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Originalno

Timeless Solos for Guitar. Sheet Music. Guitar. GTR.

Prevod

Brezčasna solo za kitaro. Sheet Music. Kitara. GTR.

Originalno

Timeless Solos is a play on words. The solos in this volume contain no time signatures or bar lines. I did this because I wanted the solos to be very expressive in interpretation yet "free-form" in structure. The companion recording presents my interpretation of these works. You may interpret them differently and that is fine. All solos are in notation and tablature. When writing these solos I first envisioned the form as an extended "cadenza". However, from my earlier trumpet playing days I recalled that, especially in the 19th century, a cadenza was a momentary break in a solo which gave the performer a chance to dazzle the audience with his or her virtuosity. These solos are not about that. Rather, they are a vehicle to give the guitarist an opportunity to move the listener with the performer's expressive ability. I also thought of these solos in the form of a "chant". However, most chants are monophonic in form and these solos in various parts present a fairly lush harmonic structure. While the solos were written for a 7 string guitar, they may be played successfully on a 6 string guitar. Alternate notes for those found on the 7th string are shown in the tablature part. Also, the solo, Peace, is written in Dropped D tuning and makes little use of the 7th string pedal tones. The solos are contemplative in nature and provide ample opportunity for individual expression and interpretation. I hope you enjoy playing and performing these works.

Prevod

Brezčasna Solos je besedna igra. V solo iz tega obsega vsebujejo nobenih časovnih podpisov ali bar linije. To sem naredil, ker sem želel, da solaže, da je zelo izrazit pri razlagi še "free-obliki" v strukturi. Snemanje spremljevalec predstavlja svojo razlago teh del. Si jih lahko razlagajo različno in da je v redu. Vse solaže so v zapisu in tablature. Pri pisanju teh solo sem prvič zamislil v obliki, kot je razširjeno "kadenco". Vendar pa je iz mojih prejšnjih trobenta igralnih dni sem opozoril, da je še posebej v 19. stoletju kadenco trenutni odmor v solo, ki je dal izvajalcu možnost, da bleščanje občinstvo z njegovo ali njeno virtuoznosti. Te solaže niso o tem. Namesto, da so vozila, da bi kitarist priložnost, da se premaknete poslušalca z ekspresivno sposobnosti izvajalčev. Prav tako sem mislil, da teh samospevov v obliki "korala". Vendar pa je večina napevi so enoglasne v obliki in ti solo iz različnih delov predstavi dokaj bogato harmonsko strukturo. Medtem ko so bile solaže napisana za 7 godalni kitaro, se lahko uspešno igra na 6 strunski kitari. Nadomestna navodila za tiste, najdete na 7. niza so prikazane v tablature delu. Tudi solo, mir, je napisan v padla D tuning in naredi malo uporabi 7. godalnih pedala toni. V solaže so kontemplativno narave in zagotovilo dovolj možnosti za osebno izražanje in interpretacijo. Upam, da boste uživali igranje in opravljanje teh del.