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Originalno

Jean-Philippe Rameau. Les Fetes De l'Hymen Et De l'Amour. Urtext. Sheet Music. Opera. OPERA. Jean-Philippe Rameau.

Prevod

Jean-Philippe Rameau. Fetes De Djevičnjak In ljubezen. Urtext. Sheet Music. Opera. OPERA. Jean-Philippe Rameau.

Originalno

With a brief foreword. Fr. Eng. containing salient information on the genesis of the work, the synopsis and the edition. Les Fêtes de l’Hymen et de l’Amour was performed on 15 March 1747 on the occasion of the second marriage of the Dauphin Louis Ferdinand de Bourbon and Maria Josepha of Saxony in the Manège de la Grande Écurie in Versailles. This second collaboration between Rameau and Cahusac makes use of the “ballet héroïque” genre, usually known today as “opéra-ballet” based on various story lines which run independently of each other. The score is based on a libretto inspired by Egyptian mythology and freemasonry. Rameau's “Les Fêtes de l'Hymen et de l'Amour” was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as “Zaïs”, “Zoroastre” and “Les Boréades”. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks. an impressive ten-voice double chorus with solo voices and orchestra. and the sextet from “Aruéris”, a scoring found nowhere else in his œuvre. For the first time, this scholarly-critical edition of “Les Fêtes de l'Hymen et de l'Amour” presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, this edition is based on the version prepared for the Académie Royale de Musique in 1748.

Prevod

S kratkim predgovorom. Fr. Tesno. vsebuje pomembne informacije o genezi dela, je strnjen in izdaji. Les fetes de l'Djevičnjak et de l'amour je bila izvedena na 15. marec, 1747 ob drugi zakonski zvezi Dauphin Louis Ferdinand de Bourbon in Maria Josepha Saške v Manège de la Grande Ecurie v Versaillesu. To drugo sodelovanje med Rameauja in Cahusac uporablja žanr "balet héroïque", ponavadi danes znan kot "Opera-balet", ki temelji na različnih zgodbe linij, ki potekajo neodvisno drug od drugega. Ocena temelji na libreto zgleduje po egipčanski mitologiji in prostozidarstvo. Rameau je "Med prazniki himen in ljubezni", je dolgo veljal drugorazredne, ker je njegova prva povezan je bil z politični dogodek. Toda ta balet obilo novih dramaturških učinkov, ki so že znak njegove poznejše oper, kot so "Zaïs", "Zoroastre" in "Les Boréades". Delo skupaj s svojo libretista Cahusac, Rameau poskušala vezavi plesne številke, zbore in odrski strojev bolj tesno v glavni ploskvi. Je eksperimentiral tudi z stilnih naprav, edinstvene na tem delu, najbolj znan pa je nedvomno prizor, v katerem Nil prestopi bregove. impresivno deset glas dvojno chorus solistične glasove in orkester. in sekstet iz "Aruéris", je točkovanje najti nikjer drugje na opusa. Prvič, to znanstveno-kritično izdajo "Les fetes de l'Djevičnjak et de l'amour" predstavlja referenčno različico delu, ki temelji na vseh glavnih vzrokov za tako libreta in glasbe, vključno z dvema nedavno glasbena odkritja. Ker je večina uspešnosti materiala za premiero izginil, je ta izdaja temelji na različici pripravljeno za Académie Royale de Musique leta 1748.