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Originalno

Pelle Gudmundsen-Holmgreen. Incontri. Score. Sheet Music. Orchestra. ORCH. Pelle Gudmundsen-Holmgreen.

Prevod

Pelle Gudmundsen-Holmgreen. Zmenki. Ocena. Sheet Music. Orkester. ORCH. Pelle Gudmundsen-Holmgreen.

Originalno

For Orchestra. Score. Commissioned by The Danish National Symhony Orchestra. DR.. Orchestration. 3 Flutes, 3rd dbl. Piccolo. 3 Oboes, 3rd dbl. Cor Anglais. 3 Clarinets in Bb, 3rd dbl. Bass Clarinet in Bb. 3 Bassoons, 3rd dbl. Contra Bassoon. 4 Horns in F. 3 Trumpets in C. 3 Trombones. 1 Tuba. 2 Percussion. 2 players. Timpani. Strings. The Score is written in C. Preface. Programme Note. INCONTRI is a kind of orchestral prelude presenting some of the orchestra’s timbral. possibilities. The timbres of the instrument groups emerge either clear on their own. or in various blends. There are no doublings between the three main groups – winds,. strings and percussion – each group maintains its own individual character, even. during the encounters. as in a forest where different kinds of birds continue their. territorial song without yielding or altering their signals. The joint musical project is not unlike a Baroque concerto grosso, not only in the. way the form plays the groups off against each other, but also in the musical language. itself. I have previously written a concerto grosso which I called ”Jungle Baroque” because. of its savage and wild sounds. The same thing can be said about INCONTRI – by. degrees. Pelle Gudmundsen-Holmgreen.

Prevod

Za orkester. Ocena. Commissioned by The Danish National Symhony Orchestra. DR.. Orkestracija. 3 flavte, 3. DBL. Majhno. 3 Oboes, 3rd dbl. Angleški rog. 3 Clarinets in Bb, 3rd dbl. Bass Clarinet in Bb. 3 Bassoons, 3rd dbl. Contra fagot. 4 Horns in F. 3 Trumpets in C. 3 Trombones. 1 Tuba. 2 tolkala. 2 igralca. Timpani. Strings. The Score is written in C. Predgovor. Program Note. INCONTRI is a kind of orchestral prelude presenting some of the orchestra’s timbral. možnosti. The timbres of the instrument groups emerge either clear on their own. or in various blends. There are no doublings between the three main groups – winds,. strings and percussion – each group maintains its own individual character, even. during the encounters. as in a forest where different kinds of birds continue their. territorial song without yielding or altering their signals. The joint musical project is not unlike a Baroque concerto grosso, not only in the. way the form plays the groups off against each other, but also in the musical language. itself. I have previously written a concerto grosso which I called ”Jungle Baroque” because. of its savage and wild sounds. Enako je mogoče reči o INCONTRI - z. stopinj. Pelle Gudmundsen-Holmgreen.