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Originalno

Niels Rosing-Schow. Alliage III. Score. Sheet Music. Violin. Cello. Accordion. VLN. VLC. ACDN. Niels Rosing-Schow.

Prevod

Niels Rosing-Schow. Zlitina III. Ocena. Sheet Music. Violina. Violončelo. Harmonika. VLN. VLC. ACDN. Niels Rosing-Schow.

Originalno

Programme note. Alloy III for Violin, Cello, Classical Accordion, and two Kokles. The instruments of this quintet are very different in appearance and in the way of playing as well as tone. production. strings to be bowed, strings to be plucked confronted with the airborne tone of the Accordion. The.origins and the traditions of the instruments are also very diversified reaching from traditional folkmusic. the. Kokle. and popular music. the Accordion. to art music of the classical tradition. the Violin and Cello. Acknoledging these references and connotations I refrain nevertheless from an obvious ‘casting’ of the. instruments, since I have always been fascinated by the less evident, by transitions and gradual displacement,. by the intangible places between one and the other. I search for this ‘terrain vague’ of fruitfull incertainty and. permanent genesis. To arrive there, I have in this piece created a musical expression, which makes hidden relations and unexplored. sonorous paths come forward between the different sound worlds of the instruments. Bringing together these. musical substances, I look for something deeper than just common sounds. a fresh musical place. And the lively. and bright sound world that emerges form this instrumental and textural ’in-between’ I associate to alloys, in. particular the silvery amalgamations of mercury. The work was composed to musicians from the Latvian ensmble Altera Veritas and of Ensemble Aleph. France. as a part of the project European Instrumental Laboratory. Niels Rosing-Schow.

Prevod

Opomba program. Zlitina III za violino, violončelo, klasična harmonika, in dva Kokles. Instrumenti tega kvinteta so zelo različni po videzu in na način igranja, kot tudi ton. Proizvodnja. strune se priklonil, strune se oskubijo soočajo s tonom v zraku na harmoniko. The.origins in tradicije instrumentov so tudi zelo raznolika segajo od tradicionalnih folkmusic. the. Kokle. in popularna glasba. Harmonika. umetniško glasbo klasične tradicije. Violina in violončelo. Acknoledging te navedbe in konotacije pa sem se vzdržijo očitne "vlivanje" z dne. instrumenti, ker sem bil vedno očara z manj očitna, s prehodi in izpodrinile,. jih neopredmetenih mest med eno in drugo. Iščem te "teren nejasna" od fruitfull incertainty in. stalna genesis. Da bi prišli tja, sem v tem delu ustvaril glasbeni izraz, ki omogoča skrite odnose in neraziskana. Zvočna poti naj med različnimi zvočnimi svetovih instrumentov. Združevanje teh. glasbene snovi, sem si za nekaj globljega kot samo skupna zvoki. sveži glasbeni prostor. In živahno. in svetel zvok svet, ki se pojavi tvorijo ta instrumentalna in teksturne "vmes" sem povezal na zlitine, v. posebne srebrnimi amalgamations živega srebra. Delo je sestavljeno glasbenike iz latvijskega ensmble Altera Veritas in Ensemble Aleph. France. kot del Laboratorija projekta Evropska Instrumental. Niels Rosing-Schow.