Partiture $60.00

Originalno

Concerto No. 1 in D Minor for Marimba. band score only. B-Flat Trumpet sheet music. Marimba sheet music. Percussion sheet music. Grade 5.

Prevod

In orkester št 1 v d-molu za Marimba. Samo bend ocena. Trobenta notno B-Flat. Marimba note. Tolkala note. Stopnje 5.

Originalno

Concerto No. 1 in D Minor for Marimba. band score only. Marimba Feature. Composed by Noah D. Taylor. For Soloist. with Concert Band. Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon 1, Bassoon 2, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3,. Percussion Music. Grade 5. Band score only. Duration 30. 00. Published by C. Alan Publications. CN.10924. Taylor's Concerto displays confident youth as the composer ambitiously recalls the Romanticism of the past. The work is a large-scale undertaking for the soloist and the ensemble. Taylor has truly constructed a solo part of transcendental technique and virtuosity. The Concerto is tangible and tuneful, visually captivating and memorable from the first encounter. The Marimba Concerto No. 1 in D Minor was completed in August 2003. This concerto was composed for marimbist Brenton Dunnington and was Taylor's first work for a solo mallet-percussion instrument. Taylor's Concerto displays confident youth as the composer ambitiously recalls the Romanticism of the past. The work is a large-scale undertaking for the soloist and the orchestra. Taylor has truly constructed a solo part of transcendental technique and virtuosity. The Concerto is tangible and tuneful, visually captivating and memorable from the first encounter. The first movement employs late 19th century harmony blended with Taylor's personal aesthetics. The full and rich orchestration is most evident here. The movement also displays the endurance and facility of the soloist. The opening fanfare and romantic theme form the basis for shaping the movement. Taylor thoroughly develops the theme in a romantically expanded sonata form. The solo cadenza. with improvisational intent. emerges from the end of the development and drives on to explore the theme. It demands intricate, complete command of the marimba and fearless composure from the soloist to accomplish the aggressively fluctuating tempi, the broad dynamic spectrum, and perilous octave descents. After a brief adagio, the first movement reaches an exhilarating orchestral conclusion. The slow second movement, still rooted in romanticism, slips in and out of 20th century harmonies. The movement is a tale of love and passion. Titled Adagio, the movement, opening in C major, is monothematic, but for a brief recapitulation of the first movement's main theme. The movement's poignant melody is carried by each of the oboe, clarinet, and flute solos with marimba. There is a tender, recurring duo between solo marimba and harp followed by a dramatic, climactic chorale where the soloist employs six-mallet technique. The movement culminates in a vivid new statement of the movement's main melody and fades off into the distance. A thematic transformation develops several stages further in the third movement. The Finale is a hero's tale of battle, danger, love, and triumph. Each section evokes a different account on the journey. Taylor reemphasizes the D minor tonality of the opening movement. The third movement bursts into the exhilarating and vigorous first subject, which features a thrilling rhythmic motif and interchange between the soloist and orchestra. The tale moves through a central, lyrical episode in place of a development section. Again, earlier material is recalled. As the final Vivace builds to a climax, the soloist unleashes fiery virtuosity with the orchestra. The majestic recapitulation, now in D major, surveys all of the Finale's opening material concluded by the coda in a brilliant presto and fortissimo.

Prevod

In orkester št 1 v d-molu za Marimba. Samo bend ocena. Marimba Feature. Sestavljajo ga Noah D. Taylor. Za Solist. s Concert Band. Pikolo, flavta 1, 2 flavta, oboa 1, 2 oboa, klarinet Eb, Bb klarinet 1, Bb klarinet 2, Bb klarinet 3, Bb bas klarinet, fagot 1, fagot 2, altovski saksofon 1, 2 altovski saksofon, tenor saksofon, bariton saksofon, Bb Trobenta 1, Bb Trobenta 2, Bb Trobenta 3,. Tolkala Glasba. Stopnje 5. Samo Band ocena. Trajanje 30. 00. Izdala C. Alan publikacije. CN.10924. Taylorjeva Koncert prikaže samozavestni mladost kot skladatelj ambiciozno opozarja romantike preteklosti. Delo je podjetje velikega obsega za solista in ansambel. Taylor je resnično zgrajena solo del transcendentalne tehnike in virtuoznosti. Koncert je otipljiva in Harmonično, vizualno privlačno in nepozabno iz prvega srečanja. Marimba Concerto številka 1 v d-molu je bila zaključena avgusta 2003. Ta koncert je bil sestavljen za marimbist Brenton Dunnington in je prvo delo Taylor je za solistični instrument Mallet-tolkala. Taylorjeva Koncert prikaže samozavestni mladost kot skladatelj ambiciozno opozarja romantike preteklosti. Delo je podjetje velikega obsega za solista in orkester. Taylor je resnično zgrajena solo del transcendentalne tehnike in virtuoznosti. Koncert je otipljiva in Harmonično, vizualno privlačno in nepozabno iz prvega srečanja. Prvi stavek zaposluje harmonijo poznem 19. stoletju, zmešano z osebnimi estetiko Taylorja. Polno in bogato orkestracijo je najbolj očiten tukaj. Gibanje prikazuje tudi vzdržljivost in objekt solista. Odpiranje fanfare in romantična tema osnova za oblikovanje gibanja. Taylor dobro razvija temo v romantično razširjeni obliki sonata. Solo kadenco. z improvizacijsko nameri. Iz konca razvoja in vozi tudi na raziskovanje teme. To zahteva zapleten, popolno obvladovanje marimbo in neustrašno mirnost od solista za izpolnitev agresivno spreminjajočega Tempi, širok dinamični razpon in nevarno Octave spusti. Po kratkem Adagio, prvi stavek doseže razburljiva orkestralno sklenitev. Počasen drugi stavek, še vedno zakoreninjena v romantiki, zdrsne v in iz harmonij 20. stoletja. Gibanje je zgodba o ljubezni in strasti. Z naslovom Adagio, gibanje, odprtina v C-duru, je monotematske, vendar za kratek rekapitulacije glavne teme prvega stavka je. To gibanje bridki melodija se izvaja vsaka oboa, klarinet, flavto solo in na z marimbo. Je ponudba, ponavljajoče duet med solo marimbo in harfo sledi dramatičen, climactic korala, kjer solist zaposluje šest-Mallet tehniko. Gibanje kulminira v živahni nove izjave glavnega melodije z gibanjem in zbledi off v daljavo. Tematska preoblikovanje nadalje razvija več stopenj v tretjem stavku. Finale je zgodba junak je v bitki, nevarnosti, ljubezni in zmago. Vsako poglavje prikliče drug račun na potovanju. Taylor reemphasizes v d-molu tonalitete gibanja odpiranja. Tretji stavek razpoči v sproščeno in živahno prvi predmet, ki ima razburljivo ritmični motiv in izmenjavo med solistom in orkestrom. Zgodba se premika skozi centralno, lirično epizodo namesto oddelka za razvoj. Spet je prej materiala opomniti. Kot končni Vivace gradi do vrhunca, solist namenila ognjeno virtuoznost z orkestrom. Veličasten Rekapitulacija, ki je zdaj v D-duru, ankete vse otvoritveni materiala finale, ki jo ima CODA sklenjena v briljantno Presto in fortissimo.