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Originalno

Thomas Simaku. a2. Sheet Music. Viola. Cello. VLA. VLC. Thomas Simaku.

Prevod

Thomas Simaku. a2. Sheet Music. Violet. Violončelo. VLA. VLC. Thomas Simaku.

Originalno

For Viola and Cello. Published 2008. Dedicated to Garth Knox and Rohan de Saram. First performance. Intrasonus Festival Venice, 3 May 2008. "This music was composed during my DAAD residency in Berlin in October — November 2007. If I were to describe it in one sentence, I would say that it is based on the idea of 'two things seen. heard as one'. "a2. a due. is a well-known term to musicians. it is often found in orchestral scores indicating a given passage that is to be played by two instruments of the same family. Although violin and cello could well be regarded as 'first cousins' of the string family, the literal implementation of the term a2 as a 'compositional strategy' would have been too much. for a piece of chamber music consisting of no more than two players. Not surprisingly, this never happens in this work. in fact, the opposite is true. regardless of how it appears on paper. on one or two staves. , the music for each instrument is constantly based on two layers. "This musical 'interpretation' of the title gives an indication as to how the textural format of the piece operates. However, this was by no means the only thought that 'preoccupied' my mind whilst composing this music. Berlin made a profound impression on me. The remnants of the wall in Bernauer Straße and the cobbled two-stone line tracing the wall across where it once stood — a clear reminder of what not so long ago there were two different worlds in one city — provoked a strikingly dramatic effect. Border, death-strip, killing, and escape to freedom had a particularly evocative resonance, especially of the time when I lived for three years in a remote town in Southern Albania right at the border with Greece. There, there was a nameless road whose destination the authorities did not want you to know, but the locals called it the 'death-road'. "In no way programmatic, in this context, the extra-musical dimension of the principal idea is very much part of the piece. Here, the musical and extra-musical interpretations cannot easily be separated, for they are two parts of the same thing. a2. "As if to add another dimension to this idea, there are two versions of this piece. for viola & cello and violin & cello. The first version was premiéred by Garth Knox and Rohan de Saram at the 2008 Intrasonus Festival in Venice.

Prevod

Za violo in violončelo. Objavljena 2008. Dedicated to Garth Knox and Rohan de Saram. Prva izvedba. Intrasonus Festival Benetke, 3. maj 2008. "Ta glasba je bila sestavljena v času mojega DAAD rezidenco v Berlinu v oktobru - november 2007. Če bi jo opisal v enem stavku, bi rekel, da temelji na ideji o "dveh stvari videti. Slišal kot en '. "A2. zaradi. je dobro znan izraz za glasbenike. je pogosto najdemo v orkestrskih partitur označujejo določeno prehod, ki naj bi jo imela dveh instrumentov iste družine. Čeprav bi violino in violončelo ter štejejo kot "prva" bratranci družine niza, bi dobesedno izvajanje pojma A2 kot "strategijo kompozicijski" so bili preveč. za kos komorne glasbe, ki sestoji iz največ dveh igralcev. Ni presenetljivo, da to ne zgodi v tem delu. V resnici je ravno nasprotno. ne glede na to, kako se zdi na papirju. na enem ali dveh dog. Je glasba za vsak instrument nenehno temelji na dveh plasti. "Ta muzikal" razlago "v naslovu kaže, kako deluje teksturne oblika kosa. Vendar to nikakor ni bilo edino misel, da je "zaskrbljen" moj um, medtem ko skladanje to glasbo. Berlin naredila globok vtis name. Ostanki zidu v Bernauer Straße in tlakovani dva kamna skladu sledenja steno čez, kjer je nekoč stal - jasno izražajo, kaj ne tako dolgo nazaj sta bila dva različna svetova v enem mestu - izzvala izredno dramatičen učinek. Border, death-strip, ubijanje, in pobegniti na svobodo je imel posebno sugestivno resonanco, še posebej v času, ko sem živel tri leta v oddaljenem mestu v južni Albaniji tik ob meji z Grčijo. Tam je bil brez imena cest, po kateri ciljni organi niso želeli, da veste, toda domačini so ga imenovali "death-road '. "V nobenem primeru programskega, v tem kontekstu, extra-glasbeno dimenzijo glavnega ideja je zelo veliko del kosa. Tukaj, glasbeni in extra-glasbene interpretacije ni mogoče enostavno ločiti, saj sta dve deli istega stvar. a2. "Kot da bi to idejo dodati še eno dimenzijo, obstajata dve različici tega kosa. za violo. Prva različica je bila premierno uprizorjena s Garth Knox in Rohan de Saram na Intrasonus festivalu v Benetkah 2008.