Partiture $494.89

Originalno

Antonio Salieri. Prima La Musica E Poi Le Parole. Full Score. Sheet Music. Opera. OPERA. Antonio Salieri.

Prevod

Antonio Salieri. Pred glasbo in nato besed. Polna Ocena. Sheet Music. Opera. OPERA. Antonio Salieri.

Originalno

Hardback edition of the full score for Antonio Salieri 's Prima La Musica E Poi Le Parole. A memorable musical competition commissioned by the Emperor Joseph II took place on 7 February 1786 as part of a festival in the orangery of the Schönbrunn palace. A German Singspiel ensemble performed Mozart’s Schauspieldirektor whilst Antonio Salieri ’s Prima La Musica E Poi Le Parole was performed by the Italian court singers and musicians. This charming opera satire belongs to the genre of 'metamelodramma' in which the opera itself becomes the subject of the action. The people who are part of an opera production, for example the librettist, composer and prima donna, appear as characters on the stage and are presented in a humorous self-reflection. In this ‘theatre about theatre’ Salieri parodies the music from Giuseppe Sarti’s Giulio Sabino in his insert arias, thus playing on the music which was totally familiar with the audience of the time. By reflecting on the musical-dramatic style of that period and discussing whether the word or the music should take priority, this masterpiece is considered to be an early forerunner to Richard Strauss' Capriccio.

Prevod

Hardback edition of the full score for Antonio Salieri 's Prima La Musica E Poi Le Parole. Nepozabno glasbeno tekmovanje, ki jo je cesar Jožef II je potekal 7. februar 1786 kot del festivala v Orangery v palači Schönbrunn. Nemška zasedba izvedli Mozartovo Spevoigra Schauspieldirektor Medtem Antonio Salieri 's prve Music In potem smo Words izvedena s strani italijanskih sodnih pevcev in glasbenikov. To očarljivo opera satire pripada žanru "metamelodramma", v katerem opera sam postane predmet tožbe. Ljudje, ki so del proizvodnje opere, na primer libretist, skladatelj in prima donna, ki se pojavljajo kot znakov na odru in so predstavljeni na humoren samorefleksijo. V tem "gledališču o gledališču" Salieri parodira glasbo Giuseppe Sarti je Giulio Sabino v svoji vstaviti arij, torej igranje na glasbo, ki je bila v celoti seznanjeni z občinstvom časa. Z razmišljanjem o glasbeno-dramski slog tega obdobja in razpravljali, ali naj beseda ali glasba prednost, je to mojstrovina šteje za predčasno predhodnika Richarda Straussa Capriccio.