Partiture $17.35

Originalno

Vivaldi Concerto Op. 3 No. 10 - L'Estro Armonico. Sheet Music. Guitar. GTR.

Prevod

Vivaldi Concerto Op 3 No 10 - L'Estro Armonico. Sheet Music. Kitara. GTR.

Originalno

The tenth concerto in B minor in L'Estro Armonico. best translated as The Harmonious Inspiration. , which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed, in Vivaldi's entire output. Scored for four solo violins, two solo violas, solo violoncello, and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3. he copied it openly. In a general sense the Vivaldi pieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary, six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos. two for 0rgan. BWV 593 and 596 based on Opus 3 nos. 8 and 11 respectively. , three for solo harpsichord. BWV 978, 972, and 976 based on Opus 3 nos. 3, 9, and 12 respectively. , and one for four harpsichords and orchestra, in A minor. BWV 1065 based on Opus 3 no. 10. Bach frequently rewrote concertos scored for one kind of instrument, substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmic potential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version, it serves to reason that an arrangement for four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists, so in this version the substitution of guitars is done with little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing, and the ability of the guitar to play both lyrical lines as well as passage work suits the violinistic lines and passages of the original.

Prevod

Deseti koncert v h-molu v L'Estro Armonico. Najboljši preveden kot harmonično Inspiration. , Ki je tu uredili v A-molu - za štiri solo kitari - je eden od najbolj znanih v celotni zbirki - v resnici, v celotni izhod Vivaldijevih. Dosegel štiri solo violine, viole, dva solo solo violončelo in orkester za godala. Johann Sebastian Bach, ne samo Opus občudoval Vivaldijevih 3. ga je kopiral odkrito. V splošnem pomenu kosi Vivaldi dal zagon te mere, da je v nemški magistrski Brandenburških koncertov. Več zlasti s šest koncertov iz Vivaldijevih Opus 3, so posnemale Bacha kot podlaga za šest od svojih koncertov. dva za 0rgan. BWV 593 in 596, ki temelji na Opus 3, št. 8 in 11. , Tri za solo čembalo. BWV 978, 972, in 976, ki temelji na op 3 nos. 3, 9 in 12 oz. In ena za štiri čembala in orkester v A-molu. BWV 1065, ki temelji na Opus 3 no. 10. Bach frequently rewrote concertos scored for one kind of instrument, substituting another. Očitno je, da Bach ni mišljeno toliko v smislu violinistic narave izvirnikov vendar v svoji harmonsko in ritmično potenciala, ki bi lahko izvedli na vsakem instrumentu. Ker je Bach že upravičeno dogovor o Opus 3, številka 10, ki ga je veliko estetsko uspeh njegove štiri čembalo različici, ki ji služi, da razlog, da je dogovor za štiri kitare enako velja. Tako kot Bach ohranjena vse izvirnega Vivaldija in dodal le nekaj podvojitev za namestitev na levo rokah harpsichordists, tako da v tej različici je zamenjava kitare storiti z malo ali brez sprememb prvotnih opombah. V arpeggios posebej izstopajo v drugem stavku mogoča idealno za igranje kitare, in sposobnost, da igrajo kitaro tako lirične linij, kot tudi prehod dela obleke za violinistic linije in odlomke iz izvirnika.