klica "motivom v rogove. Glasba močno nabrekne in segues z naslednji odsek, ki se začnejo z ozirom na tipkovnico tolkala, klavir in plapola od flavte. Izhaja iz strukture je tema v Db-duru, ki se začne v rogove, ki vzbuja prostornost kanjona in prostranost na prostem in nebo kot tako zgovorno napisana v drugem kitica pesmi. Tema raste v obsegu in teksturo in sčasoma celoten ansambel poje lepoto te slikovite scene in glasba modulira na F velik in končno do D-duru in potem mine. Skrivnostni Ostinato na klavir, zvončki in vibrafon določa kuliso za kratke stavkov v koralno melodijo, ki jih klarineta igral, kot da v daljavi naznaniti, kako se vsak element naseli "v slikarstvu peska. "Kmalu pa busyness in frustracije z" dušo-city napolnjena "začeli infiltrirati poglavje, dokler se vse vrne z vsemi besa slišali v začetku kosa. -SO, da ko sem-m away-. Toda kmalu, kot da bi zapiranje oči pred norostjo, lepota kanjona, sky, mesa, gora, vonj po dežju in pesem ptice počil izpeljal iz teksture in veličanstvo prostornih "kanjon" tematskih poročilih. -I Lahko zaprem oči in pogled na in dihajo svoje svete pramene. Music "spleza" na vrhu gore in se konča srečno v Eb-duru. Tekstura nato stanjša ostane le klavir, zvonovi in ​​vibrafon in razpade v enem Bb na vibrafon, podobno kot čisti glas otroka. V skladu s tem trajno glasu, klarineti citiram otvoritvene note za "kanjon" temo, ki ji sledijo oddaljene, "svetih" pramenov v korala na klavir in zvonove. Zaporedje ponavlja in kos konča tiho s toplim zvokom marimba, zvončki in vibrafon. Z velikodušno podporo Stephen Boelter in Karen Combs, je bil Abiquiu, ki jo je država Mesa College Wind Symphony, za 2009 Best of Music Festival West. Med postopkom kompozicijski, Calvin Hofer, dirigent, je bil obveščen, da je Stephen razvili ponovitve melanoma, ki je bil terminal. To je bilo pogubno novica za Best družine West. Skozi moje korespondence z Calvin, sem ugotovil, kako je pomembno, Best of the West Štefana. Njegova vizija je bila preprosta. da pomagajo zagotoviti bogato glasbeno doživetje za vse vpletene - izvajalca, občinstva, ali glasbenega pedagoga. Štefana žena, Karen, nadaljuje svojo vizionarsko delo z njeno finančno podporo Best of the West. V čast Stephena Boelter, Calvin zahteval, da, če je le mogoče, bom vključujejo majhno ponudbo v kosu od Štefana Alma Mater, University of Wisconsin-Whitewater. Dve stavki iz University of Wisconsin-Whitewater Alma Mater. prilagojeno od Beethovna, op. 81b. je mogoče najti v klarineta pri ukrepih 93-101 in 153-159 ukrepov v klavir in orkester zvonov. Stephen igral klarinet v Mesa državni Wind Symphony.