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Originalno

Judith Weir. Piano Trio. Score And Parts. Sheet Music. Piano Trio. VLN. VLC. PFC. Judith Weir. --.

Prevod

Judith Weir. Klavirski trio. Rezultat in deli. Sheet Music. Klavirski trio. VLN. VLC. PFC. Judith Weir. --.

Originalno

Score and Parts. Commissioned by the Chamber Music Society of Lincoln Centre. First performance 19 May 1998, Merkin Concert Hall, New York City. Quoting Weir. 'In my previous work, I have often enjoyed inventing titles which attempt to encapsulate the particular world of each composition, but this fifteen minutes piece for violin, cello and piano is simply entitled Piano Trio. What is the reason for this unusually abstract description. I think perhaps that in this piece, the many external impressions which habitually make up my musical world have become too numerous and too personal to be pinned down in the space of few words that a composition title allows. The first movement began in my mind with impressions of Venice as relayed in Schubert's song Gondelfahrer. the crisp midnight air, the dark choppy water, the bells tolling, the gondolier alone in emotional turmoil. Schubert's world is a place where I can find constant inspiration and strength. The second movement recalls a time when I was called from a phone box in Africa. At one moment I was alone in my room, the next. or so it seemed in my imagination. surrounded by light, heat and sudden energy and activity. The movement is not, however, an evocation of African music. it takes the form of a scherzo and trio, which collide with each other at the movement's conclusion. The third movement formed in my mind whilst I was reading some Gaelic poetry from the Hebridean island of Lewis on Scotland 's far flung Atlantic fringe. I was thinking of the bleached white beaches in that part of the world, where every object lying on the sand - a washed-up bottle or a bird's skeleton - is a major event in a deserted landscape. The same might be said of this short set of musical variations, where melodic fragments are laid out with plenty of space around them, clear and plain for everyone to hear.

Prevod

Rezultat in deli. Ki ga je naročila Glasbenega društva Komornega Lincoln Center. Prva izvedba 19. maj 1998, Merkin Concert Hall, New York City. Citiranje Weir. V mojem prejšnjem delovnem mestu, sem se pogosto uživala izumljanja naslovov, ki poskušajo zaobjeti poseben svet vsake sestave, vendar je to petnajst minut kos za violino, violončelo in klavir, je preprosto naslovom Klavirski trio. Kaj je razlog za to nenavadno abstraktnega opisa. Mislim, da morda, da je v tem delu, je veliko zunanjih vtisov, ki običajno tvorijo moj glasbeni svet so postali preštevilni in preveč osebno, da se zabodena navzdol v prostoru nekaj besedami, da je naslov sestava omogoča. Prvo gibanje začelo v mojih mislih z vtisi Benetke, kot jih posredovati v Schubertove skladbe Gondelfahrer. svež polnoči zrak, temno razburkano vodo, zvonovi cestnin, sam Gondolo v čustveni pretresi. Schubertov svet je kraj, kjer lahko najdem stalen navdih in moč. Drugo gibanje spominja na čas, ko sem bil imenovan iz telefonske škatle v Afriki. V enem trenutku sem bil sam v svoji sobi, poleg. ali tako se je zdelo v moji domišljiji. obdan s svetlobo, toploto in nenadne energije in aktivnosti. Gibanje pa ni, evokacija afriške glasbe. je potrebno obliko scherzo in trio, ki trčijo drug z drugim pri sklenitvi gibanju je. Tretji stavek oblikovali v mojih mislih, medtem ko sem bral nekaj Gaelic poezijo iz Hebridean otoka Lewis na Škotskem je oddaljenih Atlantic resicami. Razmišljal sem o beljene bele plaže v tem delu sveta, kjer je vsak predmet, ki leži na pesku - opran-up steklenice ali skelet ptičje - je velik dogodek v samotni pokrajini. Enako bi lahko rekli za ta kratek nabor glasbenih variacij, kjer so melodičnih fragmentov, določenega z veliko prostora okoli njih, jasno in razumljivo za vsakogar, da slišim.