Details
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- Instrument:
- Baritone Horn Piano Solo
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- Item types:
- Physical
- Usages:
- School and Community
SKU: GI.G-7335
Music for Young Tenors and Baritones. Composed by Lynn Eustis. Music Education. 72 pages. GIA Publications #7335. Published by GIA Publications (GI.G-7335).ISBN 9781579997236. English, French, German, Italian.
Choosing a singer’s voice type is one of the most difficult and important challenges facing today’s voice instructor. This decision affects every aspect of a singer’s development, as no singer can be truly successful with inappropriate repertoire. This volume and its companion for young sopranos and mezzo-sopranos is designed to offer guidance to voice teachers in dealing with hard-to-categorize students. In four concise steps, Eustis outlines a methodology for determining a singer’s voice type: Diagnose the primary technical issues. Observe changes in the sound as technique improves. Understand the psychology of voice type. Use appropriate repertoire to achieve the above goals. Contents: Introduction - George Frideric Handel: L’aure che spira - Henry Purcell: Who can behold Florella’s charms? - Joseph Haydn: Fidelity - Franz Schubert: An Sylvia - Felix Mendelssohn: Jagdlied - Allesandro Scarlatti: Da te lungi - Anonymous: Bergère legère - Gabriel Fauré: Chanson de Shylock - Charles Wakefield Cadman: From the Land of the Sky-Blue Water - Jay A Pierson: Music - Appendix A: Additional Repertoire for Investigation - Appendix B: Relevant Books - Appendix C: Discography - Appendix D: Score Sources Lynn Eustis, soprano, is Associate Professor of Voice at the University of North Texas and appears regularly as a soloist with numerous professional organizations. She earned a Doctor of Music in Opera from Florida State University, a Master of Music in Opera from the Curtis Institute of Music, and a Bachelor of Music in Voice from Bucknell University.
SKU: GI.G-7335
Music for Young Tenors and Baritones. Composed by Lynn Eustis. Music Education. 72 pages. GIA Publications #7335. Published by GIA Publications (GI.G-7335).ISBN 9781579997236. English, French, German, Italian.
Choosing a singer’s voice type is one of the most difficult and important challenges facing today’s voice instructor. This decision affects every aspect of a singer’s development, as no singer can be truly successful with inappropriate repertoire. This volume and its companion for young sopranos and mezzo-sopranos is designed to offer guidance to voice teachers in dealing with hard-to-categorize students. In four concise steps, Eustis outlines a methodology for determining a singer’s voice type: Diagnose the primary technical issues. Observe changes in the sound as technique improves. Understand the psychology of voice type. Use appropriate repertoire to achieve the above goals. Contents: Introduction - George Frideric Handel: L’aure che spira - Henry Purcell: Who can behold Florella’s charms? - Joseph Haydn: Fidelity - Franz Schubert: An Sylvia - Felix Mendelssohn: Jagdlied - Allesandro Scarlatti: Da te lungi - Anonymous: Bergère legère - Gabriel Fauré: Chanson de Shylock - Charles Wakefield Cadman: From the Land of the Sky-Blue Water - Jay A Pierson: Music - Appendix A: Additional Repertoire for Investigation - Appendix B: Relevant Books - Appendix C: Discography - Appendix D: Score Sources Lynn Eustis, soprano, is Associate Professor of Voice at the University of North Texas and appears regularly as a soloist with numerous professional organizations. She earned a Doctor of Music in Opera from Florida State University, a Master of Music in Opera from the Curtis Institute of Music, and a Bachelor of Music in Voice from Bucknell University.
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