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Originalno

Richard Reed Parry. Duet For Heart And Breath. Bass Clef Version. Sheet Music. Cello. Piano Accompaniment. VLC. PFA. Richard Reed Parry.

Prevod

Richard Reed Parry. Duet Za srca in dihanja,. Bass Clef Version. Sheet Music. Violončelo. Klavirsko spremljavo. VLC. PFA. Richard Reed Parry.

Originalno

Richard Reed Parry 's Duet For Heart And Breath Bass Clef version for Cello. or other instrument of suitable range. and Piano. or other polyphonic instrument. The performers wear stethoscopes positioned over their hearts so that each can follow his or her own heart rate. Two eighth notes. quavers. correspond to the two sounds of a normal heartbeat, and performers should match as closely as possible the staccato and irregular rhythm they hear. When instructed to ‘play to breath’, the natural cycle of one inhalation and one exhalation, or vice versa, will determine the length of the bar. two quarter notes. crotchets. without any attempt to make it metronomic. ' This piece is based around the idea of using the widely varying internal rhythms of the performers’ bodies as performance parameters. There is no actual tempo or meter built into the piece. The breathing rates of the players are used in alternation with the individual performers’ heart rates to determine the pace at which all of the musical material is played. This requires that the performers generally play quietly and delicately, with little or no vibrato, so as to be able to hear their heartbeats adequately. This, in combination with thenatural variance between the different heart rates, results in a kind of delicate musical “pointillism”. starts and stops which are somewhat staggered, parts which repeatedly line up and fall out of synch with each other, different individuals’ pulses rising and falling. The piece is never performed exactly the same way twice. ' - Richard Reed Parry.

Prevod

Richard Reed Parry 's Duet For Heart And Breath Bass Clef version for Cello. ali drug instrument ustreznim območjem. in klavir. ali drugo polifonične instrument. Izvajalci nosijo stetoskopi nameščenih preko svojih srcih, tako da lahko vsak sledi svojo lastno srčni utrip. Dve osmi opombe. note. ustreza dvema zvokih normalnega srčnega utripa in izvajalci bi morali tesno ujemajo možnem staccato in neredni ritem slišijo. Ko je naročeno, da "igrati za dihanje", naravni ciklus enega vdihavanju in enega izdiha, ali obratno, se določi dolžino vrat. dve četrtletje ugotavlja. crotchets. brez kakršne koli poskusu, da bi bilo metronomskega. "Ta del temelji okoli idejo s pomočjo zelo različne notranje ritme izvajalcev organov parametrov. Ni dejanski tempo ali števec vgrajen v kosih. Stopnje dihanjem akterjev, ki se uporabljajo v alternaciji s srcem mer posameznih izvajalcev za določitev hitrosti, pri kateri se vsi glasbenega materiala igral. To zahteva, da izvajalci v glavnem igrajo tiho in nežno, z malo ali brez vibrato, tako da bi lahko slišali njihove bitja srca ustrezno. To, v kombinaciji z thenatural razhajanje med različnimi stopnjami srca, povzroča nekakšno občutljivo glasbeni "pointilizma". začne in ustavi, ki so nekoliko postopni, deli, ki večkrat postavo in padejo ven neusklajena z impulzi seboj različnih posameznikov lomu. Kos se nikoli ne izvede natanko enak način, dvakrat. "- Richard Reed Parry.