Partiture $9.39

Originalno

Gabriel Fauré. Les Djinns, Op. 12 for Choir and Piano. Sheet Music. Piano, Voice, 4-Part. PF. VCE. 4PART. Gabriel Fauré.

Prevod

Gabriel Fauré. Les malih duhov, Op. 12 za zbor in klavir. Sheet Music. Piano, Voice, 4-Part. PF. VCE. 4PART. Gabriel Fauré.

Originalno

Being such a prolific composer, particularly for Vocal and Piano works, Gabriel Fauré 's music is always addressed with high expectations. His Les Djinns for SATB choir and Piano is no exception. Fauré. 1845-1924. began receiving high quality musical instruction from age 10 at the Niedermeyer School. He eventually became a piano pupil of Camille Saint-Saëns. Fauré 's career saw him succeed Théodore Dubois as organist at the Church of Madeleine in Paris and become professor of composition at the Paris Conservatoire, all the while composing sublime works. Les Djinns was written towards the beginning of the composer's career and is based on the poem of the same name by Victor Hugo. The poem depicts the sounds of the night. Each stanza becomes gradually longer as the text climaxes, and shortens again with the anticlimax, creating an arch form. Fauré mimics this in his music through use of structure, dynamics and the texture of the Piano accompaniment. With Fauré 's music remaining hugely popular to this day, Les Djinns is a favourite for the choral repertoire.

Prevod

Biti tako plodovit skladatelj, zlasti za glas in klavir del, je Gabriel Fauré je glasba vedno obravnavati z visokimi pričakovanji. His Les Djinns for SATB choir and Piano is no exception. Fauré. 1845-1924. začela dobivati ​​kakovostno poučevanje glasbene starosti od 10 na Niedermeyer šole. Je sčasoma postal klavir učenec Camilla Saint-Saënsa. Faure 's kariero ga videli uspeti Theodore Dubois kot organist v cerkvi Madeleine v Parizu in postal profesor za kompozicijo na pariškem konservatoriju, vse pa skladanjem vzvišen del. Les Djinns was written towards the beginning of the composer's career and is based on the poem of the same name by Victor Hugo. The poem depicts the sounds of the night. Each stanza becomes gradually longer as the text climaxes, and shortens again with the anticlimax, creating an arch form. Fauré mimics this in his music through use of structure, dynamics and the texture of the Piano accompaniment. With Fauré 's music remaining hugely popular to this day, Les Djinns is a favourite for the choral repertoire.