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Originalno

Century Variants. David Gillingham. B-Flat Trumpet sheet music. Horn sheet music. Grade 4.

Prevod

Century Variante. David Gillingham. Trobenta notno B-Flat. Horn note. 4. stopnje.

Originalno

Century Variants composed by David Gillingham. Arranged by Michael Brand. For concert band. Piccolo, Flute 1, Flute 2, Oboe 1. 2 , Bassoon 1. 2, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1. 2, Horn in F 3. Band Music. Grade 4. Score and parts. Duration 8. 00. Published by C. Alan Publications. CN.15710. Based on the primary melody of Gillingham's work, New Century Dawn, this composition is designed to be quite versatile. It is a set of variations which can introduce the symphonic band to the layman or to young children contemplating playing a band instrument. For example, the high school band director could play this piece with the added optional narration. see notes. for the local grade school children for the purpose of recruitment. Or, the piece could be used at a concert to introduce the band to parents and people of the community. If choosing not to use the narration, the piece will stand as a concert work to be featured on any high school or university program. Century Variants was commissioned by David Knox of banddirector. com. The project was very unique in that band directors and musicians could have sneak peaks of the composition as it developed via this website. Actual FINALE files and videos explaining the composition as it developed. The composition is dedicated to Dr. Peter Boonshaft, Director of Bands at Hofstra University, for it was Peter who urged me to write a set of variations based on the primary melody of my work, New Century Dawn, written in 2000. The composition is designed to be quite versatile, in that it is a set of variations which can introduce the symphonic band to the layman or to young children contemplating playing a band instrument. For example, the high school band director could play this piece with the added optional narration. see below. for the local grade school children for the purpose of recruitment. Or, the piece could be used at a concert to introduce the band to parents and people of the community. If choosing not to use the narration, the piece will stand as a concert work to be featured on any high school or university program. The details of the structure of the piece are revealed in the Optional Narration below. Measure 14. Welcome to the world of the Symphonic Band, a large ensemble comprised of woodwind, brass and percussion instruments. To help you hear the various components and colors of this ensemble, you are going to hear a theme followed by six variations. First, we will hear the theme played by the combined forces of the entire ensemble. Measure 40. Variation I features the backbone of the band, the percussion section. The percussion section features plethora of pitched and indefinite pitched instruments that are used to support the rhythmic, harmonic, and melodic parameters of the music as well as provide their own color. In order of appearance, we will hear the timpani, xylophone, vibraphone, tubular bells, orchestra bells, marimba, snare drum and hi-hat. Measure 69. Variations II and III feature the versatile woodwinds comprised of piccolo, flutes, oboes, bassoons, Bb Clarinets, Bass Clarinet and the saxophones. Variation II begins with the fluttery piccolo and flutes over all clarinets playing the theme, followed by a variants by the oboes and bassoons, then saxophones and culminating with all woodwinds. Variation III is another variant beginning with all woodwinds followed by flutes accompanying the saxophones and again ending with all woodwinds. Measure 159. In true form, the brass have interrupted the end of Variation III, announcing the coming of Variations IV, V, and VI that showcase the brass section. Variation IV has the distinction of having the slowest tempo of the entire composition and features the warm and lyrical quality of the horn section. This is followed by Variation V which quickly changes to a faster tempo and touts the dramatic and aggressive sound of the low brass comprised of trombones, euphoniums and tubas. Topping off the brass section are the trumpets that play joyfully and fanfare-like in Variation VI. The variation ends with a full band rendition. Measure 242. In conclusion, all sections will be recapped in a sort of parade of instruments. Over a continuous ostinato by the hi-hat we will hear timpani, temple blocks, tubular bells, orchestra bells, vibraphone, oboes, bassoons, clarinets, saxophones, flutes, piccolo, horns, trombones, euphoniums, tubas, and trumpets, all leading to a grand finale.

