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Originalno

Poul Ruders. Corpus Cum Figuris. Score. Sheet Music. Chamber Orchestra. CHAM. Poul Ruders.

Prevod

Poul Ruders. Corpus Cum Figuris. Ocena. Sheet Music. Komorni orkester. CHAM. Poul Ruders.

Originalno

Corpus Cum Figuris is a uniform composition in three major parts. The first part is a slow marche funébre , a kind of prologue with dark and sombre sounds and a massive wall of chords which leads us to the other part of the works where the static and solemn atmosphere is suddenly stopped and replaced by a rhythmic. melodic ritual which accelerates the music. In the third part the block structure is softened gradually, different figurations and stylistic elements arise to live their own lives. distant waltzes and pictures from the Middle Ages appear in this gigantic sonorous body. After a wild percussion orgy a short flash-back and a scream from the edge end Corpus cum Figuris. The piece has no literal content at all, even though the title leads the thought to Adrian Leverkühn’s Apocalipsis cum Figuris from Thomas Mann’s Doctor Faustus. More likely, my piece will arouse associations as with all my music. It has to be heard in it’s own conditions, in this case as a big body of music or perhaps as a great screen where the details, of course, are part of the whole body but at the same time are foreign and odd. It is as if one climbs a mountain and from the top of that mountain discovers a world which is completely different from expected. Corpus cum Figuris for 20 musicians was composed in 1984, commissioned by Ensemble InterContemporain and the Danish Radio. Ensemble InterContemporain world premiered the work in April 1985 conducted by Peter Eötvös. The piece was also played at the ISCM-festival in Amsterdam by Netherland Radio Chamber Orchestra conducted by Ernest Bour.

Prevod

Korpus Cum Figuris je enotna sestava v treh glavnih delov. Prvi del je počasen marche FUNEBRE, nekakšen prolog, s temno in mračno zvokov in masivne stene akordov, ki nas pelje v drugi del gradbenih del, kjer je statična in slovesno vzdušje nenadoma ustavil in jo nadomestiti z ritmično. melodični ritual, ki pospešuje glasbo. V tretjem delu je struktura blok zmehča postopoma, različnih upodobitev in stilna pride, da živijo svoje življenje. oddaljenih valčke in slike iz srednjega veka pojavljajo v tej velikanski zvočne telesa. Po divji tolkala orgiji kratko flash-back in krika od konca roba Corpus cum Figuris. The piece has no literal content at all, even though the title leads the thought to Adrian Leverkühn’s Apocalipsis cum Figuris from Thomas Mann’s Doctor Faustus. Bolj verjetno, da bo moj kos asociacije kot pri vseh mojo glasbo. It has to be heard in it’s own conditions, in this case as a big body of music or perhaps as a great screen where the details, of course, are part of the whole body but at the same time are foreign and odd. To je, kot če pa se povzpnemo na goro in iz vrha gore odkrije svet, ki je popolnoma drugačen od pričakovati. Corpus cum Figuris za 20 glasbenikov je bila sestavljena leta 1984, ki jo je Ensemble Intercontemporain in danski Radio. Ansambel Intercontemporain svetovno premiero dela v aprilu 1985 Peter Eötvös izvaja. Kos je igral tudi na ISCM-festivalu v Amsterdamu, ki ga Netherland Radia Komornega orkestra Ernest Bour opravila.