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Originalno

Helen Grime. Seven Pierrot Miniatures. Piano Score and Parts. Sheet Music. Chamber Group. Piano Chamber. CHAM. PFC. Helen Grime.

Prevod

Helen Umazanija. Sedem miniatur Pierrot. Piano Ocena in deli. Sheet Music. Zbornica Group. Piano zbornica. CHAM. PFC. Helen Umazanija.

Originalno

For Chamber Ensemble. Commissioned by the Hebrides Ensemble and first performed on their Scottish tour in March 2010. In Seven Pierrot Miniatures, I took the Commedia dell’arte character, Pierrot as my primary source of inspiration. Other more tenuous links to Schoenberg’s Pierrot Lunaire also served as a starting point in forming the general shape of the work. The piece is cast in seven short movements, whereas the Schoenberg comprises three sets of seven movements. Although there is no part for voice, I have taken seven poems by Albert Giraud. none of them set in Pierrot Lunaire. as points of departure. The Clouds. Decor. Absinthe. Suicide. The Church. Sunset. The Harp. Each movement takes its impetus from the corresponding poem, but in the piece as a whole, I wanted to explore the extreme contrasts of the multi-faceted character of Pierrot in a musical setting. There is an almost mirror-like quality to the form of the piece and a sense of ending where it has begun. movements 1, 3, 5 and 7 are closely linked, both in terms of their musical material and a sense of melancholy, dream-like quality and longing. Movements 2 and 6 are also strongly connected, with allusions to the more mischievous, violent side of Pierrot. Movement 4 serves as a sort-of pivotal point within the work, juxtaposing a surreal, shimmering calm with brutal outbursts. There is never any direct repetition, yet there is a strong sense of material returning and mutating as the work unfolds. Instrumentation. Flute, doubling piccolo. Clarinet in Bb, doubling Bass Clarinet in Bb. Violin, doubling Viola. Cello. Piano.

Prevod

Za komorni ansambel. Ki jo je ansambel Hebridi in prvič izvedena na njihovem škotski turneji marec 2010. Sedem miniatur Pierrot, sem vzel Commedia dell'arte značaj, Pierrot kot moj primarni vir navdiha. Druga bolj nepomembne povezave do Schönberga je Pierrot Lunaire služil tudi kot izhodišče pri oblikovanju splošno obliko dela. Kos se odda v sedmih kratkih premikov, medtem Schönberg obsega tri sklope sedmih gibanj. Čeprav je za glas noben del, ki sem jih sprejela sedem pesmi, ki jih Alberta Giraud. nobeden od njih postavljena v Pierrot Lunaire. kot izhodišča. The Clouds. Decor. Absint. Samomor. Cerkev. Sunset. Harp. Vsako gibanje je dobil zagon iz ustreznega pesmi, ampak v kosu kot celoto, sem želel raziskati ekstremne kontraste iz večplastnega značaja Pierrot v uglasbitve. Tukaj je kakovost skoraj zrcalna kot v obliki kosa in občutek končala kjer je začel. gibanja 1, 3, 5 in 7 so tesno povezani, tako v smislu njihovega glasbenega materiala in občutkom melanholično, sanjske kakovosti in hrepenenja. Gibanje 2 in 6 sta prav tako močno povezana z aluzijami na bolj hudomušen, nasilni strani Pierrot. Gibanje 4 služi kot nekakšna-od točke kolčnega sklepa v delu, nizanje nadrealistična, Svetleč miren z brutalnimi izbruhi. Ni nobenega neposrednega ponavljanje, vendar obstaja močan občutek materiala vračajo in mutira kot delo odvija. Instrumentation. Flavta, piccolo podvojitev. Klarinet v Bb, podvojitev bas klarinet v Bb. Violina, podvojitev Viola. Violončelo. Načrt.