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Originalno

Benjamin Britten. Double Concerto. Score and Parts. Sheet Music. Violin, Viola, Piano. VLN. VLA. PF. Benjamin Britten.

Prevod

Benjamin Britten. Dvojni koncert. Rezultat in deli. Sheet Music. Violina, Viola, Piano. VLN. VLA. PF. Benjamin Britten.

Originalno

For Violin, Viola and Piano. Reduced from the orchestra version. Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on to the next piece. This was particularly the case around the time of his Opus 1 Sinfonietta , composed in the summer of 1932, his second year as a student at the Royal College Of Music. The Sinfonietta was written. in less than three weeks. very soon after Britten had completed the first draft of the Double Concerto. but after finishing the Sinfonietta he went back to revise the Concerto's second movement. He started work on his Op.2 Phantasy for Oboe and String Trio a few weeks later. Although the Concerto follows the same three-movement pattern as the Sinfonietta , it is more ambitious in scale. and since the sketch is, unusually for Britten, complete in practically every detail, it is puzzling that he never made a full score of the work after finishing the composition, and seems to have made no attempt to get it performed. It is not clear if he had particular performers in mind. he was, of course, a Viola player, although he is not likely to have intended the part for himself. He showed the work to his composition teacher at the college, John Ireland, who, as Britten recorded in his diary, was 'pretty pleased' with it. but it is distinctly possible that his experience in rehearsing the Sinfonietta with a student orchestra in 1932. 'I have never heard such an appalling row. ' reads another diary entry. discouraged him from going on to complete the Double Concerto in score. He was not to hear any of his orchestral works until the first performance of Our Hunting Fathers in 1936. In the absence of Britten's full score it was necessary for me to prepare the work from the sketch. But the instrumentation is so carefully indicated in the draft that the resulting score is not far from being 100% Britten - only between bars 70 and 74 of the slow movement did there seem to be any need to add anything significant to Britten's texture. The Double Concerto. Britten's manuscript title was 'Concerto In B Minor', but he referred to it in his diary, in characteristic shorthand, as '2ble Concerto'. is the most recent addition to his corpus of works, mostly dating from Britten's youth and early maturity, that, since his death, have been revived after many years, or performed for the first time. Britten himself occasionally returned to his early works, and in his last years revised both the early String Quartet In D of 1931 and the opera Paul Bunyan. The Piano score published separately is not a reduction from the orchestral score, but a transcription of Britten's composition sketch, including his indications of instrumentation. The first performance of the Double Concerto was given at the 50th Aldeburgh Festival by Katherine Hunka and Philip Dukes, with the Britten-Pears Orchestra conducted by Kent Nagano, on June 15th 1997. -Colin Matthews.

Prevod

For Violin, Viola and Piano. Reduced from the orchestra version. Britten je bil tako izredno plodovit kot mladega skladatelja, da je bilo veliko del iz svojih najstniških letih dal na stran, da se počaka spremembo ali zaključek, ko je planila na naslednji kos. To je še posebej veljalo približno v času njegovega Opus 1 Sinfonietta, sestavljena poleti leta 1932, njegovo drugo leto kot študent na Royal College of Music. Sinfonietta je napisal. v manj kot treh tednih. Zelo kmalu po tem, ko je Britten zaključil prvi osnutek dvojni koncert. vendar po končani Sinfonietta je vrnil za revizijo drugega gibanje Koncerta za. Začel je delati na svojem Op.2 Fantazija za oboo in godalni trio nekaj tednov pozneje. Čeprav Koncert sledi istemu vzorcu treh gibanju kot Sinfonietta, pa je bolj ambiciozna pri merilu. in ker je skica, nenavadno za Brittna, popolna praktično v vsakem detajlu, da je izglasoval, da je bil nikoli v celoti rezultat dela po končani sestavo, in zdi se, da ni poskušala, da bi dobili, da izvede. Ni jasno, če bi imel posebne nastopajoče v mislih. je bil, seveda, je violist, čeprav je verjetno, da so namenjeni del zase ne. Pokazal je svoje delo svojega učitelja kompozicije na fakulteti, John Irske, ki je, kot Britten, zabeležene v svojem dnevniku, je bil "zelo zadovoljen" z njim. vendar pa je jasno, da je mogoče njegove izkušnje v vadi na Sinfonietta s študentskim orkestrom v 1932. "Nikoli nisem slišal tako grozljivega vrstico. "Prebere drug vnos dnevnik. ga odvrača od dogaja za dokončanje Dvojni koncert rezultata. Bil je ne bi slišali katero od njegovih orkestralnih del do prve izvedbe naših Lov očetov leta 1936. V odsotnosti Partitura Britten je je bilo potrebno za mene za pripravo dela iz skice. Vendar je instrumentacija tako pazljivo je navedeno v osnutku, ki je nastala ocena ni daleč od tega, da 100% Britten - samo med palicami 70 in 74 v počasnem stavku pa se zdi, da bi bilo treba dodati še pomembno, da Britten je tekstura. Dvojni koncert. Britten je rokopis naslov je bil "Koncert v b-molu", vendar pa je iz nje v svojem dnevniku, v značilnem okrajšavo, kot "2ble koncerta". je najnovejši dodatek k svoji korpusa del, večinoma iz leta Britten je mladost in zgodnje zrelosti, da je od njegove smrti, so oživili po mnogih letih, ali izvedli prvič. Britten sam občasno vrne v svojih zgodnjih delih, in zadnja leta revidirana tako zgodaj četverico niz v D 1931 in opero Paul Bunyan. Ocena Piano objavljeni ločeno, ni znižanje od orkestralnih točk, vendar prepis Britten je umetnega skico, vključno z njegovimi navedbami instrumentacije. Prva izvedba dvojni koncert je bil podan na 50. Aldeburgh Festival s Katherine Hunka in Philip Dukes, s Britten-Pears orkestra Kent Nagano, ki poteka od 15. junij 1997. -Colin Matthews.