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Originalno

Niels Rosing-Schow. Alliage II. Player's score. Sheet Music. Viola. Accordion. VLA. ACDN. Niels Rosing-Schow.

Prevod

Niels Rosing-Schow. Alloy II. Ocena igralčeva. Sheet Music. Violet. Harmonika. VLA. ACDN. Niels Rosing-Schow.

Originalno

Programme note. Alloy II for Viola and Classical Accordion. The two instuments of this duo are very different in appearance, and in the way of playing as well as tone. production. At first glance this might call for a music, which brings out these differences in the nature of. the instruments, distributing distinct, even contrasting, musical roles to the two players, such as melody. versus accompaniment. But I refrain from this obvious ‘casting’ of the instruments, since I have always. been fascinated by the less evident, by transitions and gradual displacement, by the intangible places. between one and the other. I search for this ‘terrain vague’ of fruitfull incertainty and permanent genesis. To arrive here, I have in this piece written a music, which makes hidden relations and unexplored. sonorous paths come forward between the sound worlds of the two instruments. Bringing together the. musical substances, I look for something deeper than just common sounds. a fresh musical place. And the. lively and bright sound world that emerges form this instrumental and textural ’in-between’ I associate to. alloys, in particular the silvery amalgamations of mercury. The work was commisioned by Andreas Borregaard and composed with support from The Danish Arts. Foundation. It is dedicated to the duo Inviolata. Niels Rosing-Schow.

Prevod

Opomba program. Zlitina II za violo in klasično harmoniko. Dve instrumentih, te duo so po videzu zelo različna, in na način igranja kot ton. Proizvodnja. Na prvi pogled bi lahko imenovali za glasbo, ki prinaša teh razlik v naravi. instrumenti, ki distribuirajo različni, celo nasprotujoči si glasbenih vloge do dveh igralcev, kot so melodije. versus spremljavo. Ampak jaz se vzdrži tega očitnega 'vlivanje' instrumentov, saj imam vedno. očara z manj očitna, s prehodi in izpodrinile, ki jih neopredmetenih krajih. med eno in drugo. Iščem te "teren nejasno" od fruitfull incertainty in trajno geneze. Prispejo tukaj, imam v tem delu napisala glasbo, zaradi česar skrite odnose in neraziskana. Zvočna poti naj med zvočne svetove dveh instrumentov. Združujemo. glasbene snovi, sem si za nekaj globljega kot samo skupna zvoki. sveži glasbeni prostor. In. živahen in svetel zvok svet, ki se pojavi tvorijo ta instrumentalna in teksturne "vmes" sem se povezal s. zlitine, zlasti Srebrno amalgamations živega srebra. Delo je commisioned Andreas BORREGAARD ​​in sestavljen s podporo danske umetnosti. Fundacija. Posvečena je duo Inviolata. Niels Rosing-Schow.