Partiture $110.42

Originalno

Kenneth Hesketh. Danceries Brass Band. Score And Parts. Sheet Music. Brass Instruments. BRASS INST. Kenneth Hesketh.

Prevod

Kenneth Hesketh. Danceries Brass Band. Rezultat in deli. Sheet Music. Trobila. BRASS INST. Kenneth Hesketh.

Originalno

In Danceries , by Kenneth Hesketh, the melodies themselves are a mixture of old and new. Where the old occurs it has been adapted in mood and composition and is often interspersed with completely new material. The contemporary harmonies and rhythms bring a breath of new into these themes and add drama to the suite. The first movement, Lull Me Beyond Thee , is gentle and lilting, almost a barcarole, this movement is very much a reverie. The original tune had the name Poor Robin’s Maggot , a rather disconcerting title. Maggot, however, in seventeenth-century parlance meant whim or fancy. The second, Catching of Quails , is a colourful, buoyant scherzo on an original melody. The thematic material is shuttled around the band to contrast with full-blooded tuttis. The last few bars fade to almost nothing, before a final surprise. My Lady’s Rest is a tender pavane, also on an original melody, with Moorish leanings. Beautiful solo passages, expressive contrapuntal writing and warm tuttis provide an opportunity to show off the most lyrical of playing. The final movement, Quodling’s Delight is a clever combination of the 17th century melody, Goddesses , with an original contrasting melody, creating a rousing and exuberant finale to the work.

Prevod

V Danceries, Kenneth Hesketh, melodije same mešanica starega in novega. Kje stara nastopi je bil prilagojen v razpoloženju in kompozicije in je pogosto prepredena s popolnoma novim materialom. Sodobni harmonij in ritmov prinesla dih novega v teh temah in dodajte dramo v suite. Prvi stavek, uspavati me Beyond tebi, je nežen in lilting skoraj barcarole, to gibanje je zelo Sanjarija. Prvotni tune imela ime Poor Robin ličink, nekoliko nenavaden naslov. Ličink, vendar pa se v sedemnajstem stoletju pomenilo Način govora kaprica ali izmišljeno. Drugi, Catching prepelic, je barvita, živahna scherzo na originalno melodijo. Tematska material shuttled okoli pasu, v kontrastu s polnokrvno tuttis. Zadnjih nekaj barov zbledi na skoraj nič, pred končno presenečenje. Moja gospa je Rest je ponudba pavane, tudi originalni melodiji, s Moorish nagnjenji. Lepe solo prehodi, izrazno kontrapunktični pisanje in tople tuttis priložnost, da pokažejo najbolj lirična igranja. Končna gibanje, Quodling je Delight je pametna kombinacija melodiji iz 17. stoletja, boginj, s prvotno kontrastni melodije, ustvarjanje budilen in bujno finale na delo.