Prevod

Century Variante sestavljajo David Gillingham. Uredil Michael Brand. Za koncert pasu. Pikolo, flavta 1, 2 flavta, oboa 1. 2, fagot 1. 2, klarinet v Bb 1, klarinet v Bb, 2, klarinet v Bb 3, bas klarinet, alt saksofon 1. 2, tenor saksofon, bariton saksofon, trobento v Bb 1, trobento v Bb 2, trobento v Bb 3, rog v F-1. 2, Horn v F 3. Band Glasba. 4. stopnje. Rezultat in deli. Trajanje 8. 00. Izdala C. Alan publikacije. CN.15710. Ki temelji na primarnem melodijo Gillingham v delu, New Century Dawn, je ta sestavek namenjen za precej vsestranski. To je niz variacij, ki lahko uvedli simfonični pas za navadnega državljana ali majhne otroke, ki razmišljajo igranje instrumenta za pas. Na primer, lahko bend direktor srednješolec igral ta kos z dodano izbirno pripovedi. glej opombe. za lokalne šolske razred otrok za namene zaposlovanja. Ali pa bi del se uporablja na koncertu uvesti skupino za starše in ljudi v skupnosti. Če izberete, da ne uporabljajo pripoved, bo kos izkazale kot koncertna dela, da se pokaže na kateri koli visoko šolo ali univerzitetnega študijskega programa. Century Variante je naročila David Knox, ki banddirector. com. Projekt je bil zelo edinstven v tem razredu režiserjev in glasbenikov, ki so lahko prikradejo vrhove sestavi, kot je razvilo preko te spletne strani. Dejanski Finale slik in video posnetkov, ki pojasnjujejo sestavo, kot jo razvili. Sestava je posvečen dr Peter Boonshaft, direktor bendov na Hofstra University, saj je bil Peter, ki me je pozval, da napišete niz variacij, ki temelji na primarnem melodijo mojega dela, New Century Dawn, pisno leta 2000. Sestavek je zasnovan precej vsestranski, s tem, da je sklop sprememb, ki jih uvajamo simfonično pas laiku ali majhnih otrok razmišljajo predvajal instrument pas. Na primer, lahko bend direktor srednješolec igral ta kos z dodano izbirno pripovedi. glej spodaj. za lokalne šolske razred otrok za namene zaposlovanja. Ali pa bi del se uporablja na koncertu uvesti skupino za starše in ljudi v skupnosti. Če izberete, da ne uporabljajo pripoved, bo kos izkazale kot koncertna dela, da se pokaže na kateri koli visoko šolo ali univerzitetnega študijskega programa. Podrobnosti o strukturi kosa se je pokazala v dodatni naracija spodaj. Izmeri 14. Dobrodošli v svet simfoničnega orkestra, veliki ansambel sestavljajo pihala, trobila in tolkala. Da bi vam pomagali slišati različne sestavine in barve tega ansambla, boste slišali temo, ki ji sledi šest različic. Najprej bomo slišali temo z združenimi močmi celotnega ansambla igral. Izmeri 40. Variacija I ima hrbtenico pasu, oddelek tolkala. Oddelek tolkala ponuja številne poševne in nedoločena nagnjene instrumentov, ki se uporabljajo za podporo ritmičnih, harmoničnih in melodičnih parametre glasbe, kot tudi zagotoviti svojo barvo. V vrstnem redu, bomo slišali pavke, ksilofon, vibrafon, cevaste zvonove, zvonove orkester, marimba, snare boben in hi-hat. Izmeri 69. Variacije II in III funkcijo vsestranski pihal v katere so vključeni Piccolo flavte, oboe, fagota, Bb klarineta, bas klarinet in saksofonov. Variacija II se začne z fluttery pikolo in flavti nad vsemi klarineti igrajo temo, ki ji sledi variante, ki jih oboe in fagota, potem saksofonov in se zaključi z vsemi pihal. Sprememba III je še ena varianta, ki se začne z vsemi pihal sledijo flavti, ki spremljajo saksofonov in spet končala z vsemi pihal. Izmeri 159. V pravi obliki, so medenina prekinjena konec variacije III, ki naznanjajo prihod Različice IV, V in VI, da pokažejo odsek iz medenine. Sprememba IV ima razlikovanje, ki imajo najpočasnejši tempo celotne sestave in značilnosti toplo in lirično kvaliteto oddelku rog. Temu sledi Variation V, ki se hitro spreminja s hitrejšim tempom in touts dramatičen in agresiven zvok nizke medenine, sestavljen iz pozavne, euphoniums in Tubasu. Prehiteli off pihalna sekcija so trobente, ki igrajo z veseljem in fanfare kot v Variation VI. Sprememba konča s polno pasovno izročitev. Izmeri 242. Na koncu bodo vsi oddelki se recapped v neke vrste parada instrumentov. Čez neprekinjeno ostinato s hi-hat bomo slišali timpani, tempeljske blokov, cevni zvonovi, orkester zvonovi, vibrafon, oboi, fagota, klarineta, saksofona, brazde, Piccolo, rogovi, pozavne, euphoniums, Tubasu in trobente, vsi vodilni za veliki finale.